Keith Christiansen – Författare
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3 produkter
3 produkter
559 kr
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Portraits, an inherently personal subject, provide an engaging entry point to an exploration of the politics, patronage, and power in Renaissance Florence The Medici family ruled Florence without interruption between 1434 and 1494, but following their return to power in 1512, Cosimo I de’ Medici demonstrated an unprecedented ability to wield culture as a political tool. His rule transformed Florence into a dynastic duchy and give Florentine art the central position it has held ever since. As Florence underwent these dramatic political transformations in the sixteenth century, portraits became an essential means of recording a likeness and conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that distinguished Florentine portraiture. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York(June 26–October 11, 2021)
Ronald S. Lauder Collection
Selections of Greek and Roman Antiquities, Medieval Art, Arms and Armor, Italian Gold-Ground and Old Master Paintings, Austrian and German Design
Inbunden, Engelska, 2022
524 kr
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To celebrate the Neue Galerie’s twentieth-anniversary year, an exhibition will be presented of selections from the collection of its co-founder. The accompanying book continues with the theme of the tenth anniversary exhibition. Whereas the earlier show and publication focused on pieces from the third century BC to the twentieth century AD from Austria, France, and Germany, this exhibition and book will represent various centuries and media, highlighting Greek and Roman works, and Italian thirteenth- and fourteenth-century gold-ground paintings. Essays by distinguished art historians and curators will reflect on the breadth of these special fields, providing a background for various works, and their incorporation into the collection of the Neue Galerie’s co-founder.
388 kr
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The rediscovery of a Baroque masterpiece by the venerable Italian painterIn 2021, a painting was offered at a Madrid auction houses at a starting price of 1,500 euros. Almost immediately and almost unanimously, this Ecce Homo was attributed by experts to Caravaggio (1571–1610), an unprecedented event in the critical history of the painter.This publication comprises essays by four of the most authoritative specialists on Caravaggio and Baroque painting, who together offer an essential starting point for the understanding of this new and fundamental addition to our knowledge of Caravaggio’s work.Maria Cristina Terzaghi, Gianni Papi, Giuseppe Porzio and Keith Christiansen tackle the interpretation of the painting, taking different approaches. One essay dwells on the circumstances of the discovery, another traces its Spanish provenance, while the stylistic, technical and iconographic aspects of the work are examined in depth, along with the artist’s critical fortune and the legacy he left behind in Naples.The four texts offer the reader a variety of interpretations that constitute the true value of this publication. While others have expressed skepticism over the attribution, all the contributing scholars share the same enthusiastic certainty: the Ecce Homo is a masterpiece by Caravaggio and, as such, still has a lot to tell us about the artist.