Keith Gessen – författare

"Diary of a Very Bad Year is a rarity: a book on modern finance that''s both extraordinarily thoughtful and enormously entertaining." —James Surowiecki, New York Times–bestselling author A profoundly candid and captivating account of the economic crisis and subprime mortgage collapse, from an anonymous hedge fund manager, as told to the editors of New York literary magazine n+1."Diary of a Very Bad Year does something few of the books written about the crisis have accomplished: It delivers an insider perspective on the events in real time, rather than dwelling on conclusions reached after the fact." —BusinessWeek"HFM does a good job of teaching the reader how mortgage-backed paper, money-market funds, and credit-default swaps work, while offering up juicier tidbits about the ethics and legalities of his sector." —Time Out New York"A highly readable refresher on the financial crisis . . . Amazingly—and largely because of the anonymity he''s granted—the nameless hedgie gives straight answers . . . the book is packed with plenty of humor." —The Wall Street Journal"A short, illuminating set of interviews with one savvy, articulate Wall Streeter . . . A penetrating, educational and at times harrowing play-by-play." —Time magazine"A great read . . . HFM offers a brilliant financial professional''s view of the economic situation in real time, from September 2007, when problems in financial markets began to surface, until late summer 2009." —Booklist

Orwell demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." AUTHOR: George Orwell (1903-1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.

All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."

A charming yet scathing portrait of young adulthood at the opening of the twenty-first century, All the Sad Young Literary Men charts the lives of Sam, Mark, and Keith, as they overthink their college years, underthink their love lives, and struggle through the encouragement of the women who love and despise them to find a semblance of maturity, responsibility, and even literary fame. At every turn, at each character's misstep, this assured debut radiates with comedic warmth and biting honesty and signals the arrival of a brave and trenchant new writer.

In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by the violent overreactions of the police. An unofficial record of this movement, Occupy! combines adrenalin-fueled first-hand accounts of the early days and weeks of Occupy Wall Street with contentious debates and thoughtful reflections, featuring the editors and writers of the celebrated n+1, as well as some of the world''s leading radical thinkers, such as Slavoj Zizek, Angela Davis, and Rebecca Solnit.The book conveys the intense excitement of those present at the birth of a counterculture, while providing the movement with a serious platform for debating goals, demands, and tactics. Articles address the history of the "horizontalist" structure at OWS; how to keep a live-in going when there is a giant mountain of laundry building up; how very rich the very rich have become; the messages and meaning of the "We are the 99%" tumblr website; occupations in Oakland, Boston, Atlanta, and elsewhere; what happens next; and much more.

'A wise, mild and enviably lucid book about a chaotic scene' - Dwight Garner, New York Times'Memoirs of fatherhood are rarely so honest or so blunt' - Daniel Engber, Atlantic'Tender and generous' - New York magazineKeith Gessen had always assumed that he would have kids, but couldn't imagine what parenthood would be like, nor what kind of parent he would be. Then, one Tuesday night in early June, Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical.Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Like all parents, Gessen wants to do what is best for his child. But he has no idea what that is. By turns hilarious and poignant, Raising Raffi is a story of what it means to invent the world anew.

In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by the violent overreactions of the police. An unofficial record of this movement, Occupy! combines adrenalin-fueled first-hand accounts of the early days and weeks of Occupy Wall Street with contentious debates and thoughtful reflections, featuring the editors and writers of the celebrated n+1, as well as some of the world's leading radical thinkers, such as Slavoj Zizek, Angela Davis, and Rebecca Solnit.The book conveys the intense excitement of those present at the birth of a counterculture, while providing the movement with a serious platform for debating goals, demands, and tactics. Articles address the history of the "horizontalist" structure at OWS; how to keep a live-in going when there is a giant mountain of laundry building up; how very rich the very rich have become; the messages and meaning of the "We are the 99%" tumblr website; occupations in Oakland, Boston, Atlanta, and elsewhere; what happens next; and much more.

In the summer of 2008, Andrei Kaplan moves from New York to Moscow to look after his ageing grandmother, a woman who survived the dark days of communism and witnessed Russia’s violent capitalist transformation. She welcomes Andrei into her home, even if she can’t always remember who he is. Andrei learns to navigate Putin’s Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly – but surprisingly sharp! – grandmother, finds a place to play hockey, a café to send emails, and eventually some friends, including a beautiful young activist named Yulia. Capturing with a miniaturist’s brush the unfolding demands of family, fortune, personal ambition, ideology, and desire, A Terrible Country is a compelling novel about ageing, radical politics, Russia at a crossroads, and the difficulty – or impossibility – of actually changing one’s life.