Keith Waters – författare
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This title was first published in 2002. Through analyses of a number of Honegger''s compositions, including extended analyses of two of Honegger''s orchestral works, "Mouvement symphonique No. 2 (Rugby)" and "Symphonie pour cordes", Keith Waters examines the principles of musical organization in Honegger''s music and shows how these principles are based on systematic rhythmic and contrapuntal strategies. Musical form in Honegger''s work, the book argues, is articulated by contrapuntal and rhythmic structures rather than by tonal structure, and it is this that provides the source of compositional unity in Honegger''s music.
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This title was first published in 2002. Through analyses of a number of Honegger''s compositions, including extended analyses of two of Honegger''s orchestral works, "Mouvement symphonique No. 2 (Rugby)" and "Symphonie pour cordes", Keith Waters examines the principles of musical organization in Honegger''s music and shows how these principles are based on systematic rhythmic and contrapuntal strategies. Musical form in Honegger''s work, the book argues, is articulated by contrapuntal and rhythmic structures rather than by tonal structure, and it is this that provides the source of compositional unity in Honegger''s music.
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This comprehensive work provides the fundamentals of computer facial animation and brings into sharper focus techniques that are becoming mainstream in the industry. Over the past decade, since the publication of the first edition, there have been significant developments by academic research groups and in the film and games industries leading to the development of morphable face models, performance driven animation, as well as increasingly detailed lip-synchronization and hair modeling techniques. These topics are described in the context of existing facial animation principles.
The second edition provides an up-to-date source for professionals and academic researchers working in the field of facial animation.
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