Kersti French – författare
Visar alla böcker från författaren Kersti French. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
Häftad, Engelska, 1995
195 kr
Skickas inom 5-8 vardagar
Wild Strawberries (1958) is probably Ingmar Bergman's most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman's powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.
E-bok
Engelska, 2019202 kr
Läs direkt efter köp
Wild Strawberries (1958) is probably Ingmar Bergman''s most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman''s powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.
E-bok
PDF, Engelska, 2019204 kr
Läs direkt efter köp
Wild Strawberries (1958) is probably Ingmar Bergman''s most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman''s powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.
Häftad, Engelska, 2018
221 kr
Tillfälligt slut
Notes from the Dream House is a `best of’ selection of reviews by the celebrated Observer film critic Philip French. Spanning half the history of cinema, his reviews cover a great variety of films, from westerns and gangsters to art movies and musicals – the hits and the misses, the good, the bad and the ugly. French takes on films as disparate as The Gospel According to St Matthew and Ted, The Remains of the Day and Caligula. His reviews are personal, witty, and sharply perceptive. Time and again he reveals not only an encyclopaedic knowledge of cinema but also an erudition, an enthusiasm, and a boundless curiosity. Taken together, they form an illuminating commen¬tary on modern culture; but above all they are a distillation of one man’s lifelong love of cinema, a worthy memorial to one of the most respected and beloved of modern critics.