Philip French – författare

Known as the celebrated director of critical and commercial successes such as Psycho (1960) and The Birds (1963), Alfred Hitchcock is famous for his distinctive visual style and signature motifs. While recent books and articles discussing his life and work focus on the production and philosophy of his iconic Hollywood-era films like Notorious (1946) and Vertigo (1958), Hitchcock Lost and Found moves beyond these seminal works to explore forgotten, incomplete, lost, and recovered productions from all stages of his career, including his early years in Britain.Authors Alain Kerzoncuf and Charles Barr highlight Hitchcock's neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director's career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the filmmaker's career and achievements.

Wild Strawberries (1958) is probably Ingmar Bergman's most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman's powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.

Wild Strawberries (1958) is probably Ingmar Bergman''s most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman''s powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.

Wild Strawberries (1958) is probably Ingmar Bergman''s most personal film and one which explores his relation to the history of Swedish cinema. Philip and Kersti French give a detailed account of Bergman''s powerful and intense direction of the film. They set the film firmly in the context of Swedish life and culture. The authors also trace connections with the plays of August Strindberg, and the paintings of Edvard Munch and Carl Larsson.