Kerstin Oloff – författare

The Routledge Companion to World‑Literature and the Environment takes a broad, global overview of the history, present and potential futures of environmental and literary studies, demonstrating that world‑literature is itself a world‑ecological force.Over 36 chapters, the collection moves from early modern imperial activity through to the contemporary climate emergency. This book is organised into seven thematic sections: Commodity Frontiers and Extraction; Fossil Fuel Energetics; Food and Land; Oceans, Fresh Water and Hydropolitics; Disease, Toxicity and Social Reproduction; Emergencies, Wars and Disasters; and Apocalypse and Insurgency. With coverage stretching across Europe, the Americas, Australasia, the Indian subcontinent and East Asia, the Companion takes a multilingual approach, appearing in English yet also tackling texts originally written in Arabic, Bengali, Chinese, Portuguese and Spanish, as well as texts containing translated elements of Indigenous languages. Chapters examine multiple genres, modes and media, including novels, short stories, poetry, drama, graphic narratives, nonfiction prose and oral literature. Weaving together eco‑materialist approaches to the aesthetic registration of humanity‑in‑nature, the environmental history of capitalism and world‑literary methods of comparativism, this Companion acts as a large‑scale guide for new readers and researchers interested in postcolonial studies, global or world‑literature, ecocriticism and the environmental humanities. At the same time, it provides an interventionist account of innovative methodological priorities and areas of topical focus for advanced scholars.

Ecology of the Zombie marks a significant intervention into the fields of world literature, film studies, ecocriticism, and Gothic Studies. Arguing that the zombie is a fundamentally ecological figure, the book offers original readings of a range of cultural texts from across the Caribbean and the U.S. In its various incarnations - from enslaved body toiling on fields, to vacant-eyed, light-skinned female imprisoned within patriarchal structures, to the cannibalistic mass zombie roaming apocalyptic scenarios - the zombie speaks powerfully to capitalism's systematic degradation of land and labour. Indeed, the figure gives expression to the metabolic rifts through which the modern world-system has unfolded. Boldly intervening in current debates around Gothic imaginaries, Ecology of the Zombie argues for the centrality of the Caribbean monstrous to understanding Gothic ecologies due to the region's pivotal role in the emergence of capitalist modernity. The book is distinguished by its striking comparative analyses, bringing the work of René Depestre, for example, into conversation with that of Ralph Ellison, reading Erna Brodber’s Myal in conjunction with George Romero’s Dawn of the Dead, and examining The Stepford Wives alongside the fiction of Pedro Cabiya. In so doing, it provides an important new interpretation of the cultural history of the zombie.

Ecology of the Zombie marks a significant intervention into the fields of world literature, film studies, ecocriticism, and Gothic Studies. Arguing that the zombie is a fundamentally ecological figure, the book offers original readings of a range of cultural texts from across the Caribbean and the U.S. In its various incarnations - from enslaved body toiling on fields, to vacant-eyed, light-skinned female imprisoned within patriarchal structures, to the cannibalistic mass zombie roaming apocalyptic scenarios - the zombie speaks powerfully to capitalism's systematic degradation of land and labour. Indeed, the figure gives expression to the metabolic rifts through which the modern world-system has unfolded. Boldly intervening in current debates around Gothic imaginaries, Ecology of the Zombie argues for the centrality of the Caribbean monstrous to understanding Gothic ecologies due to the region's pivotal role in the emergence of capitalist modernity. The book is distinguished by its striking comparative analyses, bringing the work of René Depestre, for example, into conversation with that of Ralph Ellison, reading Erna Brodber’s Myal in conjunction with George Romero’s Dawn of the Dead, and examining The Stepford Wives alongside the fiction of Pedro Cabiya. In so doing, it provides an important new interpretation of the cultural history of the zombie.

Literary and Cultural Production, World-Ecology, and the Global Food System marks a significant intervention into the field of literary food studies.