Kevin D. Murphy - Böcker

Memory and Modernity focuses on the first project of the renowned nineteenth-century French architect and theorist Eugène-Emmanuel Viollet-le-Duc, the restoration of the Romanesque church of the Madeleine at Vézelay in Burgundy. This is the first book-length study to approach the work of Viollet-le-Duc from the perspective of institutional and social history.Kevin D. Murphy situates the Vézelay restoration project within the government architectural bureaucracy that emerged in the July Monarchy. Drawing on extensive archival records, he describes the controversy that arose from the restoration process, as changes in the physical form of the church, its permitted uses, and its place in history provoked heated exchanges among the Burgundy region and Paris, the Catholic clergy and government officials.Examining in detail the architect's transformation of the church of the Madeleine, the book also draws out the implications of the project for understanding Viollet-le-Duc's theoretical development. Murphy shows how Viollet-le-Duc's rationalist interpretation of medieval architecture informed the decisions that were made about the restoration, but also how that way of thinking was influenced by the architect's experience at Vézelay.

A comprehensive history of the women architects who left their enduring mark on American ModernismIn the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.Mary Anne Hunting and Kevin D. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Hunting and Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.

Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also boldness, scale, ingenuity, and daring. As a phenomenon born in late-nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground more avowedly modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together renowned scholars to address the medievalist skyscraper, from the flying buttresses to the dizzying spires, and from the Chicago Tribune Tower to the Woolworth Building in Manhattan.

Folk art proves that producing utilitarian objects can provide an opportunity for self-expression. From decoys to sea chests, folk art is not only rooted in the useful but in the realities of living. Some folk art makes daily chores more fun, while others, such as mourning art, help people face life's saddest occasions. This volume is an introduction for the novice and a treasure for the collector.

Modelling and Estimation of Damage in Structures is a comprehensiveguide to solving the type of modelling and estimation problems associated with the physics of structural damage. Provides a model-based approach to damage identificationPresents an in-depth treatment of probability theory and random processesCovers both theory and algorithms for implementing maximum likelihood and Bayesian estimation approachesIncludes experimental examples of all detection and identification approachesProvides a clear means by which acquired data can be used to make decisions regarding maintenance and usage of a structure

This title presents the extraordinary story of a clergyman-artist-entrepreneur who helped shape the New England frontier. This book examines the life of Jonathan Fisher (1768-1847), a native of Braintree, Massachusetts, and graduate of Harvard College who moved in his late twenties to Blue Hill, Maine, where he embarked on a multifaceted career as a pioneer minister, farmer, entrepreneur, and artist. Drawing on a vast record of letters, diaries, sermons, drawings, paintings, and buildings, Kevin D. Murphy reconstructs Fisher's story and uses it to explore larger issues of material culture, visual culture, and social history during the early decades of the American republic. Murphy shows how Fisher, as pastor of the Congregational church in Blue Hill from 1796 to 1837, helped spearhead the transformation of a frontier settlement on the eastern shores of the Penobscot Bay into a thriving port community; how he used his skills as an architect, decorative painter, surveyor, and furniture maker not only to support himself and his family, but to promote the economic growth of his village; and how the fluid professional identity that enabled Fisher to prosper on the eastern frontier could only have existed in early America where economic relations were far less rigidly defined than in Europe. Among the most important artifacts of Jonathan Fisher's life is the house he designed and built in Blue Hill. The Jonathan Fisher Memorial, as it is now known, serves as a point of departure for an examination of social, religious, and cultural life in a newly established village at the turn of the nineteenth century. Fisher's house provided a variety of spaces for agricultural and domestic work, teaching, socializing, artmaking, and more. Through the eyes of Jonathan Fisher, we see his family grow and face the challenges of the new century, responding to religious, social, and economic change - sometimes succeeding and sometimes failing. We appreciate how an extraordinarily energetic man was able to capitalize on the wide array of opportunities offered by the frontier to give shape to his personal vision of community.