Kevin Jackson – författare

Hunt Emerson, the dazzlingly talented cartoonist, tackles the biggest literary name of them all: Dante. Emerson's Inferno delights on many levels: as an ingenious translation of classic verse; an effortlessly readable introduction to a complex poem; a delicious crib for anxious Dante students; and as a warm tribute from the master of one art form to the grand master of another. Hunt's cartoon is followed by Kevin Jackson's essay on Dante. Wildly clever and witty, but essentially reverent, it is a wonderful treat for anyone who already loves Dante.

Since the dawn of humanity, there have been individuals who want to mess around with Hidden Powers - with the Occult. Some were Mystics, some were Scientists, some were Charlatans. Some were Powerful, some were Wretched. All were pretty bonkers. Kevin Jackson and Hunt Emerson have made over 100 pages of comics dealing with the Lives of the Great Occultists. Over 40 Occultists in all, including Faust, Giordano Bruno, Strindberg, Isobel Gowdie, Kircher, William Blake, PL Travers, WB Yeats, Jack Parsons, and - repeatedly - Aleister Crowley. The comics are factual, and very funny.

Schrader on Schrader is an essential set of dialogues with one of the most genuinely fascinating and uncompromising writer-directors in American film.Raised as a Calvinist and hence forbidden to partake of 'worldly pleasures' such as movies, Paul Schrader nevertheless defied his upbringing to become first a leading film critic, then a star pupil among the US 'movie brat' generation of the 1970s: writing the coruscating screenplays for Martin Scorsese's Taxi Driver and Raging Bull and directing such provocative pictures as Blue Collar, Hardcore and American Gigolo. Maturity has never sated his appetite for attacking 'difficult' material, from adapting Kazantzakis' The Last Temptation for Scorsese, to filming the singular lives of Mishima and Patty Hearst.Schrader on Schrader is a tour through this formidable body of work, including some of Schrader's finest critical essays.

When Paul Dombey asks `what's money?' in Charles Dickens's novel, his father is hard put to find an answer. The Oxford Book of Money sets out to explore the question with the help of writers, poets, artists, philosophers, economists, financiers and politicians, and to determine not only what it is, but more importantly, what it can do.More than just `gold, and silver, and copper', more, even, than banknotes (or cowrie shells or cocoa beans), money represents power and status, the lack of it misery and ignominy. True to the decimal system, the ten sections that make up this anthology look at the rich and the poor and the countless ways in which money can be made and lost. From ancient Greece to modern America trade, speculation, inheritance, debt, and ruin have been the themes of literature and the sources of philosophical and psychological conjecture on money, happiness, and evil. And the hardest question of all reveals a centuries-old ambivalence: how much is it worth? Some things are beyond value, but we all work for hire.Money is a subject that few writers have ignored: Dante, Milton, Nietzche, Baudelaire, Beckett, Propertius, Whitman, Wolfe and Eco - there is an inexhaustible wealth of material that is here tapped to the full. Kevin Jackson has compiled a gem of an anthology on the richest topic of them all.

In the aftermath of scandals such as those at Enron and WorldCom, there is a growing suspicion of the corporate world. For this reason it is more important than ever for firms to maintain a good reputation. In Building Reputational Capital, Kevin T. Jackson offers a practical guide to taking the high road--the only path that leads to lasting success. Based on extensive research and real-world experience, Building Reputational Capital reveals basic principles of integrity and fairness with which firms can build an enduring reputation. More than image, a firm's reputation is a form of capital often neglected in the boardroom and overlooked in conventional analyses of financial statements. Speaking directly to the work experience of real people in practical business settings, Jackson couples each principle with straightforward actions that drive management systems, and he provides tested strategies--from downsizing techniques to e-commerce tips--that cultivate the hidden power of a good reputation. He outlines the advantages of a superior reputation (simply put, people want to work for, invest in, and do business with a company or person with integrity), describes the vital role the firm's leader must play, offers ways to build and protect your reputation on the Internet (from defusing Internet rumors to creating an online community), and shows how to rescue your reputation once disaster hits. Perhaps most important, he shows how to strike the right balance of virtues like authenticity, honesty, responsibility, and stewardship of the environment, employees, and the economy. Highlighted with real-life success stories--from giants like Hewlett-Packard to small firms like Thanksgiving Coffee Company (which invests part of its revenues in the Central American villages in which its beans are grown), Building Reputational Capital offers a simple but effective guide for executives, managers, entrepreneurs, legal professionals, and corporate consultants.

Lawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean''s film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.

1922. The spectacular year that F. Scott Fitzgerald chose as a backdrop for his most famous novel The Great Gatsby. It was also the year where James Joyce’s Ulysses and T. S. Eliot’s The Waste Land were published, Alfred Hitchcock directed his first feature, the Ottoman Empire collapsed, Louis Armstrong took the train from New Orleans to Chicago and made Jazz the defining music of the age, and Hollywood transformed the nature of fame. Constellation of Genius is the gloriously entertaining journey through the diaries of the actors, anthropologists, artists, dancers, designers, film-makers, philosophers, playwrights, politicians and scientists whose lives and works collided over twelve months, creating a frenzy of innovation and the beginning of a new era.

The Fourth Edition of the industry-acclaimed OpenStack Cloud Computing Cookbook, from four recognized experts, updated to the latest OpenStack build including Cinder, Nova, and Neutron.

About This Book

Over 100 recipes created by a team of OpenStack expertsUpdated to work with the latest OpenStack builds, with recipes covering the installation and use of OpenStack with AnsibleIt covers topics such as Keystone, Glance, Neutron, Nova, Cinder, and more, plus recipes for OpenStack storage, networking, and orchestrating workloadsTest drive OpenStack using the accompanying Vagrant environment

Who This Book Is For

This book is written for cloud system engineers, system administrators, and technical architects who are moving from a virtualized environment to cloud environments. This book assumes that you are familiar with cloud computing platforms, and have knowledge of virtualization, networking, and managing Linux environments.

What You Will Learn

Understand, install, configure, and manage a complete OpenStack Cloud platform using OpenStack-AnsibleConfigure networks, routers, load balancers, and more with NeutronUse Keystone to setup domains, roles, groups and user accessLearn how to use Swift and setup container access control listsGain hands-on experience and familiarity with Horizon, the OpenStack Dashboard user interfaceAutomate complete solutions with our recipes on Heat, the OpenStack Orchestration service as well as using Ansible to orchestrate application workloadsFollow practical advice and examples to run OpenStack in production

In Detail

This is the fourth edition of the industry-acclaimed OpenStack Cloud Computing Cookbook, created by four recognized OpenStack experts. It has now been updated to work with the latest OpenStack builds, using tools and processes based on their collective and vast OpenStack experience.

OpenStack Open Source Cloud software is one of the most used cloud infrastructures to support a wide variety of use cases, from software development to big data analysis. It is developed by a thriving community of individual developers from around the globe and backed by most of the leading players in the cloud space today. We make it simple to implement, massively scalable, and able to store a large pool of data and networking resources. OpenStack has a strong ecosystem that helps you provision your cloud storage needs. Add OpenStack''s enterprise features to reduce the cost of your business.

This book will begin by showing you the steps to build up an OpenStack private cloud environment using Ansible. You''ll then discover the uses of cloud services such as the identity service, image service, and compute service. You''ll dive into Neutron, the OpenStack Networking service, and get your hands dirty with configuring networks, routers, load balancers, and more.

You''ll then gather more expert knowledge on OpenStack cloud computing by managing your cloud''s security and migration. After that, we delve into OpenStack Object storage and you''ll see how to manage servers and work with objects, cluster, and storage functionalities. Finally, you will learn about OpenStack dashboard, Ansible, Keystone, and other interesting topics.

Style and approach

Clear, step-by-step instructions coupled with practical and applicable recipes that will enable you to use and implement the latest features of OpenStack. The authors provide all the context you need around each recipe so that you can make it part of your own OpenStack solutions.

Lawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean''s film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.

F.W. Murnau''s 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker''s Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson''s study traces Nosferatu''s eventful production and reception history, including attempts by Stoker''s widow to suppress it.

Kevin Jackson recounts that experience in addition to giving a full account of the film''s production. But chiefly he analyses the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film''s comic brilliance, just how much more there is to Withnail & I than drunkenness and swearing. ''It is an outstandingly touching yet witheringly unsentimental drama of male friendship,'' Jackson writes, ''a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness'' - and, without question, one of the greatest of all British films.

Kevin Jackson recounts that experience in addition to giving a full account of the film''s production. But chiefly he analyses the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film''s comic brilliance, just how much more there is to Withnail & I than drunkenness and swearing. ''It is an outstandingly touching yet witheringly unsentimental drama of male friendship,'' Jackson writes, ''a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness'' - and, without question, one of the greatest of all British films.

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison’s production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes.Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film's comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. 'It is an outstandingly touching yet witheringly unsentimental drama of male friendship,' Jackson writes, 'a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness' - and, without question, one of the greatest of all British films.In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail's peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison''s production company, and drawing heavily on first-time writer-director Bruce Robinson''s experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and ''I'', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as ''we''ve gone on holiday by mistake!'' and ''Bring me the finest wines known to humanity!'' have become popular favourites and the subject of countless internet memes.Kevin Jackson''s in-depth study gives a full account of the film''s origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film''s comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. ''It is an outstandingly touching yet witheringly unsentimental drama of male friendship,'' Jackson writes, ''a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness'' - and, without question, one of the greatest of all British films.In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail''s peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison''s production company, and drawing heavily on first-time writer-director Bruce Robinson''s experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and ''I'', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as ''we''ve gone on holiday by mistake!'' and ''Bring me the finest wines known to humanity!'' have become popular favourites and the subject of countless internet memes.Kevin Jackson''s in-depth study gives a full account of the film''s origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film''s comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. ''It is an outstandingly touching yet witheringly unsentimental drama of male friendship,'' Jackson writes, ''a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness'' - and, without question, one of the greatest of all British films.In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail''s peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

On Easter, 2014, Britain's best-loved vicar, the Rev. Richard Coles, led a pilgrimage to all the major historic sites of the Holy Land: from Nazareth and the Sea of Galilee in the North, via Jericho and the Jordan River, to Bethlehem and, finally, Jerusalem. All of the pilgrims in his care were practising Christians, except one: the writer Kevin Jackson, a diffident and sympathetic atheist intrigued by the chance to take part in this modern-day version of an ancient act of piety, and to learn some more about his old friend, the media clergyman.Coles to Jerusalem is Kevin Jackson's light-hearted diary of that pilgrimage, and a close-up portrait of Richard Coles both as priest and as man. As the journey proceeds, Coles reminisces at length about his past life as a rock star and radical gay agitator, his new life as a spiritual leader and a popular broadcaster on BBC radio and television, and the strange, unpredictable path that led him from self-destructive debauchery to faith and vocation.With a lively supporting cast of fellow pilgrims, Coles to Jerusalem ranges among the magnificence of ancient monuments and the banalities of the guided tour, the grim political background of contemporary Israel and the comedy of a group of idiosyncratic English folk abroad, the intensity of worship and the lightness of banter. It will be irresistible to all admirers of Richard Coles, who has contributed a foreword; and a revelation to those who have never encountered his wisdom and warmth.

Lawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean's film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.

F.W. Murnau's 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson's study traces Nosferatu's eventful production and reception history, including attempts by Stoker's widow to suppress it.

F.W. Murnau''s 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker''s Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson''s study traces Nosferatu''s eventful production and reception history, including attempts by Stoker''s widow to suppress it.

Robert Burton's The Anatomy of Melancholy (1621) has cast a long, shimmering shadow, on Milton (L'Allegro and Il Penseroso in particular), on the wits of Queen Anne's reign and the beginning of George I's, and on Swift. Doctor Johnson praised it vehemently. Sterne is its most comprehensive beneficiary in Tristram Shandy. He was a favourite with Coleridge, Lamb and Southey. Keats owes 'Lamia' and much else to Robert Burton. Byron praised it as the most entertaining of literary miscellanies.The Anatomy is either the first major text in the history of Western cognitive science, or a satire on human learning and striving. Burton is not original, but he is comprehensive, and he writes with a wry brilliance. He was familiar with nearly all the medical, astrological, and magical books then extant. He introduces several key terms which remain dominant in models of cognition through to the Victorian era, among them Phantasy or Imagination, Reflection, the Senses and Understanding. Locke in 1690 was to adopt much of Burton's model and terminology.Anthony a Wood gives the following character of Robert Burton (1577-1640): 'As he was by many accounted a severe student, a devourer of authors, a melancholy and humorous person, so by others who knew him well a person of great honesty, plain dealing and charity. I have heard some of the ancients of Christ Church often say that his company was very merry...'This new selection draws on The Anatomy and other key writings.