Kevin Jackson – författare

When Paul Dombey asks `what's money?' in Charles Dickens's novel, his father is hard put to find an answer. The Oxford Book of Money sets out to explore the question with the help of writers, poets, artists, philosophers, economists, financiers and politicians, and to determine not only what it is, but more importantly, what it can do.More than just `gold, and silver, and copper', more, even, than banknotes (or cowrie shells or cocoa beans), money represents power and status, the lack of it misery and ignominy. True to the decimal system, the ten sections that make up this anthology look at the rich and the poor and the countless ways in which money can be made and lost. From ancient Greece to modern America trade, speculation, inheritance, debt, and ruin have been the themes of literature and the sources of philosophical and psychological conjecture on money, happiness, and evil. And the hardest question of all reveals a centuries-old ambivalence: how much is it worth? Some things are beyond value, but we all work for hire.Money is a subject that few writers have ignored: Dante, Milton, Nietzche, Baudelaire, Beckett, Propertius, Whitman, Wolfe and Eco - there is an inexhaustible wealth of material that is here tapped to the full. Kevin Jackson has compiled a gem of an anthology on the richest topic of them all.

In the aftermath of scandals such as those at Enron and WorldCom, there is a growing suspicion of the corporate world. For this reason it is more important than ever for firms to maintain a good reputation. In Building Reputational Capital, Kevin T. Jackson offers a practical guide to taking the high road--the only path that leads to lasting success. Based on extensive research and real-world experience, Building Reputational Capital reveals basic principles of integrity and fairness with which firms can build an enduring reputation. More than image, a firm's reputation is a form of capital often neglected in the boardroom and overlooked in conventional analyses of financial statements. Speaking directly to the work experience of real people in practical business settings, Jackson couples each principle with straightforward actions that drive management systems, and he provides tested strategies--from downsizing techniques to e-commerce tips--that cultivate the hidden power of a good reputation. He outlines the advantages of a superior reputation (simply put, people want to work for, invest in, and do business with a company or person with integrity), describes the vital role the firm's leader must play, offers ways to build and protect your reputation on the Internet (from defusing Internet rumors to creating an online community), and shows how to rescue your reputation once disaster hits. Perhaps most important, he shows how to strike the right balance of virtues like authenticity, honesty, responsibility, and stewardship of the environment, employees, and the economy. Highlighted with real-life success stories--from giants like Hewlett-Packard to small firms like Thanksgiving Coffee Company (which invests part of its revenues in the Central American villages in which its beans are grown), Building Reputational Capital offers a simple but effective guide for executives, managers, entrepreneurs, legal professionals, and corporate consultants.

Schrader on Schrader is an essential set of dialogues with one of the most genuinely fascinating and uncompromising writer-directors in American film.Raised as a Calvinist and hence forbidden to partake of 'worldly pleasures' such as movies, Paul Schrader nevertheless defied his upbringing to become first a leading film critic, then a star pupil among the US 'movie brat' generation of the 1970s: writing the coruscating screenplays for Martin Scorsese's Taxi Driver and Raging Bull and directing such provocative pictures as Blue Collar, Hardcore and American Gigolo. Maturity has never sated his appetite for attacking 'difficult' material, from adapting Kazantzakis' The Last Temptation for Scorsese, to filming the singular lives of Mishima and Patty Hearst.Schrader on Schrader is a tour through this formidable body of work, including some of Schrader's finest critical essays.

Withnail and I sank almost without a trace when it was first released in 1987. Financed by HandMade Films, the late George Harrison’s production company, and drawing heavily on first-time writer-director Bruce Robinson's experiences, this virtually plot-free story follows two out-of-work actors (Withnail, played by Richard E. Grant, and 'I', played by Paul McGann), eking out a living in a run-down London of the late 1960s, and embarking on a booze-fuelled weekend in the country which takes various unexpected turns. Although it initially failed to find an audience, it did not take long for the film to attract a dedicated cult following which still persists today. Lines from the film such as 'we've gone on holiday by mistake!' and 'Bring me the finest wines known to humanity!' have become popular favourites and the subject of countless internet memes.Kevin Jackson's in-depth study gives a full account of the film's origins and production history. But his main focus is the mood and magic of the film, its aesthetics and sensibility, seeking to show, without ever detracting from the film's comic brilliance, just how much more there is to Withnail and I than drunkenness and swearing. 'It is an outstandingly touching yet witheringly unsentimental drama of male friendship,' Jackson writes, 'a bleak up-ending of the English pastoral dream, a piece of ferocious verbal inventiveness' - and, without question, one of the greatest of all British films.In his new foreword to this edition, writer Bharat Tandon pays tribute to to both Withnail's peculiar genius and enduring appeal, and to his close friend Kevin Jackson.

On Easter, 2014, Britain's best-loved vicar, the Rev. Richard Coles, led a pilgrimage to all the major historic sites of the Holy Land: from Nazareth and the Sea of Galilee in the North, via Jericho and the Jordan River, to Bethlehem and, finally, Jerusalem. All of the pilgrims in his care were practising Christians, except one: the writer Kevin Jackson, a diffident and sympathetic atheist intrigued by the chance to take part in this modern-day version of an ancient act of piety, and to learn some more about his old friend, the media clergyman.Coles to Jerusalem is Kevin Jackson's light-hearted diary of that pilgrimage, and a close-up portrait of Richard Coles both as priest and as man. As the journey proceeds, Coles reminisces at length about his past life as a rock star and radical gay agitator, his new life as a spiritual leader and a popular broadcaster on BBC radio and television, and the strange, unpredictable path that led him from self-destructive debauchery to faith and vocation.With a lively supporting cast of fellow pilgrims, Coles to Jerusalem ranges among the magnificence of ancient monuments and the banalities of the guided tour, the grim political background of contemporary Israel and the comedy of a group of idiosyncratic English folk abroad, the intensity of worship and the lightness of banter. It will be irresistible to all admirers of Richard Coles, who has contributed a foreword; and a revelation to those who have never encountered his wisdom and warmth.

Lawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean's film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.

F.W. Murnau's 1922 Nosferatu, the first (albeit unofficial) screen adaptation of Bram Stoker's Dracula, starring Max Schreck as the hollow-eyed, cadaverous vampire, remains a potent and disturbing horror film. Kevin Jackson's study traces Nosferatu's eventful production and reception history, including attempts by Stoker's widow to suppress it.

Ruskin is one of the most influential and exhilarating writers in English. Art critic, architectural visionary, social reformer, climate warner and incomparable teacher; Ruskin's words not only transformed Victorian England but speak to us with increasing urgency today. This, the first general introduction to Ruskin for many years, places him in the social, economic and aesthetic world of Victorian Britain that he transformed - and shows how this transformation has much to teach us today. The extensive illustrations range from private notes and lecture diagrams to presentation drawings, including some of the most beautiful images of the 19th century and many never before published. Published in association with the Ruskin Foundation.

Robert Burton's The Anatomy of Melancholy (1621) has cast a long, shimmering shadow, on Milton (L'Allegro and Il Penseroso in particular), on the wits of Queen Anne's reign and the beginning of George I's, and on Swift. Doctor Johnson praised it vehemently. Sterne is its most comprehensive beneficiary in Tristram Shandy. He was a favourite with Coleridge, Lamb and Southey. Keats owes 'Lamia' and much else to Robert Burton. Byron praised it as the most entertaining of literary miscellanies.The Anatomy is either the first major text in the history of Western cognitive science, or a satire on human learning and striving. Burton is not original, but he is comprehensive, and he writes with a wry brilliance. He was familiar with nearly all the medical, astrological, and magical books then extant. He introduces several key terms which remain dominant in models of cognition through to the Victorian era, among them Phantasy or Imagination, Reflection, the Senses and Understanding. Locke in 1690 was to adopt much of Burton's model and terminology.Anthony a Wood gives the following character of Robert Burton (1577-1640): 'As he was by many accounted a severe student, a devourer of authors, a melancholy and humorous person, so by others who knew him well a person of great honesty, plain dealing and charity. I have heard some of the ancients of Christ Church often say that his company was very merry...'This new selection draws on The Anatomy and other key writings.

Its hooves were supposedly a cure for epilepsy, it is the mascot of the clothing company Abercrombie and Fitch, and its meat is a delicacy. The moose is a fascinating but elusive animal of the north, and its little-known natural history is the focus of Kevin Jackson’s engaging new book.Moose explains the animal’s behaviour, evolution and diet, and describes its natural environments around the world, including in the USA, Canada and Scandinavia, where the moose is the national animal of Sweden and of Norway. Jackson considers why the moose is really an elk and an elk is a wapiti, and he also discusses the controversy behind the naming of the Irish Elk. The moose has been a quarry for humans since the Stone Age, and the book does not stint on the animal's role in human history, including the ‘alces’ in Julius Caesar’s history of the Gallic Wars and figures such as Thomas Jefferson, poet Ted Hughes, and Theodore Roosevelt with his Bull Moose Party. The Rocky and Bullwinkle Show, a 150-foot statue being built in Sweden, and colourful moose lore all appear in this wide-ranging study, making this an essential read for naturalists and moose lovers alike.