Kevin Loring – författare

NATIONAL BESTSELLERFrom bestselling true-crime author Peter Edwards and Governor General's Award-winning playwright Kevin Loring, two sons of Lytton, the BC town that burned to the ground in 2021, comes a meditation on hometown―when hometown is gone.“It’s dire,” Greta Thunberg retweeted Mayor Jan Polderman. “The whole town is on fire. It took a whole 15 minutes from the first sign of smoke to, all of a sudden, there being fire everywhere.”Before it made global headlines as the small town that burned down during a record-breaking heat wave in June 2021, while briefly the hottest place on Earth, Lytton, British Columbia, had a curious past. Named for the author of the infamous line, “It was a dark and stormy night,” Lytton was also where Peter Edwards, organized-crime journalist and author spent his childhood. Although only about 500 people lived in Lytton, Peter liked to joke that he was only the second-best writer to come from his tiny hometown. His grade-school classmate’s nephew Kevin Loring, Nlaka’pamux from Lytton First Nation, had grown up to be a Governor General’s Award–winning playwright.        The Nlaka’pamux called Lytton “The Centre of the World,” a view Buddhists would share in the late twentieth century, as they set up a temple just outside town. A gold rush in 1858 saw conflict with a wave of Californians come to a head with the Canyon War at the junction of the mighty Fraser and Thompson rivers. The Nlaka’pamux lost over thirty lives in that conflict, as did the American gold seekers. In modern times, many outsiders would seek shelter there, often people who just didn’t fit anywhere else and were hoping for a little anonymity in the mountains.        Told from the shared perspective of an Indigenous playwright and the journalist son of a settler doctor who pushed back against the divisions that existed between populations, Lytton portrays all the warmth, humour and sincerity of small-town life. A colourful little town that burned to the ground could be every town’s warning if we don’t take seriously what this unique place has to teach us.

Little Red Warrior is the last remaining member of the Little Red Warrior First Nation. One day, he discovers a development company has begun construction on his ancestral lands. In a fit of rage, Little Red attacks one of the engineers and is arrested for assault and trespassing on his own lands. In jail he meets his court-appointed lawyer, Larry, who agrees to help Little Red get his lands back. Larry convinces his wife, Desdemona, to allow Little Red to move into their basement while they sort out Red’s case. Desdemona and Red strike up an uneasy relationship. When Red notices that one of Desdemona’s eyes is slightly lazy she becomes increasingly neurotic, convinced that Little Red is up to something. Despite herself Desdemona, who is not accustomed to being thrown off her game, is increasingly drawn to Red’s apparently hypnotic Indigenous charisma. As sparks begin to fly between them Larry prepares to fight for Little Red’s Land Rights. An unexpected intervention by a greater power occurs in the court case, and nothing will ever be the same.

Nan’s family is home for Thanksgiving, but some unsolicited truths are about to be dropped at the dinner table. Old wounds and new realities collide, and sibling rivalry is stoked, but the enduring spirit that guides this family charges on, ever fierce. Thanks for Giving offers plenty to chew on. This intimate and restorative new play from Governor General’s Literary Award winner Kevin Loring, the first ever Artistic Director of Indigenous Theatre at the National Arts Centre of Canada, is about legacy – the legacy of our personal and collective histories, and a family’s legacy as it moves into an age where the assumptions of the old ways surrender to new possibilities. But if the play’s main course is legacy, the dessert is pumpkin pie. Tuck in!

Little Red Warrior is the last remaining member of the Little Red Warrior First Nation. One day, he discovers a development company has begun construction on his ancestral lands. In a fit of rage, Little Red attacks one of the engineers and is arrested for assault and trespassing on his own lands. In jail he meets his court-appointed lawyer, Larry, who agrees to help Little Red get his lands back. Larry convinces his wife, Desdemona, to allow Little Red to move into their basement while they sort out Red’s case. Desdemona and Red strike up an uneasy relationship. When Red notices that one of Desdemona’s eyes is slightly lazy she becomes increasingly neurotic, convinced that Little Red is up to something. Despite herself Desdemona, who is not accustomed to being thrown off her game, is increasingly drawn to Red’s apparently hypnotic Indigenous charisma. As sparks begin to fly between them Larry prepares to fight for Little Red’s Land Rights. An unexpected intervention by a greater power occurs in the court case, and nothing will ever be the same.