Kevin Mills – författare

Taking three terms from the letters of Paul as a thematic guide, Kevin Mills investigates the respective roles of faith, hope and love in language and interpretation, and uses them to uncover and to question some of the key assumptions in deconstructive and postmodernist discourse.

An introduction to ancient myths and the critical discussions that surround them, this book dives into the stories of pre-modern culture, taking a comparative look at how they have shaped the West and modern storytelling as we have come to understand it today. It makes texts and scholarship from near Eastern, Classical and Celtic disciplines engaging and accessible, and traces narrative meaning through stories from ancient Mesopotamia to the BritishMedieval Period, offering compelling pathways into such writings as The Epic of Gilgamesh, Genesis and Job, The Odyssey, The Mabinogi, The Life of St Cadoc and Sir Orfeo. Looking at each in detail, Myths and Ancient Stories also explores myth through a modern lens, probing at how, in this scientific age, it continues to inspire contemporary film, games and literary works such as those by, Margaret Atwood, Colm Tóibín, Madeleine Miller and Pat Barker.Impressive in breadth and bringing together a wide range of foundational texts from diverse traditions for the first time, this work is the ideal orientation to the ancient works central to English literary culture, shedding light on the mythological roots of storytelling and narrative.

An introduction to ancient myths and the critical discussions that surround them, this book dives into the stories of pre-modern culture, taking a comparative look at how they have shaped the West and modern storytelling as we have come to understand it today. It makes texts and scholarship from near Eastern, Classical and Celtic disciplines engaging and accessible, and traces narrative meaning through stories from ancient Mesopotamia to the BritishMedieval Period, offering compelling pathways into such writings as The Epic of Gilgamesh, Genesis and Job, The Odyssey, The Mabinogi, The Life of St Cadoc and Sir Orfeo. Looking at each in detail, Myths and Ancient Stories also explores myth through a modern lens, probing at how, in this scientific age, it continues to inspire contemporary film, games and literary works such as those by, Margaret Atwood, Colm Tóibín, Madeleine Miller and Pat Barker.Impressive in breadth and bringing together a wide range of foundational texts from diverse traditions for the first time, this work is the ideal orientation to the ancient works central to English literary culture, shedding light on the mythological roots of storytelling and narrative.

This volume explores a wide range of Victorian texts, including novels, poems, sermons, and some less easily categorized writings, in terms of their use of language and imagery suggestive of the Apocalypse. The focus is less upon the conscious or deliberate use of the Apocalypse as a source of sublime metaphors or as a guide to cultural decline than on the ways in which certain tropes recur in the writings of the period. These can be characterized in terms of oppositions that both structure apocalyptic literature and characterize much Victorian writing: human/inhuman, desert/city, veiled/revealed, time/the eternal, this world/other world. The book sets out to show that what might be called a cultural affinity exists between the writing of the Victorian era and apocalyptic literature, and to argue that such a relationship was unavoidable for a society steeped in the bible as it confronted dramatic changes in its relationships with nature, God, and time.

To celebrate his tercentenary, Free Verse is an anthology of poems responding to the legacy & ideas of freethinker Dr Richard Price (1723−91) which both scrutinise & channel his legacy as one of the most undervalued architects of the modern world.

"The Prodigal Sign" sets out to characterise criticism as a set of prodigal practices that exceed the constraints of primary texts, history, and theory. This is not just because, as Derrida says, 'no practice is ever totally faithful to its principle', but also because critics are habitual runaways -- forever seeking to escape the jurisdiction of their forebears and of the academy. Always on the lookout for something new and distinctive to say about the same old texts or for texts that have escaped the professional attention of their peers, like the prodigal son, they live on their inheritance while trying to escape from their own disciplinary history. This work makes a case for celebrating the prodigal condition and for another escape -- breaking out of traditional constraints towards a hybrid form that combines the critical with the creative.

"The Prodigal Sign" sets out to characterise criticism as a set of prodigal practices that exceed the constraints of primary texts, history, and theory. This is not just because, as Derrida says, 'no practice is ever totally faithful to its principle', but also because critics are habitual runaways -- forever seeking to escape the jurisdiction of their forebears and of the academy. Always on the lookout for something new and distinctive to say about the same old texts or for texts that have escaped the professional attention of their peers, like the prodigal son, they live on their inheritance while trying to escape from their own disciplinary history. This work makes a case for celebrating the prodigal condition and for another escape -- breaking out of traditional constraints towards a hybrid form that combines the critical with the creative.