Kristen Fuhs – författare

As the inaugural volume in the Docalogue series, this book models a new form for the discussion of documentary film.

James Baldwin’s writing is intensely relevant to contemporary politics and culture, and Peck’s strategies for representing him and conveying his work in I Am Not Your Negro (2016) raise important questions about how documentary can bring the work of a complex thinker like Baldwin to a broader public. By combining five distinct perspectives on a single documentary film, this book offers different critical approaches to the same media object, acting both as an intensive scholarly treatment of a film and as a guide for how to analyze, theorize, and contextualize a documentary.

Undergraduate and graduate students as well as scholars of film and media studies, communication studies, African American studies, and gender and sexuality studies will find this book extremely useful in understanding the significance of this film and the ways in which it offers insight into not only Baldwin and his writings but also wider historical and contemporary realities.

As the inaugural volume in the Docalogue series, this book models a new form for the discussion of documentary film.

James Baldwin’s writing is intensely relevant to contemporary politics and culture, and Peck’s strategies for representing him and conveying his work in I Am Not Your Negro (2016) raise important questions about how documentary can bring the work of a complex thinker like Baldwin to a broader public. By combining five distinct perspectives on a single documentary film, this book offers different critical approaches to the same media object, acting both as an intensive scholarly treatment of a film and as a guide for how to analyze, theorize, and contextualize a documentary.

Undergraduate and graduate students as well as scholars of film and media studies, communication studies, African American studies, and gender and sexuality studies will find this book extremely useful in understanding the significance of this film and the ways in which it offers insight into not only Baldwin and his writings but also wider historical and contemporary realities.

This second book in the Routledge Docalogue series continues to model a new form for the discussion of documentary film, focusing on a new film and a different set of critical questions.

Kedi (2016) is the first feature documentary by Turkish-American filmmaker Ceyda Torun. The film provides a window into the everyday lives of Istanbul street cats; their itinerant meanderings present a non-human perspective on this ever-changing, ancient city while at the same time exploring the meaningful impact these cats have on the humans they encounter. Kedi: A Docalogue brings together a diversity of perspectives on this film. By combining five distinct critical approaches to a single documentary, this book acts both as an intensive scholarly treatment and as a guide for how to analyze, theorize, and contextualize a documentary.

Together, the essays in this book touch upon key topics in documentary studies, including animal studies, eco-documentaries, sound studies, and media industry studies, making them essential reading for scholars interested in contemporary documentary. They also provide useful case studies for teaching documentary film in courses on Contemporary Cinema, Cultural Studies, and Media Industries.

This second book in the Routledge Docalogue series continues to model a new form for the discussion of documentary film, focusing on a new film and a different set of critical questions.

Kedi (2016) is the first feature documentary by Turkish-American filmmaker Ceyda Torun. The film provides a window into the everyday lives of Istanbul street cats; their itinerant meanderings present a non-human perspective on this ever-changing, ancient city while at the same time exploring the meaningful impact these cats have on the humans they encounter. Kedi: A Docalogue brings together a diversity of perspectives on this film. By combining five distinct critical approaches to a single documentary, this book acts both as an intensive scholarly treatment and as a guide for how to analyze, theorize, and contextualize a documentary.

Together, the essays in this book touch upon key topics in documentary studies, including animal studies, eco-documentaries, sound studies, and media industry studies, making them essential reading for scholars interested in contemporary documentary. They also provide useful case studies for teaching documentary film in courses on Contemporary Cinema, Cultural Studies, and Media Industries.

The third volume in the Docalogue series, this book explores the significance of the documentary series Tiger King: Murder, Mayhem and Madness (2020), which became ''must-see-TV'' for a newly captive audience during the global Covid-19 pandemic.

The series – a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade – prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King’s significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.

Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.

The third volume in the Docalogue series, this book explores the significance of the documentary series Tiger King: Murder, Mayhem and Madness (2020), which became ''must-see-TV'' for a newly captive audience during the global Covid-19 pandemic.

The series – a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade – prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King’s significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.

Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.

The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution.

The film, focused on a Turkish-speaking woman in Macedonia who cultivates bees to produce honey through an ancient and environmentally sustainable method, raises important questions about the place of humans and economic activity within the broader ecosystem. The documentary also prompts critical reflection about the relationship between observation and storytelling, how the film festival circuit allows certain films to reach a wide audience, the ethics of ethnographic representation, the relationship between human and insect life, and to what extent film can allow us to experience others’ life-worlds. By combining five distinct critical perspectives on a single documentary, this book acts both as an intensive scholarly treatment of the film and as a guide for how to analyze, theorize, and contextualize a documentary text.

This book will be of interest to students and scholars of documentary studies, as well as those studying film and media more broadly.

The fourth volume in the Docalogue series, this book explores the significance of the documentary Honeyland (2019) in relation to documentary ethics, the representation of human and animal relations, environmental studies, genre theory, and documentary distribution.

The film, focused on a Turkish-speaking woman in Macedonia who cultivates bees to produce honey through an ancient and environmentally sustainable method, raises important questions about the place of humans and economic activity within the broader ecosystem. The documentary also prompts critical reflection about the relationship between observation and storytelling, how the film festival circuit allows certain films to reach a wide audience, the ethics of ethnographic representation, the relationship between human and insect life, and to what extent film can allow us to experience others’ life-worlds. By combining five distinct critical perspectives on a single documentary, this book acts both as an intensive scholarly treatment of the film and as a guide for how to analyze, theorize, and contextualize a documentary text.

This book will be of interest to students and scholars of documentary studies, as well as those studying film and media more broadly.

The fifth title in the Docalogue series, this book examines Ahmir “Questlove” Thompson’s 2021 documentary, Summer of Soul (…Or, When the Revolution Could Not Be Televised).

The award-winning film draws on archival footage and interviews to examine the legacy of the Harlem Cultural Festival, a showcase of Black music staged weekly throughout the summer of 1969. The film interrogates this event as a piece of “forgotten” history and prompts critical reflection on why this history was lost while also raising important questions related to archival preservation and cultural memory. Combining five different perspectives, this book acts both as an intensive scholarly treatment and as a pedagogical guide for how to analyze, theorize, and contextualize a documentary. Together, the essays in this book touch upon key topics related to the study of popular music, musical performance, and audiences; the discovery and reuse of archives and archival documents; and Black studies and American cultural history more broadly.

This book will be of interest to students and scholars in multiple areas including but not limited to archival studies, Black studies, cultural studies, documentary studies, historiography, and music studies.

The fifth title in the Docalogue series, this book examines Ahmir “Questlove” Thompson’s 2021 documentary, Summer of Soul (…Or, When the Revolution Could Not Be Televised).

The award-winning film draws on archival footage and interviews to examine the legacy of the Harlem Cultural Festival, a showcase of Black music staged weekly throughout the summer of 1969. The film interrogates this event as a piece of “forgotten” history and prompts critical reflection on why this history was lost while also raising important questions related to archival preservation and cultural memory. Combining five different perspectives, this book acts both as an intensive scholarly treatment and as a pedagogical guide for how to analyze, theorize, and contextualize a documentary. Together, the essays in this book touch upon key topics related to the study of popular music, musical performance, and audiences; the discovery and reuse of archives and archival documents; and Black studies and American cultural history more broadly.

This book will be of interest to students and scholars in multiple areas including but not limited to archival studies, Black studies, cultural studies, documentary studies, historiography, and music studies.

This sixth volume in the Docalogue series explores the significance of Flee, the award-winning and critically acclaimed 2021 animated documentary about one man''s journey from child refugee in Afghanistan to building a stable home as an adult with his soon-to-be husband in Denmark.

The film is particularly notable in that it asks pressing questions about how stories of marginalized peoples come to be told, circulated, and consumed within contemporary culture. By combining five distinct perspectives on a single documentary, this book models different critical approaches to the same cinematic object, acting both as an intensive scholarly treatment of a film and as a pedagogical guide for how one might analyze, theorize, and contextualize a film. Through multiple voices, this book seeks to generate a complex and cumulative discourse about Flee’s significance in multiple areas including but not limited to: its position within the traditions of contemporary European cinema and animated documentary, its role within the broader category of migrant media, exploring how cross-cultural audiences make sense of refugee narratives, examining important epistemological and ethical questions about what is and what is not shown in the documentary, and how film is situated within the contemporary documentary industry, with its reliance on the promotional efforts of celebrity personalities.

This book will be of interest to students and scholars of documentary studies, animation, migration theory, celebrity studies, queer theory, and global cinema.