Jaimie Baron teaches film and media at the University of California, Berkeley, USA. She is a media scholar and the author of two books of media theory, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020) as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos.Kristen Fuhs is Professor of Media Studies at Woodbury University, USA. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.

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• Introduction: Constituting a Congregation in/through Summer of Soul Jaimie Baron 1. Summer of Soul: The Angel of History Comes to Harlem Catherine Russell 2. The Black Archival Impulse Lauren McLeod Cramer 3. Beyond Black Woodstock: Summer of Soul as Historical Recovery Landon Palmer 4. A Secret History of the Secret History of the 1969 Harlem Cultural Festival: Summer of Soul, the Staple Singers, and the Rockumentary Genre Anthony Kinik 5. “Music in the Air:” Spirituality and Revival in Summer of Soul Michele Prettyman

Jaimie Baron teaches film and media at the University of California, Berkeley, USA. She is a media scholar and the author of two books of media theory, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020) as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos.Kristen Fuhs is Professor of Media Studies at Woodbury University, USA. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.

Select Guide Rating

• Introduction: Constituting a Congregation in/through Summer of Soul Jaimie Baron 1. Summer of Soul: The Angel of History Comes to Harlem Catherine Russell 2. The Black Archival Impulse Lauren McLeod Cramer 3. Beyond Black Woodstock: Summer of Soul as Historical Recovery Landon Palmer 4. A Secret History of the Secret History of the 1969 Harlem Cultural Festival: Summer of Soul, the Staple Singers, and the Rockumentary Genre Anthony Kinik 5. “Music in the Air:” Spirituality and Revival in Summer of Soul Michele Prettyman

Jaimie Baron teaches film and media at the University of California, Berkeley, USA. She is a media scholar and the author of two books of media theory, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020) as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos.Kristen Fuhs is Professor of Media Studies at Woodbury University, USA. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.

Select Guide Rating

• Introduction: Constituting a Congregation in/through Summer of Soul Jaimie Baron 1. Summer of Soul: The Angel of History Comes to Harlem Catherine Russell 2. The Black Archival Impulse Lauren McLeod Cramer 3. Beyond Black Woodstock: Summer of Soul as Historical Recovery Landon Palmer 4. A Secret History of the Secret History of the 1969 Harlem Cultural Festival: Summer of Soul, the Staple Singers, and the Rockumentary Genre Anthony Kinik 5. “Music in the Air:” Spirituality and Revival in Summer of Soul Michele Prettyman