Krzysztof Ziarek – författare

Working from newly available texts in Heidegger's Complete Works, Krzysztof Ziarek presents Heidegger at his most radical and demonstrates how the thinker's daring use of language is an integral part of his philosophical expression. Ziarek emphasizes the liberating potential of language as an event that discloses being and amplifies Heidegger's call for a transformative approach to poetry, power, and ultimately, philosophy.

This book offers an original approach to avant-garde art and its transformative force. Presenting an alternative to the approaches to art developed in postmodern theory or cultural studies, Ziarek sees art's significance in its critique of power and the increasing technologization of social relations. Re-examining avant-garde art and literature, from Italian and Russian Futurism and Dadaism, to Language poetry, video and projection art, as well as transgenic and Internet art, this book argues that art's importance today cannot be explained simply in aesthetic or cultural terms but has to take into consideration how artworks question the technological character of modern power. To emphasize the transformative character of art, the book redefines art as a force field, in which forces drawn from historical and social reality come be to formed into an alternative relationality. Through discussions of such key avant-garde figures as Marinetti, Duchamp, Khlebnikov, and Vertov, and innovative contemporary artists like Viola, Wodiczko and Kac, The Force of Art counters the pessimism about art's social function by recovering and redefining art's transformative role in modernity.

This book offers an original approach to avant-garde art and its transformative force. Presenting an alternative to the approaches to art developed in postmodern theory or cultural studies, Ziarek sees art's significance in its critique of power and the increasing technologization of social relations. Re-examining avant-garde art and literature, from Italian and Russian Futurism and Dadaism, to Language poetry, video and projection art, as well as transgenic and Internet art, this book argues that art's importance today cannot be explained simply in aesthetic or cultural terms but has to take into consideration how artworks question the technological character of modern power. To emphasize the transformative character of art, the book redefines art as a force field, in which forces drawn from historical and social reality come be to formed into an alternative relationality. Through discussions of such key avant-garde figures as Marinetti, Duchamp, Khlebnikov, and Vertov, and innovative contemporary artists like Viola, Wodiczko and Kac, The Force of Art counters the pessimism about art's social function by recovering and redefining art's transformative role in modernity.

Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno's sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume's authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.

Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno's sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume's authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.

A collection of essays exploring the future of literary studies by focusing on the relationship between literary theory, philosophy, and cultural studies. The essays aim to break the boundaries separating philosophy and literature.

Argues for developing literacy of listening and silence as as an alternative to the dominance of logical procedures and the exactness of calculative thought.License to Think argues for a necessary reconsideration of thinking in the age of the dominance of information and algorithmic culture. Krzysztof Ziarek proposes an alternative way of understanding how thought receives its "license" or "authorization" from listening and open attentiveness, which tend to be neglected or downplayed by dominant modes, especially calculative thought and computationalism. Preparing for the possibility of "the other inception" of thought, Heidegger remarks that it "needs a poetic thinking. This thinking is more rigorous than every exact calculation." If the "first inception" in Ancient Greece shapes thinking in terms of ideas and grasping intelligence, which provide the basis for the development of Western rationality and its dominant mode of calculative thought, how can we understand poetic thinking and its mode of thoughtful nongrasping? The fundamental change involves the shift of priority from assertion and statement to listening and attunement. Modern rationality's emphasis on active grasping and articulation overshadows and even disregards the key importance of listening, especially the role of attentive attunement. In this context, Ziarek argues for developing literacy of listening and silence as key to rethinking thought and lending it "license"—that is, the possibility of an open accord, of being in tune with what prompts thinking in the first place. Drawing on Heidegger, Cage, Daoism and Zen thought, Beckett, and Stein, as well as contemporary composers Iannotta and Saunders, License to Think explores the permeable boundaries between naming and namelessness, silence and sound, human and nonhuman, nothingness and being to understand how thought is licensed to think, first and foremost, poetically.

Proposes to rethink the ontological and ethical dimensions of language by rereading Heidegger's work and by engaging Levinas' ethics and contemporary poetics.In the aftermath of poststructuralist debates, Inflected Language proposes to rethink the ontological and ethical dimensions of language by rereading Heidegger's work, more specifically his reflection on poetry, and by engaging Levinas' ethics and contemporary poetics. Building on the readings of Heidegger, Levinas, Stevens, and Celan, the author contends that, against common misinterpretations, their approach to language forces us to reexamine the very basis of relations to alterity, whether that of the world, things, or people.According to the new view of language offered in these works, thought's job is not, first and foremost, cognition in the sense of understanding, calculations, and definition, but in securing alterity against cognitive assimilation instead. In this context, Inflected Language reshapes the current philosophico-literary debate about language by showing how the apparently neutral differential play of signification is already invested with ethical and worldly signification. In order to avoid obliterating this elusive signification in theorizing language, Ziarek proposes following a new mode of reading-a post-Heideggerian "hermeneutics of nearness," which foregrounds the poetic element in language and its ways of figuring the other.