Iain Macdonald – författare

Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno's sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume's authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.

Adorno and Heidegger explores the conflictual history of two important traditions of twentieth-century European thought: the critical theory of Theodor W. Adorno and the ontology of Martin Heidegger. As is well known, there has been little productive engagement between these two schools of thought, in large measure due to Adorno's sustained and unanswered critique of Heidegger. Stemming from this critique, numerous political and philosophical barriers have kept these traditions separate, such that they have rarely been submitted to scrutiny, let alone questioned. The essays making up this collection are fresh and original attempts at coming to terms with the nuances and difficulties that these two towering figures have bequeathed to the history of European thought. The volume's authors deal with a variety of issues ranging from epistemology to esthetics, to ethics, to intellectual history and modernity, providing the reader with detailed insight into a thorny debate in the history of recent European thought.

Designing the BBC is a compelling history of the groundbreaking work of the BBC's Television Graphic Design Department from 1954 to 2021.Drawing on the unique content of the BBC Motion Graphics Archive and the first-hand perspectives of former BBC staff, this book provides a timely overview of more than 60 years of the BBC's innovative practice within motion graphics.Former BBC staff and leading design and television studies scholars investigate the archive, bring cultural memories to life and reflect on the Graphic Design Department's lasting impact. They consider the graphic design of a range of TV genres, including household favourites such as Doctor Who; sports programming such as Grandstand and big sporting events like the Olympics; children's television including Grange Hill; popular science programmes such as Tomorrow’s World; news output such as The Nine O'Clock News, Election Night specials, the weather and the channel idents of BBC 2 and BBC One.

Designing the BBC is a compelling history of the groundbreaking work of the BBC's Television Graphic Design Department from 1954 to 2021.Drawing on the unique content of the BBC Motion Graphics Archive and the first-hand perspectives of former BBC staff, this book provides a timely overview of more than 60 years of the BBC's innovative practice within motion graphics.Former BBC staff and leading design and television studies scholars investigate the archive, bring cultural memories to life and reflect on the Graphic Design Department's lasting impact. They consider the graphic design of a range of TV genres, including household favourites such as Doctor Who; sports programming such as Grandstand and big sporting events like the Olympics; children's television including Grange Hill; popular science programmes such as Tomorrow’s World; news output such as The Nine O'Clock News, Election Night specials, the weather and the channel idents of BBC 2 and BBC One.

Designing the BBC is a compelling history of the groundbreaking work of the BBC''s Television Graphic Design Department from 1954 to 2021.Drawing on the unique content of the BBC Motion Graphics Archive and the first-hand perspectives of former BBC staff, this book provides a timely overview of more than 60 years of the BBC''s innovative practice within motion graphics.Former BBC staff and leading design and television studies scholars investigate the archive, bring cultural memories to life and reflect on the Graphic Design Department''s lasting impact. They consider the graphic design of a range of TV genres, including household favourites such as Doctor Who; sports programming such as Grandstand and big sporting events like the Olympics; children''s television including Grange Hill; popular science programmes such as Tomorrow''s World; news output such as The Nine O''Clock News, Election Night specials, the weather and the channel idents of BBC 2 and BBC One.

Designing the BBC is a compelling history of the groundbreaking work of the BBC''s Television Graphic Design Department from 1954 to 2021.Drawing on the unique content of the BBC Motion Graphics Archive and the first-hand perspectives of former BBC staff, this book provides a timely overview of more than 60 years of the BBC''s innovative practice within motion graphics.Former BBC staff and leading design and television studies scholars investigate the archive, bring cultural memories to life and reflect on the Graphic Design Department''s lasting impact. They consider the graphic design of a range of TV genres, including household favourites such as Doctor Who; sports programming such as Grandstand and big sporting events like the Olympics; children''s television including Grange Hill; popular science programmes such as Tomorrow''s World; news output such as The Nine O''Clock News, Election Night specials, the weather and the channel idents of BBC 2 and BBC One.

Possibility is a concept central to both philosophy and social theory. But in what philosophical soil, if any, does the possibility of a better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the relationship between the possible and the actual. In repeated allusions to utopia, redemption, and reconciliation, Adorno appears to reference a future that would break decisively with the social injustices that have characterized history. To this end, and though he never explains it in any detail—let alone in the form of a full-blown theory or metaphysics—he also makes extensive technical use of the concept of possibility. Taking Adorno's critical readings of other thinkers, especially Hegel and Heidegger, as his guiding thread, Iain Macdonald reflects on possibility as it relates to Adorno's own writings and offers answers to the question of how we are to articulate such possibilities without lapsing into a vague and naïve utopianism.

Possibility is a concept central to both philosophy and social theory. But in what philosophical soil, if any, does the possibility of a better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the relationship between the possible and the actual. In repeated allusions to utopia, redemption, and reconciliation, Adorno appears to reference a future that would break decisively with the social injustices that have characterized history. To this end, and though he never explains it in any detail—let alone in the form of a full-blown theory or metaphysics—he also makes extensive technical use of the concept of possibility. Taking Adorno's critical readings of other thinkers, especially Hegel and Heidegger, as his guiding thread, Iain Macdonald reflects on possibility as it relates to Adorno's own writings and offers answers to the question of how we are to articulate such possibilities without lapsing into a vague and naïve utopianism.

Possibility is a concept central to both philosophy and social theory. But in what philosophical soil, if any, does the possibility of a better society grow? At the intersection of metaphysics and social theory, What Would Be Different looks to Theodor W. Adorno to reflect on the relationship between the possible and the actual. In repeated allusions to utopia, redemption, and reconciliation, Adorno appears to reference a future that would break decisively with the social injustices that have characterized history. To this end, and though he never explains it in any detail—let alone in the form of a full-blown theory or metaphysics—he also makes extensive technical use of the concept of possibility. Taking Adorno's critical readings of other thinkers, especially Hegel and Heidegger, as his guiding thread, Iain Macdonald reflects on possibility as it relates to Adorno's own writings and offers answers to the question of how we are to articulate such possibilities without lapsing into a vague and naïve utopianism.

The life of Scottish watercolourist William Alister Macdonald (1861-1956) contained more mystery and intrigue than a novel by the authors he knew as friends. Mid-life in the early 1900s he painted widely across Britain, Europe and North Africa. Aged sixty, abandoning his wife and son in London, he settled in Tahiti, where he befriended authors Charles Nordhoff, James Norman Hall and Zane Grey. Critical acclaim of his work peaked in 1935 with the discovery of over 120 watercolours capturing London streets and lost panoramas from the Thames, its river life and trade at the turn of the last century, now part of the Wakefield Collection at London’s Guildhall. Yet in Tahiti his reputation has endured with appreciation of his timeless, exquisite landscapes and studies of paradise. This first fully illustrated biography of Macdonald’s life provides a long-overdue opportunity for his European and Polynesian work to be reappraised and his story told.

This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences, movie visual effects, animating infographics, branding and advertising, or as an art form, is being increasingly recognised as an important dynamic part of contemporary culture. For many practitioners this has been long overdue. Central to these designers' practice is the hybridisation of digital and heritage methods. Macdonald uses interviews with world-leading motion graphic designers, moving image artists and Oscar nominated visual effects supervisors to examine the hybrid moving image, which re-invigorates both heritage practices and the handmade and analogue crafts. Now is the time to ensure that heritage skills do not atrophy, but that their qualities and provenance are understood as potent components with digital practices in new hybrids.

This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences, movie visual effects, animating infographics, branding and advertising, or as an art form, is being increasingly recognised as an important dynamic part of contemporary culture. For many practitioners this has been long overdue. Central to these designers'' practice is the hybridisation of digital and heritage methods. Macdonald uses interviews with world-leading motion graphic designers, moving image artists and Oscar nominated visual effects supervisors to examine the hybrid moving image, which re-invigorates both heritage practices and the handmade and analogue crafts. Now is the time to ensure that heritage skills do not atrophy, but that their qualities and provenance are understood as potent components with digital practices in new hybrids. 

This book, written from the perspective of a designer and educator, brings to the attention of media historians, fellow practitioners and students the innovative practices of leading moving image designers. Moving image design, whether viewed as television and movie title sequences, movie visual effects, animating infographics, branding and advertising, or as an art form, is being increasingly recognised as an important dynamic part of contemporary culture. For many practitioners this has been long overdue. Central to these designers' practice is the hybridisation of digital and heritage methods. Macdonald uses interviews with world-leading motion graphic designers, moving image artists and Oscar nominated visual effects supervisors to examine the hybrid moving image, which re-invigorates both heritage practices and the handmade and analogue crafts. Now is the time to ensure that heritage skills do not atrophy, but that their qualities and provenance are understood as potent components with digital practices in new hybrids.

The Highlander has never enjoyed a good press, and has been usually characterised as peripheral and barbaric in comparison to his Lowland neighbour, more inclined to fighting than serving God. In Clerics and Clansmen Iain MacDonald examines how the medieval Church in Gaelic Scotland, often regarded as isolated and irrelevant, continued to function in the face of poverty, periodic warfare, and the formidable powers of the clan chiefs. Focusing upon the diocese of Argyll, the study analyses the life of the bishopric, before broadening to consider the parochial clergy – in particular origins, celibacy, education, and pastoral care. Far from being superficial, it reveals a Church deeply embedded within its host society while remaining plugged into the mainstream of Latin Christendom.