Laura Engelstein – författare

October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum left by imperial collapse. In this monumental and sweeping new account, Laura Engelstein delves into the seven years of chaos surrounding 1917--the war, the revolutionary upheaval, and the civil strife it provoked. These were years of breakdown and brutal violence on all sides, punctuated by the decisive turning points of February and October. As Engelstein proves definitively, the struggle for power engaged not only civil society and party leaders, but the broad masses of the population and every corner of the far-reaching empire, well beyond Moscow and Petrograd. Yet in addition to the bloodshed they unleashed, the revolution and civil war revealed democratic yearnings, even if ideas of what constituted "democracy" differed dramatically. Into that vacuum left by the Romanov collapse rushed long-suppressed hopes and dreams about social justice and equality. But any possible experiment in self-rule was cut short by the October Revolution. Under the banner of true democracy, and against all odds, the Bolshevik triumph resulted in the ruthless repression of all opposition. The Bolsheviks managed to harness the social breakdown caused by the war and institutionalize violence as a method of state-building, creating a new society and a new form of power.Russia in Flames offers a compelling narrative of heroic effort and brutal disappointment, revealing that what happened during these seven years was both a landmark in the emancipation of Russia from past oppression and a world-shattering disaster. As regimes fall and rise, as civil wars erupt, as state violence targets civilian populations, it is a story that remains profoundly and enduringly relevant.

October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis --one interim government replaced another in the vacuum left by imperial collapse. In this monumental and sweeping new account, Laura Engelstein delves into the seven years of chaos surrounding 1917 --the war, the revolutionary upheaval, and the civil strife it provoked. These were years of breakdown and brutal violence on all sides, punctuated by the decisive turning points of February and October. As Engelstein proves definitively, the struggle for power engaged not only civil society and party leaders, but the broad masses of the population and every corner of the far-reaching empire, well beyond Moscow and Petrograd. Yet in addition to the bloodshed they unleashed, the revolution and civil war revealed democratic yearnings, even if ideas of what constituted "democracy" differed dramatically. Into that vacuum left by the Romanov collapse rushed long-suppressed hopes and dreams about social justice and equality. But any possible experiment in self-rule was cut short by the October Revolution. Under the banner of true democracy, and against all odds, the Bolshevik triumph resulted in the ruthless repression of all opposition. The Bolsheviks managed to harness the social breakdown caused by the war and institutionalize violence as a method of state-building, creating a new society and a new form of power. Russia in Flames offers a compelling narrative of heroic effort and brutal disappointment, revealing that what happened during these seven years was both a landmark in the emancipation of Russia from past oppression and a world-shattering disaster. As regimes fall and rise, as civil wars erupt, as state violence targets civilian populations, it is a story that remains profoundly and enduringly relevant.

The revolution of 1905 challenged not only the social and political structures of imperial Russia but the sexual order as well. Throughout the decade that followed-in the salons of the artistic and intellectual avant-garde, on the pages of popular romances, in the staid assemblies of physicians, psychiatrists, and legal men—the talk everywhere was of sex. This eagerly awaited book, echoing the title of a pre-World War I bestseller, The Keys to Happiness, marks the first serious attempt to understand the intense public interest in sexuality as a vital dimension of late tsarist political culture. Drawing on a strong foundation of historical sources—from medical treatises and legal codes to anti-Semitic pamphlets, commercial fiction, newspaper advertisements, and serious literature—Laura Engelstein shows how Western ideas and attitudes toward sex and gender were transformed in the Russian context as imported views on prostitution, venereal disease, homosexuality, masturbation, abortion, and other themes took on distinctively Russian hues. Engelstein divides her study into two parts, the first focusing on the period from the Great Reforms to 1905 and on the two professional disciplines most central to the shaping of a modern sexual discourse in Russia: law and medicine. The second part describes the complicated sexual preoccupations that accompanied the mobilization leading up to 1905, the revolution itself, and the aftermath of continued social agitation and intensified intellectual doubt. In chapters of astonishing richness, the author follows the sexual theme through the twists of professional and civic debate and in the surprising links between high and low culture up to the eve of the First World War. Throughout, Engelstein uses her findings to rethink the conventional wisdom about the political and cultural history of modern Russia. She maps out new approaches to the history of sexuality, and shows, brilliantly, how the study of attitudes toward sex and gender can help us to grasp the most fundamental political issues in any society.

Of the many sects that broke from the official Russian Orthodox church in the eighteenth century, one was universally despised. Its members were peasants from the Russian heartland skilled in the arts of animal husbandry who turned their knives on themselves to become "eunuchs for the kingdom of heaven's sake." Convinced that salvation came only with the literal excision of the instruments of sin, they were known as Skoptsy (the self-castrated). Their community thrived well into the twentieth century, when it was destroyed in the Stalinist Terror.In a major feat of historical reconstruction, Laura Engelstein tells the sect's astonishing tale. She describes the horrified reactions to the sect by outsiders, including outraged bureaucrats, physicians, and theologians. More important, she allows the Skoptsy a say in defining the contours of their history and the meaning behind their sacrifice. Her deft handling of their letters and notebooks lends her book unusual depth and pathos, and she provides a heartbreaking account of willing exile and of religious belief so strong that its adherents accepted terrible pain and the denial of a basic human experience. Although the Skoptsy express joy at their salvation, the words of even the most fervent believers reveal the psychological suffering of life on society's margins.No foreign tribe or exotic import, the sect drew its members from the larger peasant society where marriage was expected and adulthood began with the wedding night. Set apart by the very act that guaranteed their redemption, these "lambs of God" became adept at concealing their sectarian identity as they interacted with their Orthodox neighbors. Interaction was necessary, Engelstein explains, since the survival of the Skoptsy depended upon recruitment of new members and on success in agriculture and trade.Realizing that some prejudices have changed little over the centuries, Engelstein cautions that "we must not cast the shadow of our own distress on the story of the Skoptsy. Their physical suffering was something they willingly embraced." In Castration and the Heavenly Kingdom, she has produced a remarkable history that also illuminates the mysteries of the human heart.

Russians have often been characterized as people with souls rather than selves. Self and Story in Russian History challenges the portrayal of the Russian character as selfless, self-effacing, or self-torturing by exploring the texts through which Russians have defined themselves as private persons and shaped their relation to the cultural community. The stories of self under consideration here reflect the perspectives of men and women from the last two hundred years, ranging from westernized nobles to simple peasants, from such famous people as Tolstoy, Dostoyevsky, Akhmatova, and Nicholas II to lowly religious sectarians. Fifteen distinguished historians and literary scholars situate the narratives of self in their historical context and show how, since the eighteenth century, Russians have used expressive genres—including diaries, novels, medical case studies, films, letters, and theater—to make political and moral statements. The first book to examine the narration of self as idea and ideal in Russia, this vital work contemplates the shifting historical manifestations of identity, the strategies of self-creation, and the diversity of narrative forms. Its authors establish that there is a history of the individual in Russian culture roughly analogous to the one associated with the West.

Twentieth-century Russia, in all its political incarnations, lacked the basic features of the Western liberal model: the rule of law, civil society, and an uncensored public sphere. In Slavophile Empire, the leading historian Laura Engelstein pays particular attention to the Slavophiles and their heirs, whose aversion to the secular individualism of the West and embrace of an idealized version of the native past established a pattern of thinking that had an enduring impact on Russian political life.Imperial Russia did not lack for partisans of Western-style liberalism, but they were outnumbered, to the right and to the left, by those who favored illiberal options. In the book's rigorously argued chapters, Engelstein asks how Russia's identity as a cultural nation at the core of an imperial state came to be defined in terms of this antiliberal consensus. She examines debates on religion and secularism, on the role of culture and the law under a traditional regime presiding over a modernizing society, on the status of the empire's ethnic peripheries, and on the spirit needed to mobilize a multinational empire in times of war. These debates, she argues, did not predetermine the kind of system that emerged after 1917, but they foreshadowed elements of a political culture that are still in evidence today.

Twentieth-century Russia, in all its political incarnations, lacked the basic features of the Western liberal model: the rule of law, civil society, and an uncensored public sphere. In Slavophile Empire, the leading historian Laura Engelstein pays particular attention to the Slavophiles and their heirs, whose aversion to the secular individualism of the West and embrace of an idealized version of the native past established a pattern of thinking that had an enduring impact on Russian political life.Imperial Russia did not lack for partisans of Western-style liberalism, but they were outnumbered, to the right and to the left, by those who favored illiberal options. In the book's rigorously argued chapters, Engelstein asks how Russia's identity as a cultural nation at the core of an imperial state came to be defined in terms of this antiliberal consensus. She examines debates on religion and secularism, on the role of culture and the law under a traditional regime presiding over a modernizing society, on the status of the empire's ethnic peripheries, and on the spirit needed to mobilize a multinational empire in times of war. These debates, she argues, did not predetermine the kind of system that emerged after 1917, but they foreshadowed elements of a political culture that are still in evidence today.

Russians have often been characterized as people with souls rather than selves. Self and Story in Russian History challenges the portrayal of the Russian character as selfless, self-effacing, or self-torturing by exploring the texts through which Russians have defined themselves as private persons and shaped their relation to the cultural community. The stories of self under consideration here reflect the perspectives of men and women from the last two hundred years, ranging from westernized nobles to simple peasants, from such famous people as Tolstoy, Dostoyevsky, Akhmatova, and Nicholas II to lowly religious sectarians. Fifteen distinguished historians and literary scholars situate the narratives of self in their historical context and show how, since the eighteenth century, Russians have used expressive genres—including diaries, novels, medical case studies, films, letters, and theater—to make political and moral statements. The first book to examine the narration of self as idea and ideal in Russia, this vital work contemplates the shifting historical manifestations of identity, the strategies of self-creation, and the diversity of narrative forms. Its authors establish that there is a history of the individual in Russian culture roughly analogous to the one associated with the West.

Of the many sects that broke from the official Russian Orthodox church in the eighteenth century, one was universally despised. Its members were peasants from the Russian heartland skilled in the arts of animal husbandry who turned their knives on themselves to become "eunuchs for the kingdom of heaven's sake." Convinced that salvation came only with the literal excision of the instruments of sin, they were known as Skoptsy (the self-castrated). Their community thrived well into the twentieth century, when it was destroyed in the Stalinist Terror.In a major feat of historical reconstruction, Laura Engelstein tells the sect's astonishing tale. She describes the horrified reactions to the sect by outsiders, including outraged bureaucrats, physicians, and theologians. More important, she allows the Skoptsy a say in defining the contours of their history and the meaning behind their sacrifice. Her deft handling of their letters and notebooks lends her book unusual depth and pathos, and she provides a heartbreaking account of willing exile and of religious belief so strong that its adherents accepted terrible pain and the denial of a basic human experience. Although the Skoptsy express joy at their salvation, the words of even the most fervent believers reveal the psychological suffering of life on society's margins.No foreign tribe or exotic import, the sect drew its members from the larger peasant society where marriage was expected and adulthood began with the wedding night. Set apart by the very act that guaranteed their redemption, these "lambs of God" became adept at concealing their sectarian identity as they interacted with their Orthodox neighbors. Interaction was necessary, Engelstein explains, since the survival of the Skoptsy depended upon recruitment of new members and on success in agriculture and trade.Realizing that some prejudices have changed little over the centuries, Engelstein cautions that "we must not cast the shadow of our own distress on the story of the Skoptsy. Their physical suffering was something they willingly embraced." In Castration and the Heavenly Kingdom, she has produced a remarkable history that also illuminates the mysteries of the human heart.