Laura Rattray - Böcker

'Can't you see that I don't care what anybody says?' Charity Royall lives in the small New England village of North Dormer. Born among outcasts from the Mountain beyond, she is rescued by lawyer Royall and lives with him as his ward. Never allowed to forget her disreputable origins Charity despises North Dormer and rebels against the stifling dullness of the tight-knit community surrounding her. Her boring job in the local library is interrupted one day by the arrival of a young visiting architect, Lucius Harney, whose good looks and sophistication arouse her passionate nature. As their relationship grows, so too does Charity's conflict with her guardian; darker undercurrents start to come to the surface.Summer is often compared to Wharton's other New England story, Ethan Frome, and it shares the same intensity of feeling and repression. Wharton regarded it as one of her best works, and its compelling story of burgeoning sexuality and illicit desire has a strikingly modern and troubling ambiguity.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

So muchmore than an acclaimed novelist and short story writer, Wharton is reconsideredin this book as a controversial playwright, a gifted poet, a trailblazing travelwriter, an innovative and subversive critic, a hugely influential design writer, andan author who overturned the conventions of autobiographical form.

Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.

The New Edith Wharton Studies uncovers new evidence and presents new ideas that invite us to reconsider our understanding of one of America's most highly acclaimed, versatile, and prolific writers. The volume addresses themes that have previously been missed or underdeveloped, and examines areas where previous scholarship does not take account of key, contemporary issues: Wharton and ecocriticism, Wharton and queer studies, Wharton and animal studies, Wharton and whiteness, and Wharton and contemporary psychology. Essays explore Wharton's treatment of the poor in her emerging career, the ways in which French thinkers helped her envision community, the importance of Greece to Wharton, her transnationalism, the ongoing revelations of the author's archives, and new perspectives on her agency in the literary marketplace. It addresses key themes and examines contemporary issues, while reassessing Edith Wharton's life and career.

Bringing together leading Wharton scholars from Europe, and North America, this volume offers the first ever collection of essays on Edith Wharton's 1913 tour de force, The Custom of the Country.

During her lifetime, Edith Wharton was America's most popular and prolific writer. This book presents the unpublished writings of a canonical author, along with three stage-plays that open up a different field of Wharton studies. It also includes a general introduction, volume introductions, textual variants, headnotes and endnotes.

During her lifetime, Edith Wharton was America's most popular and prolific writer. This book presents the unpublished writings of a canonical author, along with three stage-plays that open up a different field of Wharton studies. It also includes a general introduction, volume introductions, textual variants, headnotes and endnotes.

Based on extensive new archival research, Edith Wharton and Genre: BeyondFiction offers the first study of Wharton’s full engagement with original writing ingenres outside those with which she has been most closely identified. So muchmore than an acclaimed novelist and short story writer, Wharton is reconsideredin this book as a controversial playwright, a gifted poet, a trailblazing travelwriter, an innovative and subversive critic, a hugely influential design writer, andan author who overturned the conventions of autobiographical form. Herversatility across genres did not represent brief sidesteps, temporary diversionsfrom what has long been read as her primary role as novelist. Each was pursuedfully and whole-heartedly, speaking to Wharton’s very sense of herself as anartist and her connected vision of artistry and art. The stories of these other EdithWhartons, born through her extraordinary dexterity across a wide range ofgenres, and their impact on our understanding of her career, are the focus of thisnew study, revealing a bolder, more diverse, subversive and radical writer thanhas long been supposed.

Bringing together leading voices from across the globe, The Bloomsbury Handbook to F. Scott Fitzgerald presents state-of-the-art scholarship on the renowned Jazz Age writer, as well as offering an approachable overview of his background, influences, and cultural context.This comprehensive volume features:- A variety of national and transnational perspectives- Essays which consider Fitzgerald's work via key contemporary approaches such as race studies, whiteness studies, queer studies, the digital humanities, literary geography, and ecocriticism- New comparative approaches that consider the author in the context of his contemporaries, including writers of the Harlem Renaissance and modernism- An innovative cluster of short essays by practitioners, reflecting on their work with Fitzgerald materialsOffering an indispensable resource for researchers and students alike, this handbook brings together the most exciting scholarship one a true giant of American literature.

Bringing together leading Wharton scholars from Europe, and North America, this volume offers the first ever collection of essays on Edith Wharton's 1913 tour de force, The Custom of the Country.