'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'A wonderfully stylish, gloriously technicolour book' - NANDINI DAS'An absolute joy to read' - DR STEPHANIE PRATT'Rich, original, and eye-opening' - ALICE HUNT'A sparkling cabinet of curiosities' - CAROLINE DODDS PENNOCKFrom rumours of lost Amazonian cities of gold to the silver running through the mountains of Bolivia, hopes for dazzling wealth fuelled the imperial fantasies of the Tudors and Stuarts. But while stories of treasure ships and privateers like Walter Raleigh have become entrenched in national myths - what did Elizabethans actually know about Mexico, the Amazon rainforest, or the Chesapeake? How did Indigenous people and knowledge enter the art, fashion, and literature of Shakespeare's time - and at what cost?A Golden World illuminates how the Americas became a visible and material presence in English culture, through a range of unexpected objects: from tobacco leaves strewn in playhouses to a boy wearing a pearl earring. Award-winning historian Lauren Working presents an altogether new history of the 'golden age' of 16th century England, that considers the desire for power, land and resources in the first era of colonization, alongside the craft and labour of those in the Americas who contributed to the English Renaissance as we know it.

''How beauteous mankind is! O brave new worldThat has such people in''t!''Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare''s genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright''s most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''How beauteous mankind is! O brave new worldThat has such people in''t!''Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare''s genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright''s most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

What did it mean to be a stranger in sixteenth- and seventeenth-century England? How were other nations, cultures, and religions perceived? What happened when individuals moved between languages, countries, religions, and spaces? Keywords of Identity, Race, and Human Mobility analyses a selection of terms that were central to the conceptualisation of identity, race, migration, and transculturality in the early modern period. In many cases, the concepts and debates that they embody – or sometimes subsume – came to play crucial roles in the articulation of identity, rights, and power in subsequent periods. Together, the essays in this volume provide an invaluable resource for anyone interested in the development of these formative issues.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state's civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state''s civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state''s civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state's civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

What did it mean to be a stranger in 16th and 17th century England? This text analyses a selection of terms that were central to the conceptualisation of identity, race, migration, and transculturality in the early modern period.

A glittering new history of how the Americas transformed the Tudors and Stuarts that provides a fresh understanding the cultural exchange between the “Old” and “New” worlds.From rumors of lost Amazonian cities of gold to the silver running through the mountains of Bolivia, hopes for dazzling wealth fueled the imperial fantasies of the Tudors and Stuarts. Stories of treasure ships and the feats of privateers from Francis Drake to Walter Raleigh have become entrenched in myth and legend—but what did Elizabethans actually know about Venezuela, or the Chesapeake? How did Indigenous people and ther knowledge enter the art, fashion, and literature of Shakespeare’s time—and at what cost? From tobacco leaves strewn in playhouses on the Thames to a bejeweled ‘Indian hat’ carried on the back of a wandering peddler in the English countryside, A Golden World uses tangible history and artefacts to illuminate the unexpected ways that the Americas and its people became a visible and material presence in English culture in the first era of colonization. Showcasing Indigenous perspectives through texts and materials created by Native writers, elders, and artists, and bringing Aztec jaguars, blue-green Colombian emeralds, and feathered garments knotted by Indigenous hands in conversation with love poetry, baroque portraits, and plays about shipwrecks, this award-winning historian presents an altogether new history of the ‘golden age’ of the Tudors and Stuarts, shedding light on the craft and labor of those in the Americas who contributed to the English Renaissance as we know it, and investigating what this means for heritage today. While England’s fascination with eastern powers has been more readily acknowledged, A Golden World focuses on how Atlantic colonization provides a distinct and crucial part of this cultural history. From sight and sound to touch and taste in the ‘golden age’ of Shakespeare, Lauren Working gives new insight into the dynamics of power and desire for lands and resources in the Americas and how it changed the course of history.

'How beauteous mankind is! O brave new worldThat has such people in't!'Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'A wonderfully stylish, gloriously technicolour book' - NANDINI DAS'An absolute joy to read' - DR STEPHANIE PRATT'Rich, original, and eye-opening' - ALICE HUNT'A sparkling cabinet of curiosities' - CAROLINE DODDS PENNOCKFrom rumours of lost Amazonian cities of gold to the silver running through the mountains of Bolivia, hopes for dazzling wealth fuelled the imperial fantasies of the Tudors and Stuarts. But while stories of treasure ships and privateers like Walter Raleigh have become entrenched in national myths - what did Elizabethans actually know about Mexico, the Amazon rainforest, or the Chesapeake? How did Indigenous people and knowledge enter the art, fashion, and literature of Shakespeare's time - and at what cost?A Golden World illuminates how the Americas became a visible and material presence in English culture, through a range of unexpected objects: from tobacco leaves strewn in playhouses to a boy wearing a pearl earring. Award-winning historian Lauren Working presents an altogether new history of the 'golden age' of 16th century England, that considers the desire for power, land and resources in the first era of colonization, alongside the craft and labour of those in the Americas who contributed to the English Renaissance as we know it.

''How beauteous mankind is! O brave new worldThat has such people in''t!''Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare''s genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright''s most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''How beauteous mankind is! O brave new worldThat has such people in''t!''Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare''s genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright''s most penetrating statement about his art.The New Oxford Shakespeare offers authoritative editions of Shakespeare''s works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare''s work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare''s work.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

What did it mean to be a stranger in sixteenth- and seventeenth-century England? How were other nations, cultures, and religions perceived? What happened when individuals moved between languages, countries, religions, and spaces? Keywords of Identity, Race, and Human Mobility analyses a selection of terms that were central to the conceptualisation of identity, race, migration, and transculturality in the early modern period. In many cases, the concepts and debates that they embody – or sometimes subsume – came to play crucial roles in the articulation of identity, rights, and power in subsequent periods. Together, the essays in this volume provide an invaluable resource for anyone interested in the development of these formative issues.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state's civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state''s civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state''s civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

Bringing to life the interaction between America, its peoples, and metropolitan gentlemen in early seventeenth-century England, this book argues that colonization did not just operate on the peripheries of the political realm, and confronts the entangled histories of colonialism and domestic status and governance. The Jacobean era is reframed as a definitive moment in which the civil self-presentation of the elite increasingly became implicated in the imperial. The tastes and social lives of statesmen contributed to this shift in the English political gaze. At the same time, bringing English political civility in dialogue with Native American beliefs and practices speaks to inherent tensions in the state's civilizing project and the pursuit of refinement through empire. This significant reassessment of Jacobean political culture reveals how colonizing America transformed English civility and demonstrates how metropolitan politics and social relations were uniquely shaped by territorial expansion beyond the British Isles. This title is also available as Open Access.

What did it mean to be a stranger in 16th and 17th century England? This text analyses a selection of terms that were central to the conceptualisation of identity, race, migration, and transculturality in the early modern period.

A glittering new history of how the Americas transformed the Tudors and Stuarts that provides a fresh understanding the cultural exchange between the “Old” and “New” worlds.From rumors of lost Amazonian cities of gold to the silver running through the mountains of Bolivia, hopes for dazzling wealth fueled the imperial fantasies of the Tudors and Stuarts. Stories of treasure ships and the feats of privateers from Francis Drake to Walter Raleigh have become entrenched in myth and legend—but what did Elizabethans actually know about Venezuela, or the Chesapeake? How did Indigenous people and ther knowledge enter the art, fashion, and literature of Shakespeare’s time—and at what cost? From tobacco leaves strewn in playhouses on the Thames to a bejeweled ‘Indian hat’ carried on the back of a wandering peddler in the English countryside, A Golden World uses tangible history and artefacts to illuminate the unexpected ways that the Americas and its people became a visible and material presence in English culture in the first era of colonization. Showcasing Indigenous perspectives through texts and materials created by Native writers, elders, and artists, and bringing Aztec jaguars, blue-green Colombian emeralds, and feathered garments knotted by Indigenous hands in conversation with love poetry, baroque portraits, and plays about shipwrecks, this award-winning historian presents an altogether new history of the ‘golden age’ of the Tudors and Stuarts, shedding light on the craft and labor of those in the Americas who contributed to the English Renaissance as we know it, and investigating what this means for heritage today. While England’s fascination with eastern powers has been more readily acknowledged, A Golden World focuses on how Atlantic colonization provides a distinct and crucial part of this cultural history. From sight and sound to touch and taste in the ‘golden age’ of Shakespeare, Lauren Working gives new insight into the dynamics of power and desire for lands and resources in the Americas and how it changed the course of history.