Laurie Campbell – författare

Desperate to escape the military, Otto von Goff marries wealthy heiress Hildegard von Puttkamer in a marriage of convenience. Even though they are fond of each other, Hildegard needs Otto to help ensure her familys beautiful Prussian estate of Schnwald stays within her control. True to form, when Hildegards father passes away, Otto inherits the estate as Hildegards husband. But the von Puttkamer family wants Schnwald for their own and will stop at nothing to get it Years later, in 1860, Hildegards mother dies, and her will reveals an alarming message: Hildegards distant male cousin, Berthold, is to take charge of Hildegards inheritance instead of Otto, a move that threatens to strip Hildegard and her daughter of their rightful heritage in Schnwald. Not only must Otto contest the will to safeguard his wife and daughter, but also to keep everything he has worked so hard for from being destroyed. Surrounded by enemies at every turn, Otto must gather all his resources to fight for his familys legacy or risk losing it all.Set in the lush landscape of Prussia in 1860, this historical novel goes deep into the heart of one familys struggle to maintain their heritage in the midst of turmoil.

HE WANTED A SECOND CHANCERafe Montoya had known his wife, Beth, was unhappy. She wanted him home earlier, wanted a baby, wanted more of himself than he could give. He thought that being her knight in shining armor would be enough. But then a tragic accident claimed Beth’s life, and left her twin sister, Anne, injured—and he had run out of time. All he could do was help Anne recover her strength and her memory—it was what Beth would have wanted.Yet when Rafe looked in Anne’s eyes, for a fleeting minute, he had the feeling it was Beth’s eyes looking back at him. His Beth, ready and waiting to give him a second chance. But that was impossible…wasn’t it?

HER BABYBeing jilted at the altar by playboy Kenny Tarkington made Lucy Velardi vow to raise her daughter, Emma, on her own. She didn’t need the help of any Tarkington, even her ex’s handsome brother, Connor. The undeniable attraction between them wasn’t enough, because what Lucy wanted from Connor was the one thing he couldn’t give—his heart.HIS RESPONSIBILITYWorkaholic Connor Tarkington was used to taking care of things, and that included Lucy and Emma, no matter how the sight of mother and child sparked painful memories and strong emotions inside him. Though Connor had sealed his wounded heart away, would he risk a second chance at happily ever after with Lucy?

WHERE WERE HER CHILDREN?They were gone like a flash in the night. Now Kirsten Laurence was desperately searching for her precious three. And her only recourse was to elicit the help of Detective J. D. Ryder a man with whom she'd shared a past and from whom she still kept a very special secret!Though every instinct screamed not to become involved in Kirsten's plight, J.D. could not turn his back on the single mom who still made him long for what he couldn't have. He would help Kirsten recover her missing children and then he'd walk away. Unless he could admit that the eldest child's eyes strangely resembled his own and that in Kirsten's arms he could come home at last !

You rarely hear men talk about juggling children, work, and household today. Imagine if a nineteenth-century man was in that fix. What would he do? They didnt have the resources we have today. This book is a look at Otto von Goff and his daughter, Luise, during the time he made a contract to sell his cattle to France. That had never been done before. Railways were just starting, and Otto set out to take advantage of it. Unfortunately, his wife, Hildegard, is ill and hasnt paid the household staff, so Otto has to get the books without letting his guests know hes involved in the household. In addition, his daughter is sick and lonely, wanting his attention and someone to play with. He lets them go to his sorrow. He concentrates on the deal, letting his household and his daughter fall aside, thinking hell make up later. His mother taught him, A stitch in time saves nine, and now he has to deal with the consequences.

Otto tries to find out what is wrong with Hildegard. People have all sorts of theories, typical of the nineteenth century, such as shes possessed or shes mad. You wouldnt think the doctor would give her something that would affect her behavior to that effect, would you? It all comes down to her potions from the doctor and the tinctures from her old nanny. Now what can Otto do? Can he help her by taking them away?

In 1860 Prussia, Otto is busy raising his daughter and worrying about his wife, who is under the control of drugs. The common drugs in 1860 were opium and alcohol, along with new discoveries such as cocaine and morphium, and the tinctures and potions of the people. Ottos doctor sets out a way Otto can get Hildegard off the drugs, but before Otto can do anything, some awful things happen. Young girls are attacked on his estate, someone is stealing, and a man is murdered in bed. Who is doing the crimes? And why?

HER BABY Being jilted at the altar by playboy Kenny Tarkington made Lucy Velardi vow to raise her daughter, Emma, on her own. She didn't need the help of any Tarkington, even her ex's handsome brother, Connor. The undeniable attraction between them wasn't enough, because what Lucy wanted from Connor was the one thing he couldn't give–his heart. HIS RESPONSIBILITY Workaholic Connor Tarkington was used to taking care of things, and that included Lucy and Emma, no matter how the sight of mother and child sparked painful memories and strong emotions inside him. Though Connor had sealed his wounded heart away, would he risk a second chance at happily ever after with Lucy?

WHERE WERE HER CHILDREN? They were gone like a flash in the night. Now Kirsten Laurence was desperately searching for her precious three. And her only recourse was to elicit the help of Detective J. D. Ryder–a man with whom she'd shared a past and from whom she still kept a very special secret!Though every instinct screamed not to become involved in Kirsten's plight, J.D. could not turn his back on the single mom who still made him long for what he couldn't have. He would help Kirsten recover her missing children…and then he'd walk away. Unless he could admit that the eldest child's eyes strangely resembled his own…and that in Kirsten's arms he could come home at last…!

HE WANTED A SECOND CHANCE Rafe Montoya had known his wife, Beth, was unhappy. She wanted him home earlier, wanted a baby, wanted more of himself than he could give. He thought that being her knight in shining armor would be enough. But then a tragic accident claimed Beth's life, and left her twin sister, Anne, injured–and he had run out of time. All he could do was help Anne recover her strength and her memory–it was what Beth would have wanted.Yet when Rafe looked in Anne's eyes, for a fleeting minute, he had the feeling it was Beth's eyes looking back at him. His Beth, ready and waiting to give him a second chance. But that was impossible…wasn't it?

A photographic celebration of the return of otters to our rivers and freshwater wetlands after a drastic decline.Ripples of excitement are spreading through Europe’s rivers and wetlands. A generation ago, otter watching was a wildlife highlight restricted to remote coastal areas – otter populations had been decimated over the previous century by pesticide poisoning and habitat disturbance. Now we are seeing the positive effect of determined conservation efforts over recent decades. As our waterways improve, otters are returning and spreading throughout their former habitats.One of the UK’s leading natural history photographers, Laurie Campbell got to know otters while working in Scotland’s Highlands and Islands, but he had never seen these elusive predators on his home beat. Then, in the early 1990s, he was delighted to find otters back on the Tweed and its tributaries, a river system he has lived close to for most of his life. The discovery launched him on a quest to create a photographic account of their lives on his home river.More than two decades later, otter numbers continue to increase, and new generations of otters have become more confident around people, sometimes appearing in broad daylight and in town centres. Laurie continues his long-standing study, still photographing the otters through the changing seasons – always with an eye on the bigger picture of the river itself and the plants and animals that share the otters’ habitat.Wildlife journalist and writer Anna Levin accompanies Laurie to the riverbank and learns of his working philosophy and fieldcraft. Together they weave a wealth of information into the stories that the pictures tell. While extracts from Anna’s notebooks offer a vivid glimpse of the photographer at work and the otters that enchant them both.

A photographic celebration of the return of otters to our rivers and freshwater wetlands after a drastic decline.Ripples of excitement are spreading through Europe''s rivers and wetlands. A generation ago, otter watching was a wildlife highlight restricted to remote coastal areas – otter populations had been decimated over the previous century by pesticide poisoning and habitat disturbance. Now we are seeing the positive effect of determined conservation efforts over recent decades. As our waterways improve, otters are returning and spreading throughout their former habitats.One of the UK''s leading natural history photographers, Laurie Campbell got to know otters while working in Scotland''s Highlands and Islands, but he had never seen these elusive predators on his home beat. Then, in the early 1990s, he was delighted to find otters back on the Tweed and its tributaries, a river system he has lived close to for most of his life. The discovery launched him on a quest to create a photographic account of their lives on his home river.More than two decades later, otter numbers continue to increase, and new generations of otters have become more confident around people, sometimes appearing in broad daylight and in town centres. Laurie continues his long-standing study, still photographing the otters through the changing seasons – always with an eye on the bigger picture of the river itself and the plants and animals that share the otters'' habitat. Wildlife journalist and writer Anna Levin accompanies Laurie to the riverbank and learns of his working philosophy and fieldcraft. Together they weave a wealth of information into the stories that the pictures tell. While extracts from Anna''s notebooks offer a vivid glimpse of the photographer at work and the otters that enchant them both.

A photographic celebration of the return of otters to our rivers and freshwater wetlands after a drastic decline.Ripples of excitement are spreading through Europe''s rivers and wetlands. A generation ago, otter watching was a wildlife highlight restricted to remote coastal areas – otter populations had been decimated over the previous century by pesticide poisoning and habitat disturbance. Now we are seeing the positive effect of determined conservation efforts over recent decades. As our waterways improve, otters are returning and spreading throughout their former habitats.One of the UK''s leading natural history photographers, Laurie Campbell got to know otters while working in Scotland''s Highlands and Islands, but he had never seen these elusive predators on his home beat. Then, in the early 1990s, he was delighted to find otters back on the Tweed and its tributaries, a river system he has lived close to for most of his life. The discovery launched him on a quest to create a photographic account of their lives on his home river.More than two decades later, otter numbers continue to increase, and new generations of otters have become more confident around people, sometimes appearing in broad daylight and in town centres. Laurie continues his long-standing study, still photographing the otters through the changing seasons – always with an eye on the bigger picture of the river itself and the plants and animals that share the otters'' habitat. Wildlife journalist and writer Anna Levin accompanies Laurie to the riverbank and learns of his working philosophy and fieldcraft. Together they weave a wealth of information into the stories that the pictures tell. While extracts from Anna''s notebooks offer a vivid glimpse of the photographer at work and the otters that enchant them both.

This is the fifth book is about the Prussian family. The father is trying to take care of his wife, who is addicted to the drugs of the ninteenth century, a time when addiction hasn''t been identified. There is only one place in the world trying to treat people for drugs, Vienna. So Otto has to take his family there and cope with the Viennese way of seeing and doing things. Will Hildegard overcome her dependencies? How will Otto cope with the strange life? How long will it take?

Daría la vida por tener una segunda oportunidad con su difunta esposa...Rafe Montoya sabía que su esposa no era feliz; quería que él pasara más tiempo en casa y quería tener un hijo... quería más de lo que él podía darle. Pero entonces un trágico accidente se llevó la vida de Beth y dejó a su hermana gemela, Anne, herida pero con vida. Rafe se dio cuenta de que había llegado demasiado tarde y ahora lo único que podía hacer era ayudar a Anne a recuperar las fuerzas y la memoria... pues eso era lo que Beth habría querido.Sin embargo, cuando miraba a Anne a los ojos tenía la sensación de estar viendo a Beth, a su Beth.