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8 produkter
8 produkter
Inbunden, Engelska, 2021
1 069 kr
Skickas inom 10-15 vardagar
This book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen’s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past.Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
953 kr
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This book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen’s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past.
Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Häftad, Engelska, 2022
774 kr
Skickas inom 10-15 vardagar
This book investigates handwritten entertainment fiction (shouchaoben wenxue) which circulated clandestinely during the Chinese Cultural Revolution. Lena Henningsen’s analyses of exemplary stories and their variation across different manuscript copies brings to light the creativity of these readers-turned-copyists. Through copying, readers modified the stories and became secondary authors who reflected on the realities of the Cultural Revolution. Through an enquiry into actual reading practices as mapped in autobiographical accounts and into intertextual references within the stories, the book also positions manuscript fiction within the larger reading cosmos of the long 1970s. Henningsen analyzes the production, circulation and consumption of these texts, considering continuities across the alleged divide of the end of the Mao-era and the beginning of the reform period. The book further reveals how these texts achieved fruitful afterlives as re-published bestsellers or as adaptations into comic books or movies, continuing to shape the minds of their audience and the imaginations of the past.Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Inbunden, Engelska, 2017
1 069 kr
Skickas inom 10-15 vardagar
This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.
E-bok
Engelska, 20171 248 kr
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This volume explores ''unknown time'' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.
Häftad, Engelska, 2018
1 069 kr
Skickas inom 10-15 vardagar
This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.
Del 18 - Jahrbuch der Deutschen Vereinigung für Chinastudien
Wissensasymmetrien: China ALS Akteur Und Objekt (Globaler) Debatten. XXXII. Jahrestagung (Freiburg, 19.11.-21.11.2021)
Häftad, Tyska, 2025
714 kr
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E-bok
PDF, Tyska, 2019298 kr
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Gerichte, Essenspraktiken, zugeschriebene Bedeutungen sowie mit konkreten Gerichten verbundene Assoziationen und Erinnerungen unterscheiden sich je nach Kultur, gesellschaftlichen Verhältnissen und individuellen Dispositionen. Entsprechend sind Schilderungen von Essen und Praktiken des Essens besonders wirkmächtige literarische Werkzeuge, lassen sich so doch lebendige Bilder, Emotionen, Erinnerungen, Geschmäcker und Gerüche in den Leser*innen wachrufen.Besonders häufig hat das Essen in der Literatur die Funktion eines Auslösers von Erinnerungen: Speisen werden zum verbindenden Element zwischen Gegenwart und Vergangenheit, Körper und Geist, sinnlicher Wahrnehmung und erinnertem Leben. Prousts ''Madeleine-Episode'' in Auf der Suche nach der verlorenen Zeit ist nur eines von vielen Beispielen. Die Beiträge in Gegessen? befragen Texte der Weltliteratur aus den letzten zwei Jahrtausenden nach den Praktiken des Essens, den Bedeutungszuschreibungen von Speisen und dem Zusammenhang zwischen Essen und Erinnerung.