Léonora Miano – författare

What is Africa's own "heart of darkness"? It is what confronts Ayané when, after three years abroad, she returns to the Central African village of her birth. Now an "outsider" with foreign ways distrusted by her fellow villagers, she must face alone the customs and superstitions that bind this clan of men and women. When invading militia organize a horrific ceremony that they claim will help reunite Africa, Ayané is forced to confront the monstrosity of the act that follows, as well as the responsibility that all the villagers must bear for silently accepting evil done in their name. Through Ayané's unwilling witness, Léonora Miano probes the themes of submission and responsibility and questions the role of Africans in the suffering of their fellows. Also exploring African identity, Dark Heart of the Night is a profoundly disturbing novel in its evocation of the darkest side of people driven by their instinct to survive.

This powerful novel presents the early days of the transatlantic slave trade from a new perspective: that of the sub-Saharan population that became its first victims. Cameroonian novelist Leonora Miano presents a world on the brink of disappearing a pre-colonial civilization with roots that stretch back for centuries. One day, a group of villagers find twelve of their people missing. Where have they gone? Who is responsible? A collective dream, troubling a group of mothers in a communal dwelling, may have some of the answers, as the women's missing sons call to them in terror; at the same time, a thick shadow settles over the huts, blocking out the light of day. It is the shadow of slavery, which will soon grow to blight the whole world. Miano renders this brutal story in deliberately strange, dreamlike prose, befitting a situation that is, on its face, all but impossible for the villagers to believe.

Now in paperback, a brutal and dreamlike story about the first victims of the transatlantic slave trade.This powerful novel presents the early days of the transatlantic slave trade from a new perspective: that of the sub-Saharan population that became its first victims. Cameroonian novelist Léonora Miano presents a world on the brink of disappearing—a pre-colonial civilization with roots that stretch back for centuries. One day, a group of villagers finds twelve of their people missing. Where have they gone? Who is responsible? A collective dream, troubling a group of mothers in a communal dwelling, may have some of the answers, as the women’s missing sons call to them in terror; at the same time, a thick shadow settles over the huts, blocking out the light of day. It is the shadow of slavery, which will soon grow to blight the whole world.Miano renders this brutal story in deliberately strange, dreamlike prose, befitting a situation that is, on its face, all but impossible for the villagers to believe.

A haunting, multivocal novel full of stories of the lives of women of African descent.  Four women speak. They speak to the same man, who is not there. He is the son of the first, the great-yet-impossible love of the second, the platonic companion of the third, the older brother of the last. Speaking to him in his absence, it is to themselves that these women turn, examining their own stories to make sense of their journey, from twilight to twilight, through a mysterious stormy night in the middle of the dry season.  Together, the voices in Twilight of Torment: Melancholy, the first volume of a two-volume novel, perform a powerful and sometimes discordant jazz-inspired chorus about issues such as femininity, sexuality, self-love, and the intrusion of history into the intimate lives of people of African descent. Blackness confronts African-ness, love is sometimes discovered in the arms of another woman, the African renaissance tries to establish itself on the rubble of self-esteem damaged by history. Each of these women, with her own language and rhythm, ultimately represents a specific aspect of the tormented history of Africans in today’s world, and at the end of the night, they will each arrive at a dawn of hope.

A searing novel exploring the construction of masculinity in sub-Saharan Africa.  After beating his girlfriend and leaving her for dead on the street, Amok retraces his steps. Frightened by his act, which reproduces the violence of his father, he hopes to save the woman. But it is too late when he arrives at the scene; two women are already carrying the injured woman. Overwhelmed and not daring to reveal himself, he decides to find his father in order to learn how to rid himself of the dark force that he believes runs through the men of his lineage. He embarks on a journey that will be, more than anything, an inner one, forcing him to understand his story and choose a healthier way of being in the world. This second volume of Twilight of Torment is both intimate and political. Through the story of a man and his family, we discover an African bourgeoisie and its many social wanderings in a contemporary Africa whose future seems nebulous.

Challenging conventional notions of racial and regional identity, Léonora Miano provides a fresh perspective on the complexities of self-perception.  In this ground-breaking exploration, French-Cameroonian author Léonora Miano unveils a distinct sensibility shaped by her sub-Saharan African roots, setting her apart from those who identify as Afro-Europeans, or Afropeans, a group forged within the European context. Drawing on her unique perspective, Miano reveals the complexities that determine self-perception and complicate the bonds of identification and solidarity between Afro-Europeans and their sub-Saharan counterparts. Contrasting with France’s approach of lumping all citizens of sub-Saharan descent together under an “African” label, the author questions the effectiveness of such categorization in fostering a genuine connection to one’s country and assuming responsibility for its future.  Despite the many challenges, Miano finds hope in the Afropean identity—those who embrace the fusion of Africa and Europe within their self-designation—believing it holds the potential to embody a transformative, fraternal, anti-imperialist, and anti-racist societal project. Yet, she acknowledges the persistent struggle for acceptance and understanding in a society grappling with identity tensions. In this powerful narrative, Miano examines the allure of rejection that exists on both sides of the divide, offering a nuanced examination of the delicate balance between cultures, identities, and the pursuit of a utopian vision. Timely and captivating, this book is essential to understanding the Afropean perspective.

An unflinching look at the realities of racism, poverty, and exclusion in contemporary France—told through the eyes of a young Cameroonian mother navigating life on society’s edge.At just twenty-three, Louise finds herself stranded in a Paris shelter with her baby, Bliss, in her arms while battling homelessness, racism, and the struggles that come with being a female immigrant trying to keep her dignity alive. Yet amid the chaos, Louise encounters a fragile network of mothers and survivors from the Maghreb and sub-Saharan Africa, each carrying their own story of violence, addiction, and resilience.Based on a pivotal moment in author Léonora Miano’s own life, Stardust is a luminous story of the quiet power of choosing life. The novel was first composed over twenty years ago and remained unpublished for years. Now, Miano invites readers into her world, shedding light on the invisible corners of French society and offering a moving meditation on motherhood, dignity, and renewal.

An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum.“Most of the time, it is the power of men that we remember.” With these words, which open Léonora Miano’s text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads “between the lines of beads and cowrie shells” to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power—how and by whom it is defined-wielded-subverted. King Njoya said he “felt like a woman in his relationship with the Germans.” Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

”För första gången i sitt liv skrattade Snow åt något annat än andras olycka.” Antoine Kingué, även kallad Snow, är född och uppväxt i Frankrike men har sitt ursprung i Mboasu, söder om Sahara. Han drömmer om att bli en stjärna och om kändisskapets fördelar. Då skulle han kunna hämnas på alla dem som inte älskat honom tillräckligt, hans frånvarande mamma och favoriserade bror, alla dem som gjorde livet surt för honom som barn. Men när mamman och brodern plötsligt bestämmer sig för att flytta tillbaka till hemlandet lämnas Antoine ensam med all sin bitterhet. Då tvingas han konfrontera avundsjukan, sorgen och ilskan han samlat på sig under åren. Översättning från franska: Marianne Tufvesson ”Léonora Miano är musikalisk och tycker om episka skildringar. Hon har inte sagt sitt sista ord om ’afropéerna’, som ser sig som icke-européer förvisade till Europa. Inte heller har hon uttömt betydelsen av ordspråket ’Ett barn blir alltid likt den förälder som förnekar det’.”/L’EXPRESS ”Denna vackra roman utmärker sig med sin exakta ton och skickligt bearbetade gestalter. I den här familjen med sina olyckor orsakade av hemligheter och bristande förståelse finner var och en sitt sätt att skydda sig från smärtan genom förnekelse, aggressivitet, lögn, galenskap och död.” Betyg: 5 av 5 stjärnor. /AFRICAVIVRE.COM