Leslie Atzmon – författare

Encountering Things brings together leading design scholars to explore the relationship between thing theory and design, exploring production processes and offering an engaging, theoretical perspective about the social and cultural lives of objects.Focusing on the themes of process and product, the contributors investigate the productive interplay between the activity of design and the objects that design uses and produces. Chapters span the design disciplines and essays examine the processes by which objects, things, and artifacts are made; the lives of design objects; and things in their cultural contexts. Theoretical discussion is encouraged by in-depth case studies of things themselves. Each chapter includes an informational sidebar per essay and a useful glossary of key terms.

Design and Science addresses the inter-relationship, in both historical and contemporary contexts, between design thinking and design processes and scientific and medical research methods. Contributors address the parallels between research methodologies in design and the sciences, both of which involve the recognition of an issue, conceptualisation of ways to resolve it, and then the modelling and implementation of a viable solution. Much research across various scientific disciplines follows a similar pattern. Thematic sections explore visualisation, visual narrative and visual metaphor; biodesign and biomimicry; makers and users in design and science, and data visualisation, discussing the role of data from nature as an ultimate source of design.

Contributing to a growing discourse in spatial humanities, this collection of essays provides a unique, critical insight into how place is shaped through visual and sensory practices. By looking at a range of natural, built, and digital environments, across historical and contemporary contexts, Visual Ecologies of Placemaking offers an in-depth study into place as a spatial, social and cultural construct. Essays explore public and private spaces, cities, gardens, sacred settings and domestic scenes, and particularly consider human beings’ relationships to place at times when places are undergoing radical shifts due to occurrences such as global pandemics, changing climates and widespread social unrest. This timely volume features a range of case studies that explore places from storage units to city streets, performances from sacred pilgrimages to drag shows, and identities from secessionists to imperial authorities. Essays also contribute to emerging areas of inquiry, such as queer and decolonial studies and the digital humanities. Visual Ecologies of Placemaking offers a broad examination of the performative aspects of place and identity, and yields new ways of thinking about how places are shaped and negotiated. Leslie Atzmon and Pamela Stewart's collection provides fresh and essential insights into the varied roles that place plays in our understanding and expression of the world and our place within it.

Design and Science addresses the inter-relationship, in both historical and contemporary contexts, between design thinking and design processes and scientific and medical research methods. Contributors address the parallels between research methodologies in design and the sciences, both of which involve the recognition of an issue, conceptualisation of ways to resolve it, and then the modelling and implementation of a viable solution. Much research across various scientific disciplines follows a similar pattern. Thematic sections explore visualisation, visual narrative and visual metaphor; biodesign and biomimicry; makers and users in design and science, and data visualisation, discussing the role of data from nature as an ultimate source of design.

The Graphic Design Reader brings together key readings in this ever-changing field to provide an essential resource for students, researchers and practitioners.Taking as its starting point an exploration of the way in which theory and practice and canons and anti-canons have operated within the discipline, the reader brings together writings by important international design critics, including Wendy Siuyi Wong, Dick Hebdige, April Greiman, and Victor Margolin.Extracts are structured into clear thematic sections addressing history; education and the profession; type and typography; critical writing and practice; political and social change; changing visual landscapes, and graphic design futures. Each section has a contextual introduction by the editors outlining key ideas and debates, as well as an annotated guide to further reading and a comprehensive bibliography.The Graphic Design Reader features original visual essays which provide a critical platform for understanding and interpreting graphic design practice, as well as a wealth of illustrations accompanying key historical and contemporary texts from the 1920s to the present day.

The Graphic Design Reader brings together key readings in this ever-changing field to provide an essential resource for students, researchers and practitioners.Taking as its starting point an exploration of the way in which theory and practice and canons and anti-canons have operated within the discipline, the reader brings together writings by important international design critics, including Wendy Siuyi Wong, Dick Hebdige, April Greiman, and Victor Margolin.Extracts are structured into clear thematic sections addressing history; education and the profession; type and typography; critical writing and practice; political and social change; changing visual landscapes, and graphic design futures. Each section has a contextual introduction by the editors outlining key ideas and debates, as well as an annotated guide to further reading and a comprehensive bibliography.The Graphic Design Reader features original visual essays which provide a critical platform for understanding and interpreting graphic design practice, as well as a wealth of illustrations accompanying key historical and contemporary texts from the 1920s to the present day.