Liliya Berezhnaya – författare

Icons and murals depicting the biblical scene of the Last Judgment adorned many Eastern-rite churches in medieval and early modern Ukraine. Dating from the twelfth to the eighteenth centuries, these images were extraordinarily elaborate, composed of dozens of discrete elements reflecting Byzantine, Novgorodian, Moldavian, and Catholic influences, in addition to local and regional traditions. Over time, the details of the iconography evolved in response to changing cultural resources, the conditions of material life at the time, and new trends in mentality and taste.The World to Come lists and describes more than eighty Last Judgment images from present-day Ukraine, eastern Slovakia, and southeastern Poland, making it the largest compilation of its kind. Photographs show overviews and details of the images, and most are printed in full color. The icons and murals provide a valuable source of knowledge about the culture in which they were created: what was meant by good and evil, what was prophesied for the future, and what awaited in the afterlife.

This book explores the sacralization of history with a focus on modern Eastern Europe where the erasure of Soviet traditions has triggered a search for specific "usable pasts". It discusses the importance of sacralization in memory and identity-building politics and the complex interplay between religion, history, and identity, particularly within the context of crises and conflict situations, by showing the historical roots of these processes.The contributors seek to identify the political, societal and religious actors promoting the sacralization of history. They consider which networks promote sacralized visions of history and who is excluded from the sacralized community of national belonging. They also explore which historical topics seem best suited for the sacralization of history and question what happens to the rituals, objects, or spaces, formerly regarded as sacral: are they profaned, neglected, or re-inscribed by new national histories, and is there a religious language of national history? These are the major questions of this book.