Linden Peach – författare

This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.This revised new edition reviews Carter's novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter's most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

The novels of Toni Morrison, the first African-American writer to win the Nobel Prize for Literature, are powerful not just because of their content - her themes include infanticide, rape, child abuse, murder and sexual jealousy - but because of their innovative form and language. This succinct critical introduction to her work seeks to make her novels more accessible to student and general reader alike through unravelling notions of self, representation and narrative structure which will be new to readers accustomed to Euro-American literary conventions.

The novels of Toni Morrison, the first African-American writer to win the Nobel Prize for Literature, are powerful not just because of their content - her themes include infanticide, rape, child abuse, murder and sexual jealousy - but because of their innovative form and language. This succinct critical introduction to her work seeks to make her novels more accessible to student and general reader alike through unravelling notions of self, representation and narrative structure which will be new to readers accustomed to Euro-American literary conventions.

Virginia Woolf has emerged from recent scholarship as a less inward-looking and other-worldly writer than she was depicted for more than half a century. However, this is the first book to address the cryptographic nature of her writings about politics and history. Approaching each of her novels in turn through theoretical frameworks provided by Michel Foucault, Mikhail Bakhtin and contemporary social theorists, Linden Peach argues that Woolf is a more sophisticated political thinker than has been commonly recognised, interested in historiography, engaged by the coded nature of social 'reality' and interrogating the cryptic meanings within public discourse.

This essential guide offers innovative critical readings of key contemporary novels from Ireland and Northern Ireland. Linden Peach discusses texts that are representative of the richness of Irish writing during the 1980s and 1990s, and reads works by established authors alongside those by the new generation of writers. The novels examined include works by John Banville, Jennifer Johnston, Roddy Doyle, Emma Donoghue, Seamus Deane, William Trevor, Dermot Bolger, Joseph O'Connor, Patrick McCabe, Mary Morrissy, Glenn Patterson and Robert McLiam Wilson.The Contemporary Irish Novel addresses themes such as ghosts and haunting, mimicry, obedience and subversion, the relocation and reinscription of identity, the mother figure, parent-child relations, madness, masculinity, self-harm, sexuality, domestic violence, fetishism and postmodernity. Drawing on a range of critical approaches including postcolonial, gender and psychoanalytic theory, Peach explores and celebrates the diversity of Irish fiction and suggests that the boundary between literature and theory is as permeable as that between Ireland and Northern Ireland.

Flush: A Biography (1933), Woolf's second radical experiment in biography (after Orlando: A Biography) was a runaway best-seller. This life of the pet spaniel of Victorian poets, Elizabeth Barrett Browning and Robert Browning, playfully tests human-animal boundaries and speaks to rising concerns with class, sexuality and eugenics. This edition demonstrates Flush's historical grounding in the Brownings' era and Woolf's own. It provides rigorous, transparent collation of all extant states of Flush published in Woolf's lifetime. The extensive Explanatory Notes offer fresh insight into sociopolitical and literary contexts. This edition presents, for the first time, full transcriptions of Woolf's reading notebooks and drafts, plus the serialised Atlantic Monthly version. The Introduction maps composition history and draws on rediscovered early reviews. It charts Flush's critical reception to current renewed critical interest. This edition establishes Flush as a playfully ironic and seriously experimental work worthy of wide readership and sustained scholarly attention.

Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women's studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.

An introduction to the work of one of Wales's leading writers, highlighting his importance to contemporary critical and cultural agendas such as issues of identity, nation, environment and religious conflict.

For over half a century, Emyr Humphreys's work as a novelist, short story writer, poet, dramatist and television producer has been extraordinarily impressive. This pioneering and stimulating book considers Humphreys's fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Drawing on the work of leading modern cultural and literary theorists such as Jacques Derrida and Homi Bhabha, psychoanalytic critics such as Melanie Klein and Jacqueline Rose, and gender theorists such as Judith Butler, Linden Peach brings fresh perspectives to the content, structure and developing nature of Humphreys's work, employing, for example, historicist, post-historicist, new geography, psychoanalytic and feminist and postfeminist frameworks. Through detailed readings which highlight subjects such as gender identity, contested masculinities, war, pacifism, strangeness and 'otherness', problematic father and daughter relationships, and cultural discourse in complex linguistic environments, Peach suggests that Humphreys's work is best understood as 'dramatic', 'dissident' and/or 'dilemma' fiction rather than by the term 'Protestant novelist' which Humphreys used to describe himself at the outset of his career. Stressing how Humphreys came to see himself as more of a 'protesting' novelist, Peach examines how the dilemmas around which his fiction is based, originally linked to Humphreys's definition of himself as a 'protestant' writer, increasingly become sites in which controversial, and often dark themes, are explored. This approach to Humphreys's work is pursued through exciting readings of some of Humphreys best and lesser known works including A Man's Estate, A Toy Epic, Outside the House of Baal, the Best of Friends, salt of the Earth, Unconditional Surrender, The Gift of a Daughter, Natives, Ghosts and Strangers, Old people are a Problem, The shop and The Woman at the Window.

English as a Creative Art is different from previous works on either creative writing or contemporary literary criticism. It is the first book to bring the two together, demonstrating how concepts drawn from literary theory can be used to enable students to develop critical insights into their own writing. Conversely, it also aims to help students understand contemporary critical concepts and become more incisive thinkers through creative work.

This revised new edition reviews Carter''s novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter''s most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.This revised new edition reviews Carter''s novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter''s most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

English as a Creative Art is different from previous works on either creative writing or contemporary literary criticism. It is the first book to bring the two together, demonstrating how concepts drawn from literary theory can be used to enable students to develop critical insights into their own writing. Conversely, it also aims to help students understand contemporary critical concepts and become more incisive thinkers through creative work.

This revised new edition reviews Carter''s novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter''s most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.This revised new edition reviews Carter''s novels in the light of recent critical developments and offers entirely new perspectives on her work. There is now extended discussion of Carter''s most widely-studied novels, including The Passion of New Eve and Nights at the Circus, and discussion of the long essay The Sadeian Woman.

This essential guide offers innovative critical readings of key contemporary novels from Ireland and Northern Ireland. Linden Peach discusses texts that are representative of the richness of Irish writing during the 1980s and 1990s, and reads works by established authors alongside those by the new generation of writers. The novels examined include works by John Banville, Jennifer Johnston, Roddy Doyle, Emma Donoghue, Seamus Deane, William Trevor, Dermot Bolger, Joseph O''Connor, Patrick McCabe, Mary Morrissy, Glenn Patterson and Robert McLiam Wilson.The Contemporary Irish Novel addresses themes such as ghosts and haunting, mimicry, obedience and subversion, the relocation and reinscription of identity, the mother figure, parent-child relations, madness, masculinity, self-harm, sexuality, domestic violence, fetishism and postmodernity. Drawing on a range of critical approaches including postcolonial, gender and psychoanalytic theory, Peach explores and celebrates the diversity of Irish fiction and suggests that the boundary between literature and theory is as permeable as that between Ireland and Northern Ireland.

This essential guide offers innovative critical readings of key contemporary novels from Ireland and Northern Ireland. Linden Peach discusses texts that are representative of the richness of Irish writing during the 1980s and 1990s, and reads works by established authors alongside those by the new generation of writers. The novels examined include works by John Banville, Jennifer Johnston, Roddy Doyle, Emma Donoghue, Seamus Deane, William Trevor, Dermot Bolger, Joseph O''Connor, Patrick McCabe, Mary Morrissy, Glenn Patterson and Robert McLiam Wilson.The Contemporary Irish Novel addresses themes such as ghosts and haunting, mimicry, obedience and subversion, the relocation and reinscription of identity, the mother figure, parent-child relations, madness, masculinity, self-harm, sexuality, domestic violence, fetishism and postmodernity. Drawing on a range of critical approaches including postcolonial, gender and psychoanalytic theory, Peach explores and celebrates the diversity of Irish fiction and suggests that the boundary between literature and theory is as permeable as that between Ireland and Northern Ireland.

This pioneering book explores Emyr Humphreys s fiction from a range of contemporary critical perspectives and stresses its relevance to the 21st century. Through stimulating readings which highlight subjects such as gender identity, contested masculinities, problematic father and daughter relationships, war, pacifism, strangeness and otherness , and cultural discourse in complex linguistic environments, Linden Peach argues that Humphreys s work is best understood as dramatic , dissident and/or dilemma fiction. Generally rooted in North Wales, it is seen as providing fresh insights into modern Welsh history, Nonconformity and globalisation. The book will appeal to readers wishing to explore and understand the work of one of the most prolific and significant modern Welsh writers.

This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

This book introduces the contribution of modern Welsh literature to our understanding of peace and pacifism – an important and much overlooked subject in Welsh studies. Taking a literary-historical approach to the subject, it reveals how modern Welsh writing opens up history in ways in which historical discourse alone sometimes fails to do. It argues that the concepts of peace, peacefulness and pacifism have played a broader and more complex role in Welsh life than has been recognised, primarily through an influential Welsh-language pacifist intelligentsia. The author reminds us that Welsh pacifism is distinguished from English pacifism by the Welsh language itself, its links with Welsh nationalism and by the fact that it faced challenges and pressures never encountered by English pacifism. Authors discussed in this study include Tony Curtis, George M. Ll. Davies, Pennar Davies, John Eilian, Emyr Humphreys, Glyn Jones, D. Gwenallt Jones, T. Gwynn Jones, T. E. Nicholas, Iorwerth C. Peate, Angharad Price, Ned Thomas, Lily Tobas and Waldo Williams.

Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women’s studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.

Presents a comparative study of fiction by late twentieth and twenty-first century women writers from Ireland, Northern Ireland and Wales. This work is of interest to students interested in women’s studies, gender studies, and cultural studies as well as Welsh, Irish and Celtic studies.

This pioneering study introduces readers to key themes from animal studies, as a frame within which it examines the representation of animals and animality in the work of a range of authors. In this new approach to animal studies, the concept of a relational universe that has emerged in recent natural and physical science is argued as being central. With fresh readings of Welsh literary and non-literary publications, including the Welsh press and Welsh-language manuals, the book explores relationships among animals and between humans and animals, to approach subjects such as intelligence, sensibility and knowledge from an animal perspective. The possibility of redrawing and reclaiming a history of rural and industrial Wales is suggested according to an animal history and agenda. This innovative contribution to Welsh and animal studies illuminates fascinating and controversial subjects, including animal domestication, captivity, communication, biopsychology, human exceptionalism, zoos and farming.

This pioneering study introduces readers to key themes from animal studies, as a frame within which it examines the representation of animals and animality in the work of a range of authors. In this new approach to animal studies, the concept of a relational universe that has emerged in recent natural and physical science is argued as being central. With fresh readings of Welsh literary and non-literary publications, including the Welsh press and Welsh-language manuals, the book explores relationships among animals and between humans and animals, to approach subjects such as intelligence, sensibility and knowledge from an animal perspective. The possibility of redrawing and reclaiming a history of rural and industrial Wales is suggested according to an animal history and agenda. This innovative contribution to Welsh and animal studies illuminates fascinating and controversial subjects, including animal domestication, captivity, communication, biopsychology, human exceptionalism, zoos and farming.

This pioneering study introduces readers to key themes from animal studies, as a frame within which it examines the representation of animals and animality in the work of a range of authors. In this new approach to animal studies, the concept of a relational universe that has emerged in recent natural and physical science is argued as being central. With fresh readings of Welsh literary and non-literary publications, including the Welsh press and Welsh-language manuals, the book explores relationships among animals and between humans and animals, to approach subjects such as intelligence, sensibility and knowledge from an animal perspective. The possibility of redrawing and reclaiming a history of rural and industrial Wales is suggested according to an animal history and agenda. This innovative contribution to Welsh and animal studies illuminates fascinating and controversial subjects, including animal domestication, captivity, communication, biopsychology, human exceptionalism, zoos and farming.

This is the first book-length study of the poetry and journal writings of Gillian Clarke in their entirety; it is the first extensive examination of her work published in this century, and the first full account of how her work has developed in the course of her career as a writer and teacher. In addressing timely and highly relevant themes that have been generally overlooked until now, the book highlights and re-examines Clarke's importance for today’s readers. Discussing the energy, subtlety andoriginality of her works, the author commends Clarke as an innovative, politically-alert and scientifically- and cosmologically-aware Welsh writer of global significance.