Linsey Robb – författare

A hugely original and engaging history of conscientious objectors in the Second World War One percent of all men conscripted in Britain during the Second World War conscientiously objected. However, the stories of the 60,000 men, four times as many as in WWI, who chose to say “no” to armed combat remain largely unknown. Linsey Robb uncovers the experiences of the individuals who, driven by their convictions, chose the path of conscientious objection during one of the most tumultuous periods in modern history. Robb reveals how objectors made vital contributions to the war effort: working the land, tending the sick and serving as non-combatants in the army. This compelling account captures the internal struggles faced by objectors as the scale of the war’s destruction and Nazi atrocities became apparent. Many objectors grappled with the consequences of their convictions, often channelling that reflection into humanitarian work to help mend the damage the conflict had caused. This is a gripping, surprising story of how thousands of men objected and contributed to their country at war.

Men at Work explores the cultural portrayal of four essential wartime occupations: agriculture, industry, firefighting and the mercantile marine. In analysing a broad spectrum of wartime media (most notably film, radio and visual culture) it establishes a clear hierarchy of masculine roles in British culture during the Second World War.

This is an seven-volume collection of primary texts, each selected and introduced by experts, reproducing in facsimile a wealth of materials related to the history of women and warfare in the English-speaking world. The editors are historians and literary scholars with a wealth of publications in women’s writing and war literature. The project focuses, for most of its historical range, on England (and Britain); it also includes volumes on the United States, Australia, and Canada. The collection documents women’s historical and literary participation in, and commentary on, war. It represents the first attempt to examine the variety of roles women have played in war, and as critics and commentators on war, across all of history into the twentieth century. The project makes a unique and powerful claim about the long history of women’s involvement in war in the English-speaking world

This edited collection brings together cutting-edge research on British masculinities and male culture, considering the myriad ways British men experienced, understood and remembered their exploits during the Second World War, as active combatants, prisoners and as civilian workers.

This edited collection brings together cutting-edge research on British masculinities and male culture, considering the myriad ways British men experienced, understood and remembered their exploits during the Second World War, as active combatants, prisoners and as civilian workers.

This book skilfully combines cutting-edge historical research by leading and emerging researchers in the field to investigate the utilization of British humour during the Second World War as well as its legacy in British popular culture.Juliette Pattinson and Linsey Robb bring together case studies that address a variety of situations in which humour was generated, including wartime jokes, films, radio, cartoons and private drawings, as well as post-war recollections, museum exhibitions and television comedy. By adopting an original interpretative framework of various wartime and post-war sites, this books opens up the possibility for a more variegated, richer analysis of Britain’s wartime experience and its place thereafter in the cultural imagination.Through the lens of humour, this book promises to add critical nuance to our understanding of the functioning of British wartime society. Covering sources such as The British Cartoon Archive, BBC World War II People’s War Archive and The Ministry of Information, and including analysis of the lasting role of comedy in Britain’s memories and depictions of the war, the result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.

This book skilfully combines cutting-edge historical research by leading and emerging researchers in the field to investigate the utilization of British humour during the Second World War as well as its legacy in British popular culture.Juliette Pattinson and Linsey Robb bring together case studies that address a variety of situations in which humour was generated, including wartime jokes, films, radio, cartoons and private drawings, as well as post-war recollections, museum exhibitions and television comedy. By adopting an original interpretative framework of various wartime and post-war sites, this books opens up the possibility for a more variegated, richer analysis of Britain’s wartime experience and its place thereafter in the cultural imagination.Through the lens of humour, this book promises to add critical nuance to our understanding of the functioning of British wartime society. Covering sources such as The British Cartoon Archive, BBC World War II People’s War Archive and The Ministry of Information, and including analysis of the lasting role of comedy in Britain’s memories and depictions of the war, the result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.