Lionel Gossman – författare

In the 19th century, nationalism and democracy were on the rise in Europe, transforming old nation-states and leading to the creation of powerful new ones. Basel, with its legendary wealth, its 400-year-old university, and its tradition of humanist learning, clung to its ancient status as an independent city-republic within the loose Swiss Confederation. It owed its prosperity to its situation at the crossroads of France, the German states and the states of Southern Europe and to a vast network of international and intercontinental trading connections developed by its enterprising elite families. Its citizens looked out at the changes taking place around them and feared for their privileges, their prosperity and the political autonomy of their miniature state. By mid-century, Basel had become a focus of resistance to the optimistic and confident modernism of the time.Lionel Gossman's sweeping work tells the story of Basel, this seemingly anachronistic hybrid of commercialism and classical republicanism, and of four major thinkers who retreated there: the historian Jacob Burkhardt, the philologist and anthropologist Johann Jakob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche. Focusing on the native Baselers, Burckhardt and Bachofen, Gossman offers the most comprehensive interpretive biographies and analyses of these figures and their work available in English. At the same time, he shows how their ideas are tightly interwoven with the culture, tradition and destiny of this unique and beautiful city. Today, as the developments these men decried continue to gain momentum, their "unseasonable ideas" emerge as fresh, provocative and troublingly ambiguous in their implications as they were 150 years ago.

One of a small number of historical texts that have become classics, Gibbon's Decline and Fall of the Roman Empire demands and deserves the kind of attention readers habitually grant to the classics of fictional literature. In Lionel Gossman's thematic and rhetorical study of Gibbon's masterpiece, the foundation of authority is seen as the historian's chief concern. The central problem of the work - the foundation of political authority - also appears in another form, Gossman contends, as a central problem of the work - that of the authority of the historical text itself.

Recognized by historians and politicians as a model for European unity, Switzerland is nonetheless a difficult country to understand as a whole. Whereas individual Swiss cities have strong identities in the international political, cultural, and economic arenas, the country itself seems to be less than the sum of its parts. To capture the elusive spirit of Switzerland, four eminent writers explore the roots of its political unity and cultural diversity in a series of urban portraits. Their observations make for both good storytelling and insightful social commentary. Nicolas Bouvier offers a quick-paced history of Geneva--the city John Calvin had envisioned as a radiating center of godliness, international in its scope and legal in its methods--the home of the Red Cross and the League of Nations and, since 1945, the location of numerous disarmament and diplomatic conferences. Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization.Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy. Tying together important themes in the histories of these cities, Carl Schorske focuses his introduction on how Switzerland has capitalized on their cultural differences and refined the art of political negotiation to serve a wide range of civic interests. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Recognized by historians and politicians as a model for European unity, Switzerland is nonetheless a difficult country to understand as a whole. Whereas individual Swiss cities have strong identities in the international political, cultural, and economic arenas, the country itself seems to be less than the sum of its parts. To capture the elusive spirit of Switzerland, four eminent writers explore the roots of its political unity and cultural diversity in a series of urban portraits. Their observations make for both good storytelling and insightful social commentary. Nicolas Bouvier offers a quick-paced history of Geneva--the city John Calvin had envisioned as a radiating center of godliness, international in its scope and legal in its methods--the home of the Red Cross and the League of Nations and, since 1945, the location of numerous disarmament and diplomatic conferences. Gordon Craig examines Zurich, the city of the militant religious reformer Huldrych Zwingli, whose centralizing political zeal was harnessed by subsequent generations of Zurichers to lead Switzerland in its modernization.Today's economically powerful Zurich is analyzed in terms of its liberal past as a refuge for political activists and artists, and in terms of its current generational divisions on moral and cultural questions. Finally, Lionel Gossman explores the conciliatory Basel of Erasmus, showing how vigorous independence, resourcefulness, and remembrance of its humanist traditions shaped the city's culture and economy. Tying together important themes in the histories of these cities, Carl Schorske focuses his introduction on how Switzerland has capitalized on their cultural differences and refined the art of political negotiation to serve a wide range of civic interests. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Originally published in 1968. The contribution of eighteenth-century Englishmen to the study of medieval life and literature is fairly well known, but it is commonly assumed that in France, the center of Enlightenment, no one—with the exception of a few obscure antiquarians—was seriously interested in the Middle Ages. Gossman argues that the Enlightenment gave great impetus to medieval studies in France and altered their orientation, removing them from the realm of legal and ecclesiastical dispute and bringing them into a new framework of general history. Concentrating his investigation of Enlightenment medievalists on the most influential of them, La Curne de Sainte-Palaye, Gossman describes Sainte-Palaye's social and intellectual milieu and follows him in his relations with scholars and philosophes in France and abroad. Voltaire, Montesquieu, Gibbon, Walpole, Muratori, and Herder are some of the figures whose paths crossed that of Sainte-Palaye. Far from being opposed to philosophie, the medievalists were, Gossman argues, nourished at the same intellectual sources and shared many of the values of the philosophes. The existence of a close connection between medievalism and the Enlightenment is substantiated by the author's detailed analyses of Sainte-Palaye's work in the history, literature, and language of the French Middle Ages.Although Sainte-Palaye had a surprising influence on the literature and historiography of both the eighteenth and nineteenth centuries—in France, England, and Germany—eighteenth-century medievalism, Gossman argues, is best understood not as anticipation of things to come but as part of a complex of ideas and feelings peculiar to the Enlightenment itself.

Originally published in 1963. Molière's plays rank among the great comic achievements in the history of the stage. Yet few attempts have been made to understand them as expressing the historical context of the author's time. Most frequently they have been interpreted from the point of view of purely literary history, while the characters have been seen as universal comic types. Lionel Gossman reappraises Molière's comedy in the light of historical experience and interprets it in terms of the conditions from which it emerged. He brings it into the mainstream of seventeenth-century French literature and shows that Molière was concerned with the same things that concerned Descartes, Corneille, Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le Misanthrope, Le Tartuffe, and George Dandin) are studied in the first part of the book. A number of basic structures are found to be common to all of them, and these give the author his point of departure for the second part of the book. In the second part, Gossman examines Molière's position with respect to other major seventeenth-century French writers. The comic vision of Molière, Gossman argues, no less than the tragic vision of Pascal or of Racine, expresses a particular relation to the social structure of the time. The subject matter of Molière's comedy is thus, in the author's view, not universal human nature but the men and women of the society in which Molière lived. Indeed, Gossman goes on to argue that the development of society after Molière made it difficult, and in the end impossible, for later writers to see the world in the comic light that illuminated Molière's writing. Even in certain of Molière's own works, in fact, the comic vision shades into something close to Romantic irony.

At a time when the study of literature and the literary canon itself are once again the focus of intense debate, Building a Profession offers a retrospective on the early days of Comparative Literature in the United States and on its role in defining literary scholarship in the heady decades following the end of the second World War. Composed of autobiographical sketches by a number of eminent comparatists, chiefly of the generation that has either recently retired or is approaching retirement, it anchors the intellectual and scholarly aspirations of the post-War period, through the personal narratives of those who shared in them and promoted them, in the experience of war, uprooting, racial and religious intolerance or persecution, and a deep longing for peaceful exchange and international understanding. It is both a contribution to the history of literary study in the United States and a record of changes that have taken place in the culture of this country since World War II.