An in-depth exploration of the pathbreaking works of Nancy Holt, a pioneering practitioner of Conceptual and Land ArtNancy Holt: Inside/Outside takes a journey through the artist’s key experiments in visual art presenting works never seen before, commissioning new critical thinking, and amplifying knowledge of an artist whose ideas are fundamental to how we define art today. Over the course of fifty years, Nancy Holt’s rich output spanned concrete poetry, audio, film and video, photography, drawings, room-sized installations, earthworks, and public sculpture. Nancy Holt: Inside/Outside details her unique and significant contributions, situating an important female voice within the narratives of land art and conceptual art.Initiating her art practice in 1966 with concrete poetry, she soon expanded her ideas into other media and the landscape. Through each of the mediums she worked in, Holt explored how we understand our place in the world by investigating perception and site within and outside of traditional museum contexts.In the mid-1970s Holt completed her most influential earthwork, Sun Tunnels, an artwork central to the definition of land art. Rigorous documentation of Holt’s work, as well as contributions by key scholars, previously unseen photoworks and drawings, and a revealing, never-before-published “self-interview” by the artist bring her work into far fuller context. Developed in close consultation with Holt/Smithson Foundation, an artist endowed organization dedicated to preserving and extending the work of Nancy Holt and her husband Robert Smithson, this expansive publication will serve as a major contribution to the critical ongoing research into the art of our time.This new book is published to coincide with an exhibition anchored at Bildmuseet in Umeå, Sweden, and traveling to MACBA Museu d’Art Contemporani de Barcelona and further internationally.

A collection of work by 80 artists who explore the contemporary art world’s fundamental concerns of value, markets, and the business of artGrounded in the global, conceptual art tendencies that began in the 1960s, For What It’s Worth looks at artists who generate, question, and infect value systems through their work. These works address issues vital to the art world connected to systems of exchange, social structures, or metacritiques of the market – and all stops in between. A companion to the 2024 exhibition at The Warehouse, the dedicated exhibition space for The Rachofsky Collection in Dallas, Texas, this book includes a dedicated section, The Value Systems Reader, which comprises an anthology of texts selected by the living artists featured in the Warehouse exhibition, elaborating their positions in the ongoing exploration of questions of value in art.Drawn from dozens of key modern and contemporary artists, For What It’s Worth explores the themes and strategies that continue to reverberate through art and the world today.Features works from the famed The Rachofsky Collection by artists including: Judy Chicago, Felix Gonzalez-Torres, Annette Lawrence, Seung-taek Lee, Sherrie Levine, Piero Manzoni, Bruce Nauman, Giulio Paolini, Sherrill Roland, Rirkrit Tiravanija, Fred Wilson, and Yukinori Yanagi.

Carol Bove: Collage Sculptures presents an extensive look into the contemporary artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century. Bove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Sculpture.Published by the Nasher Sculpture Center, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet related to the artist’s interests.

An in-depth exploration of the pathbreaking works of Nancy Holt, a pioneering practitioner of Conceptual and Land ArtNancy Holt: Inside/Outside takes a journey through the artist’s key experiments in visual art presenting works never seen before, commissioning new critical thinking, and amplifying knowledge of an artist whose ideas are fundamental to how we define art today. Over the course of fifty years, Nancy Holt’s rich output spanned concrete poetry, audio, film and video, photography, drawings, room-sized installations, earthworks, and public sculpture. Nancy Holt: Inside/Outside details her unique and significant contributions, situating an important female voice within the narratives of land art and conceptual art.Initiating her art practice in 1966 with concrete poetry, she soon expanded her ideas into other media and the landscape. Through each of the mediums she worked in, Holt explored how we understand our place in the world by investigating perception and site within and outside of traditional museum contexts.In the mid-1970s Holt completed her most influential earthwork, Sun Tunnels, an artwork central to the definition of land art. Rigorous documentation of Holt’s work, as well as contributions by key scholars, previously unseen photoworks and drawings, and a revealing, never-before-published “self-interview” by the artist bring her work into far fuller context. Developed in close consultation with Holt/Smithson Foundation, an artist endowed organization dedicated to preserving and extending the work of Nancy Holt and her husband Robert Smithson, this expansive publication will serve as a major contribution to the critical ongoing research into the art of our time.This new book is published to coincide with an exhibition anchored at Bildmuseet in Umeå, Sweden, and traveling to MACBA Museu d’Art Contemporani de Barcelona and further internationally.

A collection of work by 80 artists who explore the contemporary art world’s fundamental concerns of value, markets, and the business of artGrounded in the global, conceptual art tendencies that began in the 1960s, For What It’s Worth looks at artists who generate, question, and infect value systems through their work. These works address issues vital to the art world connected to systems of exchange, social structures, or metacritiques of the market – and all stops in between. A companion to the 2024 exhibition at The Warehouse, the dedicated exhibition space for The Rachofsky Collection in Dallas, Texas, this book includes a dedicated section, The Value Systems Reader, which comprises an anthology of texts selected by the living artists featured in the Warehouse exhibition, elaborating their positions in the ongoing exploration of questions of value in art.Drawn from dozens of key modern and contemporary artists, For What It’s Worth explores the themes and strategies that continue to reverberate through art and the world today.Features works from the famed The Rachofsky Collection by artists including: Judy Chicago, Felix Gonzalez-Torres, Annette Lawrence, Seung-taek Lee, Sherrie Levine, Piero Manzoni, Bruce Nauman, Giulio Paolini, Sherrill Roland, Rirkrit Tiravanija, Fred Wilson, and Yukinori Yanagi.

Carol Bove: Collage Sculptures presents an extensive look into the contemporary artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century. Bove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Sculpture.Published by the Nasher Sculpture Center, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet related to the artist’s interests.