Volume 2 of this exceptional catalogue raisonné project compiles the unique works on paper that Edward Ruscha (b. 1937) made between 1977 and 1997, the artist’s midcareer period, during which he achieved international renown. More than 1,000 works are documented, among them hundreds that have rarely, or never, been exhibited or published. Highlights include Ruscha’s inimitable word and phrase works, made in organic materials, pastel, or acrylic; compositions featuring signature images (windows, ships, silhouetted objects and figures, and film closing credits); and drawings and studies related to important public commissions for the Miami-Dade Public Library, the Denver Central Library, and the Getty Center. Each work is catalogued with a beautiful color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Gwen Allen complete the volume, providing critical frameworks and historical context for the art within.Distributed for Gagosian Gallery

This third volume of the catalogue raisonné of Ed Ruscha’s works on paper documents more than 1,000 works created between 1998 and 2018The third volume of this extraordinary catalogue raisonné project compiles the unique works on paper that celebrated American artist Edward Ruscha (b. 1937) made between 1998 and 2018. There are 1,068 works documented, hundreds of which have rarely, or never, been exhibited or published. Drawing is the mode in which Ruscha is most prolific, poetic, and experimental. In this period, he further developed some of his iconic subjects, among them film titles, gasoline stations, mountains, and of course words and phrases. He also expanded into new thematic territory in palindrome drawings, map-like representations, and “swiped word” works that incisively reflect the contemporary moment. Included are pencil, dry pigment, pastel, and acrylic drawings on paper, board, and assorted unconventional supports; collages and photo-based works; and sketches and studies for various contemporaneous paintings, commissions, and miscellaneous projects. Each work is catalogued with a beautiful color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.Distributed for Gagosian

Volume 2 of this exceptional catalogue raisonné project compiles the unique works on paper that Edward Ruscha (b. 1937) made between 1977 and 1997, the artist’s midcareer period, during which he achieved international renown. More than 1,000 works are documented, among them hundreds that have rarely, or never, been exhibited or published. Highlights include Ruscha’s inimitable word and phrase works, made in organic materials, pastel, or acrylic; compositions featuring signature images (windows, ships, silhouetted objects and figures, and film closing credits); and drawings and studies related to important public commissions for the Miami-Dade Public Library, the Denver Central Library, and the Getty Center. Each work is catalogued with a beautiful color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Gwen Allen complete the volume, providing critical frameworks and historical context for the art within.Distributed for Gagosian Gallery

This third volume of the catalogue raisonné of Ed Ruscha’s works on paper documents more than 1,000 works created between 1998 and 2018The third volume of this extraordinary catalogue raisonné project compiles the unique works on paper that celebrated American artist Edward Ruscha (b. 1937) made between 1998 and 2018. There are 1,068 works documented, hundreds of which have rarely, or never, been exhibited or published. Drawing is the mode in which Ruscha is most prolific, poetic, and experimental. In this period, he further developed some of his iconic subjects, among them film titles, gasoline stations, mountains, and of course words and phrases. He also expanded into new thematic territory in palindrome drawings, map-like representations, and “swiped word” works that incisively reflect the contemporary moment. Included are pencil, dry pigment, pastel, and acrylic drawings on paper, board, and assorted unconventional supports; collages and photo-based works; and sketches and studies for various contemporaneous paintings, commissions, and miscellaneous projects. Each work is catalogued with a beautiful color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.Distributed for Gagosian