Robert Dean – författare

"Featuring a good selection of common and/or interesting species, The Wildlife of Costa Rica is the most authoritative and most useful general guide to its subject. It will attract every ecotourist visiting Costa Rica. This dream team knows its stuff, and the illustrations are stunning."—Cagan H. Sekercioglu, Stanford UniversityThis full-color field guide is an indispensable companion to the most popular neotropical ecotourism destination: Costa Rica. Featuring all the mammals, birds, reptiles, amphibians, and arthropods that one is likely to see on a trip to the rainforest (as well as those secretive creatures such as the jaguar that are difficult to glimpse), The Wildlife of Costa Rica is the guide to have when encountering trogons, tapirs, and tarantulas.In addition to providing details for identifying animals along with interesting facts about their natural history, this guide offers tips for seeing them in the wild. Costa Rica, a peaceful nation with many and diverse animal species, is one of the best places in the world for wildlife watching and nature study. It has an excellent system of national parks and reserves, a wide choice of ecolodges, and many professionally trained tourist guides. It is possible to leave the capital city of San JosÉ and, just a few hours later, visit a high-elevation cloud forest, dense rainforest, savanna-like plain, or coastal habitat, each with a unique collection of animal species.This new lightweight field guide provides nature enthusiasts visiting Costa Rica with the best introduction to the country's amazing diversity of wildlife.It is the first general field guide to Costa Rica to combine the most sought-after features:•treatment of all major phyla in the country•coverage of the animals most likely and most desirable to be seen•more than 600 detailed illustrations integrated with the text (the preferred method of animal identification in the wild)•full species accounts including ID points, range and habitat, size, and behaviors•a wealth of natural history information, including more than 20 photographic natural history features•tips for seeing animals

The second in a projected four-volume series of the complete catalogue of works by John BaldessariCompiling four-hundred-plus unique works of art, this volume traces the shifts and developments in conceptual artist John Baldessari’s work from 1975-86. It covers his photo-based works such as the “Strobe,” “Word Chain,” and “Pathetic Fallacy” series from 1975; the “Violent Space” and the seminal “Concerning Diachronic/Synchronic Time: Above, On, Under (With Mermaid),” from 1976; and the “Blasted Allegories” series from 1977-78, which drew heavily from the artist’s vast collection of photo stills taken from commercial television.In the 1980s, Baldessari’s art took a different direction, beginning with the expansive “Fugitive Essays” triptychs from 1980 and leading to 1982’s photographic interpretations of Grimm’s Fairy Tales. Building on these themes, Baldessari began producing a body of work that was inspired in part by dreams, psychology, film, and popular culture. Ensuing works were more formal, elaborate, and large-scale. From 1984 to 1986 Baldessari created a number of works that employed his soon-to-be-signature colored discs painted over people’s faces in the photos.An introductory essay will provide a close reading of selected works and a historical context for understanding Baldessari’s art from this period. A detailed chronology and exhibition history and bibliography are also included. This is the second of a projected four-volume catalogue raisonné.Published in association with Marian Goodman Gallery

A comprehensive look at works made by Baldessari between the years 1987 and 1993This handsome volume, the third of the John Baldessari (b. 1931) catalogue raisonné project, compiles 400-plus unique works of art made by the influential conceptual artist from 1987 through 1993. Here we see the artist’s large-scale photo-based works, many of which employed his signature colored discs painted over the faces of people in the photos, accompanied by entries that trace the shifts and developments in Baldessari’s work as his collaged photo narratives achieved maturity and mastery.  A critical essay by Briony Fer provides a close reading of selected works, giving historical context for Baldessari’s art from this period. In addition to a detailed chronology, complete exhibition history, and bibliography, this volume notably features a previously unpublished conversation between Baldessari and the artist Ed Ruscha, which was undertaken specifically for this publication. In the conversation, the artists discuss their early careers in Southern California and the shared thematic concerns in their work.  The artworks in this volume demonstrate Baldessari’s ability to express—and, in many cases, combine—the narrative potential of images and the associative power of language within the boundaries of a single piece. Published in association with Marian Goodman Gallery

The fourth volume of the John Baldessari Catalogue Raisonné comprises approximately 370 works that represent the activity of this iconic conceptual artist between 1994 and 2004. Here, John Baldessari (b. 1931) continues to interrogate the possibilities of photographic appropriation, further developing his unique strategies for the production of meaning and narrative within the picture frame. Included in this crucial volume is the landmark Goya series, which shows the artist revisiting his characteristic photo-text pieces established early in his career. In the serial trio Overlap, Intersection,and Junction, produced between 2000 and 2002, Baldessari riffs on the notion of pictorial space, with each series building on the preceding one. Along with a full chronology, an essay contributed by the eminent critic Robert Storr closely examines a selection of these works, articulating their place within the evolution of the artist’s career and their much broader historical climate. Published in association with Marian Goodman Gallery

The fifth volume of the John Baldessari Catalogue Raisonné compiles the approximately 367 works made by the influential American conceptual artist (b. 1931) from 2005 through 2010. During these years, the artist undertook a number of series, including the shaped erasures of “Blockage”; the word-and-image juxtapositions of “Prima Facie”; the explorations of the face in “Nose and Ears, Etc.” and “Raised Eyebrows/Furrowed Foreheads”; and the muted, spare “Sediment” works on canvas.  Catalogue entries allow readers to trace the shifts and developments in Baldessari’s work during these years, a time of continued experimentation and aesthetic distillation that is further explored in a conversation between Baldessari and fellow artist David Salle. A critical essay by Hannah B. Higgins provides a close reading of selected works and gives a historical context for understanding Baldessari’s art from this period.  Published in association with Marian Goodman Gallery

The sixth and final volume documenting the work of an iconic American artistThe sixth and final volume of this exceptional catalogue raisonné project features over 360 works made by John Baldessari (1931–2020) between 2011 and 2019. Here, Baldessari continues his longstanding tradition of borrowing from artists as varied as David Hockney, Giotto, Gustave Courbet, Maria Lassnig, Lucas Cranach the Elder, Giorgio Morandi, and Jackson Pollock.  Many of the works in this volume are a testament to the artist’s fascination and engagement with art from previous eras.  In one example, Baldessari’s 2012 series “Double Bill” combines scenes from pairs of paintings, such as a Willem de Kooning face atop a Jean Dubuffet body, with the words, “…And Dubuffet” painted beneath: Baldessari is effectively collaborating with artists he has revered for years.This volume also surveys Baldessari’s complete film and video output, from 1968 to 2004, as well as the artist’s books he made, from 1972 to 2019. Additionally, an appendix catalogues works, mostly pre-1974, that were unknown at the time Volume 1 was published.Published in association with Marian Goodman Gallery

With cover artwork specially created by Ruscha, this book documents hundreds of projects and miscellaneous ephemera produced by the artist alongside his main oeuvre—including installations, films, painted book covers, contour gauge profiles, and moreIntroducing readers to the stunning breadth of Edward Ruscha’s (b. 1937) creative output over the course of his entire life, this book includes materials dating back to his childhood and extending to his present-day output. The projects featured here fall outside Ruscha’s production of paintings, drawings, prints, and artists’ books. Many of these are unknown and most are reproduced here for the first time. Composed of three sections—Projects and Ephemera; Contour Gauge Profiles; and Painted Book Covers—the book offers Ruscha enthusiasts and scholars a hitherto unknown aspect of Ruscha’s practice, while also showing how these projects coincide with, and sometimes even prefigure, the artistic work for which he is best known. The approximately 270 painted book covers, begun in 1990, utilize found books as support for small paintings and drawings. The 57 contour gauge profiles are silhouette-like profiles made using a mechanical device for reproducing contours. The largest section, Projects and Ephemera, consists of installations, sculpture and objects, films, book and poster design, utilitarian works, and more.Distributed for Gagosian

Con la Biblia como el fundamento de autoridad, los autores responden a preguntas acerca de la guerra espiritual y la estrategia para la batalla. Enseñan como resistir al diable y descansar en la certeza de que Dios tiene el contro sobre todos las cosas.An up-to-date and thoroughly biblical analysis of the truths and popular fallacies of the role of Satan, demons, and their powers in the lives of Christians today.

This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.

Birds of Aruba, Bonaire, and CuraÇao is the essential guide for anyone traveling to those islands. It showcases the more than 280 species seen on Aruba, Bonaire, and CuraÇao and provides descriptions of and directions to the best places to bird, from the famous white sand beaches to hidden watering holes to the majestic national parks. Aruba, Bonaire, and CuraÇao-the "ABCs"-located in the southwestern Caribbean, not far from Venezuela, share fascinating ecological features with the West Indies as well as the South American mainland, making birding on the islands unique. The identification portion of the book features endemic subspecies such as the Brown-throated Parakeet; a wide variety of wintering North American migrants; spectacular restricted-range northern South American species such as the Yellow-shouldered Parrot, Bare-eyed Pigeon, Troupial, Ruby-topaz Hummingbird, and Yellow Oriole; and West Indian species including the Pearly-eyed Thrasher and Caribbean Elaenia. Colorful introductory sections provide readers with a brief natural history of the islands, detailing the geography, geology, and general ecology of each. In the site guide that follows, Jeffrey V. Wells and Allison Childs Wells share their more than two decades of experience in the region, providing directions to the best birding spots. Clear, easy-to-read maps accompany each site description, along with notes about the species that birders are likely to find. The identification section is arranged in classic field guide format and offers vivid descriptions of each bird, along with tips on how to identify them by sight and sound. The accounts also include current status and seasonality, if relevant, and common names in English, Dutch, and Papiamento, often inspired by the unique voices of the birds, such as the "chibichibi" (Bananaquit) and "choco" (Burrowing Owl). The accompanying color plates feature the beautiful work of illustrator Robert Dean.The final section, on conservation, raises awareness about threats facing the birds and the habitats on which they rely and summarizes conservation initiatives and needs, offering recommendations for each island.

Birders in Central America have long known that Nicaragua is one of the best birding locations in the world, and with tourism to the country on the upswing, birders from the rest of the world are now coming to the same conclusion. The largest country in Central America, Nicaragua is home to 763 resident and passage birds, by latest count. Because of its unique topography—the country is relatively flat compared to its mountainous neighbors to the north and south—it forms a geographical barrier of sorts, which means that many birds that originate in North America reach their southernmost point in Nicaragua, while many birds from South America reach their northernmost point in the country. There are few places in the world where you can find both a Roadrunner and a Scarlet Macaw.Birds of Nicaragua features descriptions and illustrations of all 763 species currently identified in the country, along with information about 44 additional species that are likely to appear in the coming years. Range maps, based on years of field research, are color-coded. Other features include a richly illustrated anatomical features section, a checklist, a visual guide to vultures and raptors in flight, and a quick-find index.

The Birds of Costa Rica is the only field guide the novice or experienced birder needs to identify birds in the field throughout the country's diverse habitats. Compact, portable, and user-friendly, this third edition covers all 943 species reported in the country.Features and updates include:- More than 1100 new illustrations (including plumage differences among males, females, and juveniles, and views of birds in flight wherever pertinent).- Completely revised treatments of raptors and warblers.- Forty-seven all new natural history vignettes showing bird behavior. - Updated color coded range maps and expanded descriptions of where and when to see birds. - Updated nomenclature and quick-find index.Richard Garrigues, Robert Dean, and David Hille collectively represent more than eighty-five years of birding experience in Costa Rica, making them the perfect author-illustrator cohort for this indispensable resource.

Ed Ruscha, one of the most influential artists working today, and one of the great West Coast Pop artists, didn't start out as a painter. It was under the influence of teachers including Robert Irwin, Richards Ruben and Emerson Woelffer that he gave up his original goal of becoming a commercial artist to focus on fine art. This third volume in the ongoing documentation of his entire corpus of paintings captures him in his stride. As throughout the series, each painting, reproduced in color, is given a double-page spread with exhibition and bibliographic history. The artist's sketches for paintings are reproduced in facsimile. Ed Ruscha, one of the most influential artists working today, and one of the great West Coast Pop artists, didn't start out as a painter. It was under the influence of teachers including Robert Irwin, Richards Ruben and Emerson Woelffer that he gave up his original goal of becoming a commercial artist to focus on fine art.