Lisa White – författare

As politicians, public bodies and non-Governmental organisations continue to profess an interest in making peace with the past, this highly original study explores the motivation, significance and legacy of ‘making public’ experiences of state violence in Northern Ireland.

Based on a synthesis of documentary material with the findings from a series of contemporary interviews, this timely book uncovers the reasoning behind many Republican former detainees’ accounts of state violence and torture. It examines the aims of those who ‘went public’ during the conflict and discusses the meaning they attached to their stories and the various responses to them. It also identifies some of the risks involved in criticising the violence of the British State and illuminates the ways in which ‘truths’ are often contested in Northern Ireland - both during the conflict and in the years which have followed. A unique piece of interdisciplinary work, the study disentangles and evaluates the discourses presented by former detainees and makes an innovative and interesting contribution to knowledge about transitional justice and legacies of state violence.

The book is suitable for social science scholars interested in human rights, state violence, criminology and transitional justice, as well as those seeking to understand more about experiences of imprisonment and the legacy of the Northern Ireland conflict.

As politicians, public bodies and non-Governmental organisations continue to profess an interest in making peace with the past, this highly original study explores the motivation, significance and legacy of ‘making public’ experiences of state violence in Northern Ireland.

Based on a synthesis of documentary material with the findings from a series of contemporary interviews, this timely book uncovers the reasoning behind many Republican former detainees’ accounts of state violence and torture. It examines the aims of those who ‘went public’ during the conflict and discusses the meaning they attached to their stories and the various responses to them. It also identifies some of the risks involved in criticising the violence of the British State and illuminates the ways in which ‘truths’ are often contested in Northern Ireland - both during the conflict and in the years which have followed. A unique piece of interdisciplinary work, the study disentangles and evaluates the discourses presented by former detainees and makes an innovative and interesting contribution to knowledge about transitional justice and legacies of state violence.

The book is suitable for social science scholars interested in human rights, state violence, criminology and transitional justice, as well as those seeking to understand more about experiences of imprisonment and the legacy of the Northern Ireland conflict.

The series is particularly aimed at construction professionals – architects, decorative arts historians and specifiers, surveyors, engineers – as well as postgraduate building conservation students and undergraduate architects and surveyors as specialist or optional course reading. The series is also of value to other professional groups such as commissioning client bodies, managers and advisors, and interested individuals involved in house refurbishment or setting up a building preservation trust. While there is a focus on UK practice, most of the content is of relevance overseas (just as UK conservation courses attract many overseas students, for example from India, China, Australia and the USA).

The chapters are written by leading conservators, historians, architects, and related professionals, who together reflect the interdisciplinary nature of conservation work.

This volume on the historic interior is the fourth of a series on Historic Building Conservation that combine conservation philosophy in the built environment with knowledge of traditional materials and structural and constructional conservation techniques and technology:

While substantial publications exist on each of the subject areas - some by the authors of the Historic Building Conservation series - few individuals and practices have ready access to all of these or the time to read them in detail. The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within four volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

The series is particularly aimed at construction professionals – architects, decorative arts historians and specifiers, surveyors, engineers – as well as postgraduate building conservation students and undergraduate architects and surveyors as specialist or optional course reading. The series is also of value to other professional groups such as commissioning client bodies, managers and advisors, and interested individuals involved in house refurbishment or setting up a building preservation trust. While there is a focus on UK practice, most of the content is of relevance overseas (just as UK conservation courses attract many overseas students, for example from India, China, Australia and the USA).

The chapters are written by leading conservators, historians, architects, and related professionals, who together reflect the interdisciplinary nature of conservation work.

This volume on the historic interior is the fourth of a series on Historic Building Conservation that combine conservation philosophy in the built environment with knowledge of traditional materials and structural and constructional conservation techniques and technology:

While substantial publications exist on each of the subject areas - some by the authors of the Historic Building Conservation series - few individuals and practices have ready access to all of these or the time to read them in detail. The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within four volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

När Klara Steen upptäcker att pojkvännen i själva verket är gift flyr hon från Stockholm till Lindesberg. Livet i småstaden blir en stor kontrast mot den livsstil hon haft i Stockholm och jobbet på Reklamexperterna inkluderar desto färre kändisar. Men kanske är det precis vad hon behöver? Om inte annat med tanke på att kollegans snygga men irriterande bror bor där.

Sedan Rikard Wik förlorade sin fru i en bilolycka har livet vänts upp och ned. Han har begravt sig i arbetet inom IT-säkerhet och försöker att inte tänka på hur tomt det ekar i huset. När systern tvingar honom att gå på speeddejting stöter han samman med en kvinna som är hans raka motsats. Men trots deras olikheter kan han inte sluta tänka på henne.

Nu när jag funnit dig är hjärtevärmande småstadsromantik där två motvilliga karaktärer dras till varandra mot alla odds.