Liz Clarke – författare

The Great Hanoi Rat Hunt: Empire, Disease, and Modernity in French Colonial Vietnam tells the darkly humorous story of the French colonial state's failed efforts to impose its vision of modernity upon the colonial city of Hanoi, Vietnam. Part of the Graphic Histories series, this book offers a case study in the history of imperialism, highlighting the racialized economic inequalities of empire, colonization as a form of modernization, and industrial capitalism's creation of a radical power differential between "the West and the rest." On a deeper level, The Great Hanoi Rat Hunt examines the contradictions unique to the French Third Republic's colonial "civilizing mission," the development of Vietnamese resistance to French rule, and the history of disease. Featuring forty-nine primary sources--many available in English for the first time--and three full-color maps, The Great Hanoi Rat Hunt illustrates the ironic and tragic ways in which modernization projects can have unintended consequences.

The Tupac Amaru rebellion of 1780-1783 began as a local revolt against colonial authorities and grew into the largest rebellion in the history of Spain's American empire-more widespread and deadlier than the American Revolution. An official collector of tribute for the imperial crown, José Gabriel Condorcanqui had seen firsthand what oppressive Spanish rule meant for Peru's Indian population and, under the Inca royal name Tupac Amaru, he set events in motion that would transform him into one of Latin America's most iconic revolutionary figures. While he and the rebellion's leaders were put to death, his half-brother, Juan Bautista Tupac Amaru, survived but paid a high price for his participation in the uprising.This work in the Graphic History series is based on the memoir written by Juan Bautista about his odyssey as a prisoner of Spain. He endured forty years in jails, dungeons, and presidios on both sides of the Atlantic. Juan Bautista spent two years in jail in Cusco, was freed, rearrested, and then marched 700 miles in chains over the Andes to Lima. He spent two years aboard a ship travelling around Cape Horn to Spain. Subsequently, he endured over thirty years imprisoned in Ceuta, Spain's much-feared garrison city on the northern tip of Africa. In 1822, priest Marcos Durán Martel and Maltese-Argentine naval hero Juan Bautista Azopardo arranged to have him freed and sent to the newly independent Argentina, where he became a symbol of Argentina's short-lived romance with the Incan Empire. There he penned his memoirs, but died without fulfilling his dream of returning to Peru.This stunning graphic history relates the life and legacy of Juan Bautista Tupac Amaru, enhanced by a selection of primary sources, and chronicles the harrowing and extraordinary life of a firsthand witness to the Age of Revolution. .

The Tupac Amaru rebellion of 1780-1783 began as a local revolt against colonial authorities and grew into the largest rebellion in the history of Spain''s American empire-more widespread and deadlier than the American Revolution. An official collector of tribute for the imperial crown, José Gabriel Condorcanqui had seen firsthand what oppressive Spanish rule meant for Peru''s Indian population and, under the Inca royal name Tupac Amaru, he set events in motion that would transform him into one of Latin America''s most iconic revolutionary figures. While he and the rebellion''s leaders were put to death, his half-brother, Juan Bautista Tupac Amaru, survived but paid a high price for his participation in the uprising.This work in the Graphic History series is based on the memoir written by Juan Bautista about his odyssey as a prisoner of Spain. He endured forty years in jails, dungeons, and presidios on both sides of the Atlantic. Juan Bautista spent two years in jail in Cusco, was freed, rearrested, and then marched 700 miles in chains over the Andes to Lima. He spent two years aboard a ship travelling around Cape Horn to Spain. Subsequently, he endured over thirty years imprisoned in Ceuta, Spain''s much-feared garrison city on the northern tip of Africa. In 1822, priest Marcos Durán Martel and Maltese-Argentine naval hero Juan Bautista Azopardo arranged to have him freed and sent to the newly independent Argentina, where he became a symbol of Argentina''s short-lived romance with the Incan Empire. There he penned his memoirs, but died without fulfilling his dream of returning to Peru.This stunning graphic history relates the life and legacy of Juan Bautista Tupac Amaru, enhanced by a selection of primary sources, and chronicles the harrowing and extraordinary life of a firsthand witness to the Age of Revolution. .

The Tupac Amaru rebellion of 1780-1783 began as a local revolt against colonial authorities and grew into the largest rebellion in the history of Spain''s American empire-more widespread and deadlier than the American Revolution. An official collector of tribute for the imperial crown, José Gabriel Condorcanqui had seen firsthand what oppressive Spanish rule meant for Peru''s Indian population and, under the Inca royal name Tupac Amaru, he set events in motion that would transform him into one of Latin America''s most iconic revolutionary figures. While he and the rebellion''s leaders were put to death, his half-brother, Juan Bautista Tupac Amaru, survived but paid a high price for his participation in the uprising.This work in the Graphic History series is based on the memoir written by Juan Bautista about his odyssey as a prisoner of Spain. He endured forty years in jails, dungeons, and presidios on both sides of the Atlantic. Juan Bautista spent two years in jail in Cusco, was freed, rearrested, and then marched 700 miles in chains over the Andes to Lima. He spent two years aboard a ship travelling around Cape Horn to Spain. Subsequently, he endured over thirty years imprisoned in Ceuta, Spain''s much-feared garrison city on the northern tip of Africa. In 1822, priest Marcos Durán Martel and Maltese-Argentine naval hero Juan Bautista Azopardo arranged to have him freed and sent to the newly independent Argentina, where he became a symbol of Argentina''s short-lived romance with the Incan Empire. There he penned his memoirs, but died without fulfilling his dream of returning to Peru.This stunning graphic history relates the life and legacy of Juan Bautista Tupac Amaru, enhanced by a selection of primary sources, and chronicles the harrowing and extraordinary life of a firsthand witness to the Age of Revolution. .

The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken in by the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 "cells" that compose the book. He and Clarke even take the reader inside archives in Britain and France which are themselves illustrated and their histories explained. Like all the best examples of the genre, Inhuman Traffic tells a compelling story through a complex interplay of image and text -- it will keep students reading, and learning, to the very end.

Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols--leaving widows and orphans in their wake--the British (according to supporters of boxing) tended to settle their disputes with their fists. Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society towards its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious.

From its raw beginnings on Southern dirt tracks, NASCAR smacked of a slightly depraved spectacle, as if nothing but trouble could come from the unbridled locomotion of a V8 engine. By the time NASCAR roared into the twenty-first century, it had grown into a billion-dollar sports and marketing colossus, its races attended by hundreds of thousands of fans on any given weekend from mid-February through mid-November, watched on television by the second-largest viewing audience in sports, and bankrolled by the marketing largesse of the Fortune 500’s elite.One Helluva Ride, a full-throttle account of the rise and reign of NASCAR nation, is award-winning motorsports reporter Liz Clarke’s chronicle of how stock car racing exploded from regional obsession to national phenomenon. In covering the sport for more than fifteen years, Clarke has developed a strong rapport with NASCAR’s drivers, team owners, and hard-core fans. Through her reporting and analysis, we get to know the public and private sides of NASCAR’s most iconic figures, including seven-time champion Richard Petty, who set the standard for treating fans with respect, and the late Dale Earnhardt, whose brazen, bullying tactics wreaked havoc on the track, but whose heart was as big as Daytona’s infield.The sports world stopped in its tracks the day Earnhardt was killed on the last lap of the 2001 Daytona 500. Some feared that NASCAR’s soul would die with him. But it has raced on, steered by visionary promoters, the all-controlling France family (who founded the sport), and, above all, the next generation of drivers to stir fans’ passions: Dale Earnhardt, Jr., son of the NASCAR legend and now, like his father before him, the circuit’s most popular driver; Jeff Gordon, the beloved but oft-maligned outsider, bred from the cradle to be NASCAR’s winningest modern champion; and Kasey Kahne, a reluctant heartthrob whose confidence derives entirely from an accelerator pedal. Clarke also brings us inside NASCAR’s most triumphant and tragic dynasties: the Pettys, the Earnhardts, and the Allisons–and reveals how faith, family, and a deep-seated love of their sport helps them cope with grief and loss.Clarke shows NASCAR to be at a crossroads. In pursuit of a broader audience, NASCAR has severed its sponsorship ties to Big Tobacco, abandoned racetracks in small markets in favor of speedways near glitzy major cities, and welcomed Japan’s Toyota into a sport traditionally restricted to American-made sedans. As NASCAR races toward mass appeal, some suggest it is leaving its roots behind. To others, it is boldly extending its reach from the Southern workingman to every man, woman, and child in the world. Whether you’re one of the die-hard NASCAR faithful or just a casual follower, nobody brings you closer to the sport and business of big-time stock car racing than Liz Clarke. This book, like the phenomenon it profiles, really is One Helluva Ride.From the Hardcover edition.

Growing Your Business helps owner/managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors’ knowledge and experience, which has successfully helped hundreds of owner/managers to grow and develop their businesses and themselves over the last twenty years.Filled with case studies and examples of businesses involved with the world-renowned Business Growth and Development Programme (BGP) at the Cranfield School of Management, this book covers all industry sectors and includes high profile names such as Karan Bilimoria of Cobra Beer, Angus Thirlwell of Hotel Chocolat and Lara Morgan of Pacific Direct. As well as being an ideal text for courses and modules in small business development and business growth at undergraduate and MBA levels, this book also stands on its own as an invaluable 'workbook' that enables any owner manager to develop their own growth strategy and take their business to the next level.

Growing Your Business helps owner/managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors’ knowledge and experience, which has successfully helped hundreds of owner/managers to grow and develop their businesses and themselves over the last twenty years.Filled with case studies and examples of businesses involved with the world-renowned Business Growth and Development Programme (BGP) at the Cranfield School of Management, this book covers all industry sectors and includes high profile names such as Karan Bilimoria of Cobra Beer, Angus Thirlwell of Hotel Chocolat and Lara Morgan of Pacific Direct. As well as being an ideal text for courses and modules in small business development and business growth at undergraduate and MBA levels, this book also stands on its own as an invaluable 'workbook' that enables any owner manager to develop their own growth strategy and take their business to the next level.

Growing Your Business helps owner/managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors knowledge and experience, which has successfully helped hundreds of owner/managers to grow and develop their businesses and themselves ov

Growing Your Business helps owner/managers develop growth strategies for their businesses by providing frameworks, ideas, inspiration and hands-on assignments. Its contents are a distillation of the authors knowledge and experience, which has successfully helped hundreds of owner/managers to grow and develop their businesses and themselves ov

When a group of preservationists, three ghost hunters, and a documentary film crew all converge at the same time on a deserted "ghost town" in Wyoming, decide to collaborate on the documentary, and begin clean-up of the town and cemetery, things take a sudden change with the discovery of a very ''new'' body, in the very ''old'' cemetery. Who is she? How did she get there? Shell and Joe can''t resist getting involved. But are there ghosts in Ghost Town? Read it and see what a small girl discovers on the stairway of the old bordello.

During the 1910s, films about war often featured a female protagonist.  The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.

During the 1910s, films about war often featured a female protagonist.  The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes—roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit—particularly in the form of heroines—has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.

Silent film is more than just a cinema of firsts, greats, or classics. It is a cinema of experimentation, ambition, and connection. To watch a silent film is to be transported into another world. A Silent Film Companion seeks to broaden the silent film canon by focusing on compelling non-canonical films from around the globe to provide a fresh perspective and new view of silent cinema. With over 50 films discussed, this volume captures just a sliver of the many delights silent cinema has to offer. The book encourages discovery, and rediscovery, of the world of silent cinema: one where the movies were still young, full of possibility, eager to entice others to take part in a wonderful adventure. Films covered are from fourteen countries, including Brazil, Mexico, China, Cuba, India, Italy, and Russia, and representing a diversity of subjects. Chapters provide historical and cultural context to each film, the filmmakers, and a concise analysis of each film. A Silent Film Companion is a guidebook to the many pleasures of silent cinema, allowing you to see and understand diverse perspectives. It is a must read for students and fans of silent cinema interested in seeing a side of silent cinema that is rarely explored.