Lori Burns – författare

Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.

Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.

Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.

Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.

Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.

Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.

This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.

The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.

The book is aimed primarily at an academic market, valuable for second- through final-year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music, and society.

This Handbook illustrates the many ways that progressive rock and metal music forge striking engagements with literary texts and themes.

The authors and their objects of analytic inquiry offer global and diverse perspectives on these genres and their literary connections: from ancient times to the modern world, from children’s literature to epic poetry, from mythology to science fiction, and from esoteric fantasy to harsh political criticism. The musical treatments of these literary materials span the continents from South and North America through Europe and Asia. The collection presents critical perspectives on the enduring and complex relationships between words and music as these are expressed in progressive rock and metal.

The book is aimed primarily at an academic market, valuable for second- through final-year students on undergraduate courses devoted to both popular music and to literary studies, and to postgraduate programs and researchers in a range of fields, including popular music studies, musicology, creative music performance and composition, songwriting, literary studies, narrative studies, folklore studies, science fiction studies, cultural studies, liberal studies, and sociology, and for media and history courses that have an interest in the intersection of narratives, music, and society.

The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production examines metal music composition as a distinct practice that combines a complex array of formal musical, expressive, and technological elements. Reaching beyond the limitations of applying common-practice theories of tonality to metal, this volume brings together a wide range of established and emerging scholars to address the building blocks of metal composition in the context of metal’s subgenres and evolution over time. Together, the chapters provide a holistic theoretical framework for understanding the distinctive compositional features of metal.With contributions from an international group of experts, the handbook is organized into four parts around major themes:• Structures, including form, riff, harmony, rhythm, and meter• Expressions and Techniques: Instruments• Expressions and Techniques: Voices• Productions, addressing the role of gear, capturing, processing, and mixing technologies.The contributors examine and discuss these elements with the goal of building an understanding of metal music composition that can also function as a manual for composing metal music. Providing a comprehensive overview of the unique musical elements of metal, this handbook is an essential resource for scholars and students across popular music studies, musicology, creative music performance and composition, songwriting, and production studies, as well as for anyone interested in understanding metal from the perspective of composition.

The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production examines metal music composition as a distinct practice that combines a complex array of formal musical, expressive, and technological elements. Reaching beyond the limitations of applying common-practice theories of tonality to metal, this volume brings together a wide range of established and emerging scholars to address the building blocks of metal composition in the context of metal’s subgenres and evolution over time. Together, the chapters provide a holistic theoretical framework for understanding the distinctive compositional features of metal.With contributions from an international group of experts, the handbook is organized into four parts around major themes:• Structures, including form, riff, harmony, rhythm, and meter• Expressions and Techniques: Instruments• Expressions and Techniques: Voices• Productions, addressing the role of gear, capturing, processing, and mixing technologies.The contributors examine and discuss these elements with the goal of building an understanding of metal music composition that can also function as a manual for composing metal music. Providing a comprehensive overview of the unique musical elements of metal, this handbook is an essential resource for scholars and students across popular music studies, musicology, creative music performance and composition, songwriting, and production studies, as well as for anyone interested in understanding metal from the perspective of composition.

The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musica Subjectivities examines histories, contexts, and critical perceptions of cover song practices that manifest in mimetic homages, nuanced reinterpretations, or radical transformations. Aimed at exploring genre variations, gendered and intersectional expressions, political implications, and international dimensions, the analyses collectively interrogate the implicit and explicit meanings of popular music covering and versioning, following a chronological pathway to illuminate evolutionary developments across phonographic history from the 1950s to the present. In 27 chapters, this handbook explores how covers create new “vivid” versions that traverse social and musical boundaries and contexts. By incorporating cross-cultural insights including postcolonial, indigenous, and sign language readings of recorded music texts, the authors foreground reinterpretive power as a vehicle for expanded awareness of under-examined cover contexts. Their goal is to invite reassessment of cover practices and their popular music presence, often by focusing on lesser known vivid versions and their commercial, technological, and compositional rearticulations. The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musical Subjectivities is valuable for second- through final-year students in undergraduate courses devoted to popular music, composition, and production studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, and music production studies

The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musica Subjectivities examines histories, contexts, and critical perceptions of cover song practices that manifest in mimetic homages, nuanced reinterpretations, or radical transformations. Aimed at exploring genre variations, gendered and intersectional expressions, political implications, and international dimensions, the analyses collectively interrogate the implicit and explicit meanings of popular music covering and versioning, following a chronological pathway to illuminate evolutionary developments across phonographic history from the 1950s to the present. In 27 chapters, this handbook explores how covers create new “vivid” versions that traverse social and musical boundaries and contexts. By incorporating cross-cultural insights including postcolonial, indigenous, and sign language readings of recorded music texts, the authors foreground reinterpretive power as a vehicle for expanded awareness of under-examined cover contexts. Their goal is to invite reassessment of cover practices and their popular music presence, often by focusing on lesser known vivid versions and their commercial, technological, and compositional rearticulations. The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musical Subjectivities is valuable for second- through final-year students in undergraduate courses devoted to popular music, composition, and production studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, and music production studies

Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me''Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.