Mike Alleyne - Böcker

Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.

Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.

The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musical Subjectivities examines histories, contexts, and critical perceptions of cover song practices that manifest in mimetic homages, nuanced reinterpretations, or radical transformations. Aimed at exploring genre variations, gendered and intersectional expressions, political implications, and international dimensions, the analyses collectively interrogate the implicit and explicit meanings of popular music covering and versioning, following a chronological pathway to illuminate evolutionary developments across phonographic history from the 1950s to the present. In 27 chapters, this handbook explores how covers create new “vivid” versions that traverse social and musical boundaries and contexts.By incorporating cross-cultural insights including postcolonial, indigenous, and sign language readings of recorded music texts, the authors foreground reinterpretive power as a vehicle for expanded awareness of under-examined cover contexts. Their goal is to invite reassessment of cover practices and their popular music presence, often by focusing on lesser known vivid versions and their commercial, technological, and compositional rearticulations.The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musical Subjectivities is valuable for second- through final-year students in undergraduate courses devoted to popular music, composition, and production studies, and to postgraduate programs and researchers in a range of fields, including: popular music studies, musicology, creative music performance and composition, songwriting, and music production studies.

Black British Music in America 1967–2000: Atlantic Crossover historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical, and commercial reception of the music. It addresses an overlooked area of Black popular music, investigating the fluctuating fortunes of artists and the contradictions of exporting such recordings to America.Examining a complex history spanning the last four decades of the twentieth century, the author reveals the chronologies and the recording industry circumstances shaping the presence of Black British music in America. Readers will discover the conditions under which key recordings were made and released, through detailed analysis and new interviews with participating producers and artists. Including exploration of chart histories, this book also dissects the content of the recordings, uncovering the elements that made many of them successful.Black British Music in America 1967–2000 will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.

Prince’s position in popular culture has undergone only limited academic scrutiny. This book provides an academic examination of Prince, encompassing the many layers of his cultural and creative impact. It assesses Prince’s life and legacy holistically, exploring his multiple identities and the ways in which they were manifested through his recorded catalogue and audiovisual personae. In 17 essays organized thematically, the anthology includes a diverse range of contributions - taking ethnographic, musicological, sociological, gender studies and cultural studies approaches to analysing Prince’s career.

Prince’s position in popular culture has undergone only limited academic scrutiny. This book provides an academic examination of Prince, encompassing the many layers of his cultural and creative impact. It assesses Prince’s life and legacy holistically, exploring his multiple identities and the ways in which they were manifested through his recorded catalogue and audiovisual personae. In 17 essays organized thematically, the anthology includes a diverse range of contributions - taking ethnographic, musicological, sociological, gender studies and cultural studies approaches to analysing Prince’s career.

The essay collection Rhythm Revolution provides a compact but detailed analysis of significant genres, artists, and trends characterizing popular music's evolution after the emergence of rock & roll. It addresses the creative, economic, social, and political contexts of key creative and commercial transitions in the recording industry.Primarily focused on events between the 1960s and 1980s, the book's chronological structure highlights interconnected histories of the pop, rock, soul, funk, jazz/rock fusion, reggae, and punk rock genres that were major features of the American musical soundscape. The text also discusses the expanding role of televised music in its chapter on the 1980s.In addition, the anthology provides a wealth of detail on topics not typically covered, including the history of the album cover, the roots of reggae, and the formation and impact of significant record labels.Rhythm Revolution is ideal for teachers who want to engage their students in a detailed examination of pivotal eras. It can be used as a stand-alone text, or as a supplemental reader to standard textbooks on popular music history.

The Essential Hendrix: An A-Z Compendium provides students with a concise, focused guide on the people, places, and music associated with Jimi Hendrix, organized in an encyclopedic structure. The material offers fresh, contemporary insight on events related to Hendrix, covering developments with his catalog, film documentaries, and featuring information from over 200 sources.This text features unique coverage of the people and places associated with Hendrix during his life, and also his legacies following his death in September 1970. Lawsuits, the shift of estate control to Experience Hendrix, LLC, and the sale of previously unreleased recordings are addressed. Individuals within Hendrix's sphere are examined through cohesive overviews that speak to their connections to the guitarist or their complete careers inclusive of circumstances that preceded or followed their time with Hendrix. Following the alphabetical entries, dedicated sections examine Hendrix on film, marketing and merchandising, his psychedelic fashion and design, and Hendrix tribute albums.Offering readers scholarly analysis and historical context, The Essential Hendrix is an ideal supplementary text for courses in popular music studies, black music studies, and the history of the recording industry.