Lutz Seiler - Böcker

Lutz Seiler fo?ddes 1963 i Gera, Tyskland. Efter att fo?rst ha arbetat som murare och sedan studerat germanistik i slutet av 80-talet va?nde han sig slutligen till litteraturen fo?r gott. Som en av de viktigaste fo?retra?darna fo?r den nya tyska litteraturen efter murens fall har han sedan 90-talet givit ut flera diktsamlingar, noveller, essa?er och en roman. Han tillho?r idag Tysklands fra?msta p

Lutz Seiler grew up in the former East Germany and has lived most of his life outside Berlin. His poems, not surprisingly, are works of the border, the in-between, and the provincial, marked by whispers, weather, time’s relentless passing, the dead and their ghosts. It is a contemporary poetry of landscape, fully aware of its literary and non-literary forebears, a walker’s view of the place Seiler lives, anchored by close, unhurried attention to particulars. With his precise, memorable language—rendered here in compelling English—Seiler has pulled off a difficult feat: recontextualizing and radically personalizing the long tradition of German nature writing for the twenty-first century.

Winner of the German Book Prize, from the winner of the 2023 Georg Büchner Prize. It is 1989, and a young literature student named Ed travels to the Baltic island of Hiddensee, a notorious destination for hippies, idealists, and those at odds with the East German state. On Hiddensee, Ed joins the community of seasonal workers, led by the charismatic, enigmatic Kruso. At night, they secretly help the refugees who have come to the island seeking passage to the West. But Kruso is preoccupied by another kind of freedom — freedom of the mind.As the wave of history washes over the German Democratic Republic, the friends’ grip on reality loosens and life on the island will never be the same.

Winner of the 2020 Leipzig Book Fair Prize | Longlisted for the 2022 Prix du Meilleur Livre Étranger | Shortlisted for the 2022 Prix Femina étranger | #1 on the Spiegel Bestseller List | Seiler winner of the German Book PrizeNovember 1989. The Berlin Wall has just fallen when the East German couple Inge und Walter, following a secret dream they've harboured all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations. And it's with them that Carl, trained as a bricklayer, finds himself an initiate of anarchy, of love, and above all of poetry.‘Seiler tells a story of freedom in a poetically-precise style.’ Der Spiegel'With its ample narrative and powerful imagination, Star 111 is the “Wenderoman” par excellence, the great novel of the “turn”, as German reunification is called.’ Christine Lecerf, Le Monde des livres

On its original publication in 2000, Pitch and Glint was widely hailed as a landmark in German poetry. Rooted in Seiler's childhood home, an East German village brutally undermined by Soviet Russian uranium extraction, these propulsive poems are highly personal, porous, twisting, cadenced, cryptic and earthy, traversing the rural sidelines of European history with undeniable evocative force. The frailty of bodies, a nearness to materials and manual work, the unknowability of our parents' suffering, and ultimately the loss of childhood innocence, all loom large in poems where sound comes first. As Seiler says in an essay, ‘You recognise the song by its sound. The sound forms in the instrument we ourselves have become over time. Before every poem comes the story that we have lived. The poem catches the sound of it. Rather than narrating the story, it narrates its sound.’Seiler evokes an East German community left ecologically and emotionally devastated in the Soviet era.‘Pitch & Glint resists description but compels shock, admiration and envy. It has something of the amphibrachic chant of early Celan, jolie-laide language, lower case, ampersands, a harsh and physical sampling of a childhood in a working landscape (the uranium mines) in the last years of the GDR.’ Michael Hofmann

In Case of Loss reveals Seiler's essays to be different to, but on a par with, his fiction and poetry. Beautifully anecdotal and associative, they throw a light on literature and his East German background, including the Soviet-era mining community he grew up in, and are full of insight, humanity and an attention to overlooked objects and lives.‘It is never about reconstructing. Memory does not bring back what was forgotten. Indeed, the person who remembers doesn't even know for sure that what is remembered ever existed. . . Seiler's inimitable style as a storyteller, the wilful waywardness and weight of what he has to say, the intensity (and personal tact) of his engagement with the landscapes of others' poetries and lives all make these essays a lively portrait of the writer surrounded by his library. Seiler sets standards for reflection in art today. At the same time, he gives us a sense of the pagan-sacramental importance of objects in poetry.’ Sibylle Cramer, Süddeutsche Zeitung

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