Lynn Turner – författare

Explores the political and poetic understanding of the deconstruction of the ‘animal question’How does deconstruction understand relations between humans and other animals? This book reveals that across Jacques Derrida’s work as a whole, as well as that of Hélène Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat; Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text; Kelly Oliver pursues Derrida’s analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Throughout this collection authors bring to attention the politics and the poetics of a less anthropocentric world. Even when this world is grasped through very writerly fields such as philosophy, literature and autobiography, The Animal Question in Deconstruction demonstrates that we are always marked by traces of other animals.Key Features• Expands the current debate on the ‘animal question’ through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle• Includes the first English translation of ‘Un Réfugié’ by Hélène Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida• Republishes Nicholas Royle’s ground-breaking essay 'Mole'

Introducing Communication Theory: Analysis and Application reflects the fact that communication theory courses are vibrant and teachers of communication understand the importance of theoretical thinking.  Thousands of instructors and students have appreciated the consistent, organized template employed throughout Introducing Communication Theory that guides exploration and inquiry.The authors wrote the book to demonstrate to students how theorizing can help them understand themselves, as well as their experiences, relationships, media, environment, and culture. They felt that some books trivialized theory, while others were written at a level that was far too advanced for an undergraduate. Students benefit from a text that relates theory directly to their lives, and thorough updates of scholarship and examples enhance the relevance of Introducing Communication Theory for learners.

In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida's philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida''s philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida''s philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

In Poetics of Deconstruction, Lynn Turner develops an intimate attention to independent films, art and the psychoanalyses by which they might make sense other than under continued license of the subject that calls himself man. Drawing extensively from Jacques Derrida's philosophy in precise dialogue with feminist thought, animal studies and posthumanism, this book explores the vulnerability of the living as rooted in non-oppositional differences. From abjection to mourning, to the speculative and the performative, it reposes concepts and buzzwords seemingly at home in feminist theory, visual culture and the humanities more broadly. Stepping away from the carno-phallogocentric legacies of the signifier and the dialectic, Poetics of Deconstruction asks you to welcome nonpower into politics, always sexual but no longer anchored in sacrifice.

Erotics of Deconstruction takes advantage of over a decade of publications from Derrida's seminars to creatively demonstrate the deep material range of deconstruction and emphasise its under-recognised erotic nature. It activates psychoanalysis without the long-embedded philosophical trajectory that forged the human, psychic life and sexuality as categorically distinct from 'the animal' (inherent to dialectics and psychoanalysis). It generates new conversations with Derrida's feminist contemporaries as they encounter pressing questions in current critical thought. From the larger frame of 'life death' and the broadest auto-affective relation of inside to outside, to the difficult to grasp interface of conceptual and sensible, Erotics of Deconstruction does not retreat to a reparative life force or erotics of the good, but includes the unsettling friction of an originary relation to violence. Parsed by means of case studies from literature, philosophy and visual culture, erotics in this volume lap at every edge.

Erotics of Deconstruction takes advantage of over a decade of publications from Derrida’s seminars to creatively demonstrate the deep material range of deconstruction and emphasise its under-recognised erotic nature. It activates psychoanalysis without the long-embedded philosophical trajectory that forged the human, psychic life and sexuality as categorically distinct from ‘the animal’ (inherent to dialectics and psychoanalysis). It generates new conversations with Derrida’s feminist contemporaries as they encounter pressing questions in current critical thought. From the larger frame of ‘life death’ and the broadest auto-affective relation of inside to outside, to the difficult to grasp interface of conceptual and sensible, Erotics of Deconstruction does not retreat to a reparative life force or erotics of the good, but includes the unsettling friction of an originary relation to violence. Parsed by means of case studies from literature, philosophy and visual culture, erotics in this volume lap at every edge.

Who''s the Fairest of Them All?Thanks to the Witness Protection Program, for five years Jenna Kendrick, a.k.a. Kendra Jenner, faced a stranger in the mirror. Now, with the man she helped imprison about to be paroled, she was facing danger….Jenna had no choice: To save her life, she had to leave behind the man she loved—long, lean cowboy Adam Case—and become someone else again.But no hair dye or fake ID could prevent Adam from tracking her down…or demanding the truth. Who was she, really? The woman he loved, or the devil disguise?Before he could find out, Jenna was on the run again…with a killer right behind her.

Provides cross-disciplinary perspectives on the study of animals in humanitiesThis volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on Animal Studies. What new questions and modes of research need come into play if we are to seriously acknowledge our entanglements with other animals? World-leading scholars from a range of disciplines, including Literature, Philosophy, Art, Biosemiotics, and Geography, set the agenda for Animal Studies today. Rather than a narrow specialism, the 35 newly commissioned essays in this book show how we think of other animals to be intrinsic to fields as major as ethics, economies as widespread as capitalism and relations as common as friendship.The volume contains original, cutting-edge research and opens up new methods, alignments, directions as well as challenges for the future of Animal Studies. Uniquely, the chapters each focus on a single topic, from 'Abjection' to 'Voice' and from 'Affection' to 'Technology', thus embedding the animal question as central to contemporary concerns across a wide range of disciplines.Key FeaturesProvides in one work prominent scholars in animal studies and their reflections on the trajectory of the fieldEmbeds the 'animal question' as central to contemporary concerns across a wide range of disciplinesBrings discourses from the sciences into dialogue with the arts and humanitiesOpens up new methods, alignments, directions and challenges for the future of animal studiesAfterword from Cary Wolfe (Bruce and Elizabeth Dunlevie Professor of English, Rice University)

Provides cross-disciplinary perspectives on the study of animals in humanitiesThis volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on Animal Studies. What new questions and modes of research need come into play if we are to seriously acknowledge our entanglements with other animals? World-leading scholars from a range of disciplines, including Literature, Philosophy, Art, Biosemiotics, and Geography, set the agenda for Animal Studies today. Rather than a narrow specialism, the 35 newly commissioned essays in this book show how we think of other animals to be intrinsic to fields as major as ethics, economies as widespread as capitalism and relations as common as friendship.The volume contains original, cutting-edge research and opens up new methods, alignments, directions as well as challenges for the future of Animal Studies. Uniquely, the chapters each focus on a single topic, from ‘Abjection’ to ‘Voice’ and from ‘Affection’ to ‘Technology’, thus embedding the animal question as central to contemporary concerns across a wide range of disciplines. Key FeaturesProvides in one work prominent scholars in animal studies and their reflections on the trajectory of the fieldEmbeds the ‘animal question’ as central to contemporary concerns across a wide range of disciplinesBrings discourses from the sciences into dialogue with the arts and humanitiesOpens up new methods, alignments, directions and challenges for the future of animal studiesAfterword from Cary Wolfe (Bruce and Elizabeth Dunlevie Professor of English, Rice University)

Explores the political and poetic understanding of the deconstruction of the ‘animal question’How does deconstruction understand relations between humans and other animals? This book reveals that across Jacques Derrida’s work as a whole, as well as that of Hélène Cixous and Nicholas Royle, deconstruction has always addressed questions about animality. In this collection, for example, Cixous asks after human intervention between the death of a wild bird and the predation of a domestic cat; Royle examines in what sense the vulnerable impressions made by the tunnelling of a mole might be thought of as the traces of a text; Kelly Oliver pursues Derrida’s analysis of what or whose gaze is at stake when a King oversees the autopsy of an elephant. Re-examining how we relate to other animals has far-reaching implications for how we think of ourselves. Throughout this collection authors bring to attention the politics and the poetics of a less anthropocentric world. Even when this world is grasped through very writerly fields such as philosophy, literature and autobiography, The Animal Question in Deconstruction demonstrates that we are always marked by traces of other animals.Key Features• Expands the current debate on the ‘animal question’ through new essays by established authors, such as Peggy Kamuf, Sarah Wood and Judith Still, that critically examine a wide range of texts by Derrida, Cixous and Royle• Includes the first English translation of ‘Un Réfugié’ by Hélène Cixous, showing how her approach to relations between humans and other animals is similar to but distinct from that of Derrida• Republishes Nicholas Royle’s ground-breaking essay 'Mole'