Ma Vang – författare

Departures supports, contextualizes, and advances the field of critical refugee studies by providing a capacious account of its genealogy, methods, and key concepts as well as its premises, priorities, and possibilities. The book outlines the field's main tenets, questions, and concerns and offers new approaches that integrate theoretical rigor and policy considerations with refugees' rich and complicated lived worlds. It also provides examples of how to link communities, movements, networks, artists, and academic institutions and forge new and humane reciprocal paradigms, dialogues, visuals, and technologies that replace and reverse the dehumanization of refugees that occurs within imperialist gazes and frames, sensational stories, savior narratives, big data, colorful mapping, and spectator scholarship. This resource and guide is for all readers invested in addressing the concerns, perspectives, knowledge production, and global imaginings of refugees.

Departures supports, contextualizes, and advances the field of critical refugee studies by providing a capacious account of its genealogy, methods, and key concepts as well as its premises, priorities, and possibilities. The book outlines the field's main tenets, questions, and concerns and offers new approaches that integrate theoretical rigor and policy considerations with refugees' rich and complicated lived worlds. It also provides examples of how to link communities, movements, networks, artists, and academic institutions and forge new and humane reciprocal paradigms, dialogues, visuals, and technologies that replace and reverse the dehumanization of refugees that occurs within imperialist gazes and frames, sensational stories, savior narratives, big data, colorful mapping, and spectator scholarship. This resource and guide is for all readers invested in addressing the concerns, perspectives, knowledge production, and global imaginings of refugees.

Countering the idea of Hmong women as victims, the contributors to this pathbreaking volume demonstrate how the prevailing scholarly emphasis on Hmong culture and men as the primary culprits of women’s subjugation perpetuates the perception of a Hmong premodern status and renders unintelligible women’s nuanced responses to patriarchal strategies of domination both in the United States and in Southeast Asia.Claiming Place expands knowledge about the Hmong lived reality while contributing to broader conversations on sexuality, diaspora, and agency. While these essays center on Hmong experiences, activism, and popular representations, they also underscore the complex gender dynamics between women and men and address the wider concerns of gendered status of the Hmong in historical and contemporary contexts, including deeply embedded notions around issues of masculinity.Organized to highlight themes of history, memory, war, migration, sexuality, selfhood, and belonging, this book moves beyond a critique of Hmong patriarchy to argue that Hmong women have been and continue to be active agents not only in challenging oppressive societal practices within hierarchies of power but also in creating alternative forms of belonging.Contributors: Geraldine Craig, Kansas State U; Leena N. Her, Santa Rosa Junior College; Julie Keown-Bomar, U of Wisconsin–Extension; Mai Na M. Lee, U of Minnesota; Prasit Leepreecha, Chiang Mai U; Aline Lo, Allegheny College; Kong Pha; Louisa Schein, Rutgers U; Cathy J. Schlund-Vials, U of Connecticut; Bruce Thao; Ka Vang, U of Wisconsin–Eau Claire.

During its secret war in Laos (1961–1975), the United States recruited proxy soldiers among the Hmong people. Following the war, many of these Hmong soldiers migrated to the United States with refugee status. In History on the Run Ma Vang examines the experiences of Hmong refugees in the United States to theorize refugee histories and secrecy, in particular those of the Hmong. Vang conceptualizes these histories as fugitive histories, as they move and are carried by people who move. Charting the incomplete archives of the war made secret through redacted US state documents, ethnography, film, and literature, Vang shows how Hmong refugees tell their stories in ways that exist separately from narratives of U.S. empire and that cannot be traditionally archived. In so doing, Vang outlines a methodology for writing histories that foreground refugee epistemologies despite systematic attempts to silence those histories.