MACPHERSON – författare

The senses, or sensory modalities, constitute the different ways we have of perceiving the world, such as seeing, hearing, touching, tasting and smelling. But how many senses are there? How many could there be? What makes the senses different? What interaction takes place between the senses? This book is a guide to thinking about these questions. Together with an extensive introduction to the topic, the book contains the key classic papers on this subject together with nine newly commissioned essays.One reason that these questions are important is that we are receiving a huge influx of new information from the sciences that challenges some traditional philosophical views about the senses. This information needs to be incorporated into our view of the senses and perception. Can we do this whilst retaining our pre-existing concepts of the senses and of perception or do we need to revise our concepts? If they need to be revised, then in what way should that be done? Research in diverse areas, such as the nature of human perception, varieties of non-human animal perception, the interaction between different sensory modalities, perceptual disorders, and possible treatments for them, calls into question the platitude that there are five senses, as well as the pre-supposition that we know what we are counting when we count them as five (or more).This book will serve as an inspiring introduction to the topic and as a basis from which further new research will grow.

This volume brings together two collections - one well known but unavailable for some time, the other little known - by a distinguished Canadian poet. The Boatman, first published in 1957, was one of the outstanding poetry collections of the 1950s and the winner of a Governor General's Award. It is an intricate sequence of short epigrammatic poems - in which there are echoes of ballads, carols, nursery rhymes, and hymns - that bear a whole cosmos of thepoet's invention, constructed from Biblical and classical allusions. Welcoming Disaster was privately published in 1974 and will now reach the wider audience it deserves. Reviewing it in Poetry (January 1976),David Bromwich referred to Jay Macpherson's 'grandness' and 'verve', and wrote: 'She will put readers in mind of Graves and Wordsworth, of Auden and Dickinson and Stevie Smith, of every poet who ever wrote truly about innocence and its unlucky master, love.'

In this brief but powerful book, acclaimed political philosopher C.B. Macpherson sets out in bold relief the essence of liberal democracy, both as it is currently conceived and as it might be reimagined. Macpherson argues that from its beginnings liberal democracy has accepted the underpinning principle of capitalist societies, that the "market maketh man." If that remains the central assumption of liberal democracy, Macpherson declares, then as an organizing framework for society, liberal democracy has reached the end of its useful life. But if a broader concept of liberal democracy is accepted-"if [Macpherson writes] liberal democracy is taken to mean a society striving to ensure that all its members are equally free to realize their capabilities"-the great days of liberal democracy may yet lie ahead. The Wynford edition includes a new Introduction by Frank Cunningham of the University of Toronto.

Sensory substitution and augmentation devices are built to try to replace or enhance one sense by using another sense. For example, in tactile-vision, stimulation of the skin driven by input to a camera is used to replace the ordinary sense of vision that uses our eyes. The feelSpace belt aims to give people a magnetic sense of direction using vibrotactile stimulation driven by a digital compass. Fiona Macpherson brings together researchers -neuroscientists, psychologists and philosophers -who are developing these technologies, studying the minds and behaviour of subjects who use them. Sensory Substitution and Augmentation has three specific aims. The first is to present the latest empirical research on sensory substitution and augmentation. Second, philosophers and scientists who adopt a very different approach comment on the empirical work. Their commentaries are often critical of the assumptions of the work, but often they make and call for clarifications, suggest extensions to the work, or comment on features of the application of the work that the original authors do not. This is one reason why Sensory Substitution and Augmentation is more than simply a collection of papers on the same topic. Finally, philosophers look at the nature of sensory substitution and augmentation, tackling issues such as the nature and limitations of sensory substitution, the nature of the sensory experiences, theories of perception, and the potential for these devices to help those people with disabilities, in part due to future amendments of the devices that are suggested. Throughout, there is a particular focus on the nature of the perceptual experiences, the sensory interactions, and the changes that take place in the mind and brain over time that occur while using and training to use these technologies.