Magdalena Droste – författare

In a fleeting fourteen year period, sandwiched between two world wars, Germany’s Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stölzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charismatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total” work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.

In a fleeting 14-year period between two world wars, Germany’s Bauhaus school of art and design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, and sculpture to ceramics.This best-selling reference work is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Some 575 illustrations including architectural plans, studies, photographs, sketches, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.This is a defining account of Bauhaus' energy and rigor, not only as a trailblazing movement in Modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. The handy edition features artists Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, Lilly Reich, and many more.

Die bissige Attacke, die Rudolf Schwarz 1953 gegen Gropius und das Bauhaus führte, hat, was polemische Schärfe wie vor allem auch deren Auswirkung betrifft, hierzulande kaum ihresgleichen. Das Streitgespräch - wäre es damals fortgesetzt worden - hätte ein solches Gewicht gewinnen können wie 1914 der Werkbundstreit über Kunst-Unikat und Serienprodukt. Das Buch enthält unter anderem Beiträge von Rudolf Schwarz, Winfried Nerdinger, Alfons Leitl und Ulrich Conrads.

Wohnen ist eine der wesentlichen kulturellen Ausdrucksformen menschlicher Gesellschaften. Unterschiedliche Möglichkeiten des Zusammenlebens, aber zugleich auch der sozialen Differenzierung finden hier ihren Ausdruck. Dieses Buch vereint Vorträge, die 2001 anläßlich der Tagung Wohnformen und Lebenswelten im interkulturellen Vergleich an der Brandenburgischen Technischen Universität Cottbus gehalten wurden. Eine der Besonderheiten des Projekts lag darin, daß Wohnen von der Antike bis zur Gegenwart in den Blick rückte. Für die Strukturierung ergaben sich drei übergreifende Themenkomplexe: Gemeinschaftswelten, soziale Topographie; Ideale und Imaginationen sowie Nahtstellen des Privaten. Als Ansatzpunkt vieler Untersuchungen erwies sich die Frage nach der Wechselbeziehung zwischen Raumgestaltung und Lebensform. Die enge Beziehung zwischen baulichen und sozialen Strukturen war in vielen Fällen offensichtlich und wichtigste Grundlage der Interpretation.

In a fleeting fourteen year period, sandwiched between two world wars, Germany’s Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stölzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charismatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total” work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.

In a fleeting 14-year period between two world wars, Germany’s Bauhaus School of Art and Design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, which they applied across media and practices from film to theater, sculpture to ceramics.This book is made in collaboration with the Bauhaus-Archiv/Museum für Gestaltung in Berlin, the world’s largest collection on the history of the Bauhaus. Some 550 illustrations including architectural plans, studies, photographs, sketches, and models record not only the realized works but also the leading principles and personalities of this idealistic creative community through its three successive locations in Weimar, Dessau, and Berlin. From informal shots of group gymnastics to drawings guided by Paul Klee, from extensive architectural plans to an infinitely sleek ashtray by Marianne Brandt, the collection brims with the colors, materials, and geometries that made up the Bauhaus vision of a “total” work of art.Updated on the occasion of Bauhaus' centennial, this is a defining account of its energy and rigor, not only as a trailblazing movement in modernism but also as a paradigm of art education, where creative expression and cutting-edge ideas led to simultaneously functional and beautiful creations. Featured artists include Josef Albers, Marianne Brandt, Walter Gropius, Gertrud Grunow, Paul Klee, Ludwig Mies van der Rohe, and Lilly Reich.