Mahon Murphy – författare

With the outbreak of war in 1914, an estimated 30,000 German civilians in African and Asian colonies were violently uprooted and imprisoned. Britain's First World War internment of German settlers seriously challenged the structures that underpinned nineteenth-century imperialism. Through its analysis of this internment, this book highlights the impact that the First World War had on the notion of a common European 'civilising mission' and the image of empire in the early twentieth century. Mahon Murphy examines the effect of the war on a collective European colonial identity, perceptions of internment in the extra-European theatres of war, and empires in transition during war. Policymakers were forced to address difficult questions about the future rule of Germany's colonies and the nature of empire in general. Far from a conflict restricted to European powers, the First World War triggered a worldwide remaking of ideas, institutions and geopolitics.

With the outbreak of war in 1914, an estimated 30,000 German civilians in African and Asian colonies were violently uprooted and imprisoned. Britain's First World War internment of German settlers seriously challenged the structures that underpinned nineteenth-century imperialism. Through its analysis of this internment, this book highlights the impact that the First World War had on the notion of a common European 'civilising mission' and the image of empire in the early twentieth century. Mahon Murphy examines the effect of the war on a collective European colonial identity, perceptions of internment in the extra-European theatres of war, and empires in transition during war. Policymakers were forced to address difficult questions about the future rule of Germany's colonies and the nature of empire in general. Far from a conflict restricted to European powers, the First World War triggered a worldwide remaking of ideas, institutions and geopolitics.

This book chronicles the Kyoto/Kansai 1980s hardcore punk scene through the album Don’t Be Swindle by S.O.B., with a focus on Kyoto’s main venues and the networks they created.Apart from being the center of Japan’s cultural heritage, Kyoto is home to one of Japan’s leading avant-garde art and music scenes. The Kyoto University-affiliated venue Seibu Kodo has historically been the focus of this scene, creating an ethos and organizational core which hosted major international acts such as Frank Zappa and Talking Heads while pushing more local experimental and political acts. The hardcore punks in Kyoto, most of whom were high-school dropouts, borrowed the organizational structure and interacted with Seibu Kodo and its committees to create their own scene. By focusing on the seminal hardcore album Don’t Be Swindle by S.O.B. and using rich archival material, this book explains the connections and entanglements of space and scene in 1980s punk.

This book chronicles the Kyoto/Kansai 1980s hardcore punk scene through the album Don’t Be Swindle by S.O.B., with a focus on Kyoto’s main venues and the networks they created.Apart from being the center of Japan’s cultural heritage, Kyoto is home to one of Japan’s leading avant-garde art and music scenes. The Kyoto University-affiliated venue Seibu Kodo has historically been the focus of this scene, creating an ethos and organizational core which hosted major international acts such as Frank Zappa and Talking Heads while pushing more local experimental and political acts. The hardcore punks in Kyoto, most of whom were high-school dropouts, borrowed the organizational structure and interacted with Seibu Kodo and its committees to create their own scene. By focusing on the seminal hardcore album Don’t Be Swindle by S.O.B. and using rich archival material, this book explains the connections and entanglements of space and scene in 1980s punk.