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1 009 kr
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Dallas W. Smythe has made important contributions to the study of the political economy of communications, as well as to the critical study of communication and information. His work has probed the neglected corners of the academic study of communication research, challenging and inspiring students and researchers for nearly 50 years. Celebrating Dallas Smythe, this volume includes 19 articles that draw on his work and furthur challenge existing communications structures and policies. The contributions examine case studies of the political economy of communication and information from various perspectives as well as exploring international communications issues and media/audience analysis.
742 kr
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Dallas W. Smythe has made important contributions to the study of the political economy of communications, as well as to the critical study of communication and information. His work has probed the neglected corners of the academic study of communication research, challenging and inspiring students and researchers for nearly 50 years. Celebrating Dallas Smythe, this volume includes 19 articles that draw on his work and furthur challenge existing communications structures and policies. The contributions examine case studies of the political economy of communication and information from various perspectives as well as exploring international communications issues and media/audience analysis.
352 kr
Skickas inom 10-15 vardagar
This book is an exploration of the masala film. This popular cinema has dominated mass culture in India ever since its origins and has remarkable popularity with South Asians living outside India as well. To understand the interrelationship between the industrial and the ideological, the political economy of the film industry in India is examined and combined with a cultural analysis of popular cinema. Specifically, the author looks at the industrial organization and structure in which the world's largest film industry turns out nearly 800 features films a year and the public and private forces that shape the structural conditions in which films are consumed and produced. Also discussed are policies related to production, exhibition, and distribution of films in India and abroad; the impact of new technologies; censorship and funding; consumption and popularity; and narrative strategies and cinematic devices.