Janet Wasko – författare

The ""information society"" is real. Information - as a marketable commodity - is quickly taking up the powerful role once held by heavy industry and manufactured products. How this revolution is affecting society, and how both society and government are responding to it, is the subject of this book. Every dimension of social life, whether in the home or the workplace, is affected by information and the technologies that shape it into a marketable commodity. Along with the positive aspects of these broad changes, there are inevitable problems: the growing gap between the information rich and poor, the need for widespread access to communication and information technology, the threat to privacy, and the potential of the technology to create global instabilities. The editors have enlisted specialists and scholars in business, communication studies, computing and information science, economics, law, library science, political science, and sociology to examine these changes and problems by looking at information specifically as a commodity. The book begins with chapters on ways of seeing and thinking about information in the light of developments in computer communication technology. The ability of the technology to measure and monitor information transactions and to package and repackage information products leads to fresh views on the nature of industrial society, perhaps leading to the development of what Robins and Webster refer to as ""cybernetic capitalism"". These theoretical chapters are followed by studies that identify and examine specific problems in the political economy of information. These include how business is making information a marketable commodity, how government is responding to this development, the implications for access to information, privacy, social class divisions, and specific impacts on the home and workplace. The concluding chapters consider the global significance of transforming information into a marketable product with specific studies on Europe, Asia, and the efforts of Third World nations to overcome disparities in the information society.

This is a major new assessment of the American movie industry in the 1990's, focusing on the development of new communication technologies such as cable and home video and examining their impact on the production and distribution of motion pictures.

This is a major new assessment of the American movie industry in the 1990's, focusing on the development of new communication technologies such as cable and home video and examining their impact on the production and distribution of motion pictures.

Since the 1930s, the Walt Disney Company has produced characters, images, and stories that have captivated audiences around the world. How can we understand the appeal of Disney products? What is it about the Disney phenomenon that attracts so many children, as well as adults?  In this updated second edition, with new examples provided throughout, Janet Wasko examines the processes by which the Disney company – one of the largest media and entertainment corporations in the world – continues to manufacture the fantasies that enthrall millions. She analyses the historical expansion of the Disney empire into the twenty-first century, examines the content of Disney’s classic and more recent films, cartoons and TV programs and discusses how they are produced, considering how some of the same techniques have been applied to the Disney theme parks. She also discusses the reception (and sometimes, reinterpretation) of Disney products by different kinds of audiences. By looking at the Disney phenomenon from a variety of perspectives, she provides an updated and comprehensive overview of one of the most significant media and cultural institutions of our time.  This important book by a leading scholar of the entertainment industries will be of great interest to students in media and cultural studies, as well as a broader readership of Disney fans.

Since the 1930s, the Walt Disney Company has produced characters, images, and stories that have captivated audiences around the world. How can we understand the appeal of Disney products? What is it about the Disney phenomenon that attracts so many children, as well as adults?  In this updated second edition, with new examples provided throughout, Janet Wasko examines the processes by which the Disney company – one of the largest media and entertainment corporations in the world – continues to manufacture the fantasies that enthrall millions. She analyses the historical expansion of the Disney empire into the twenty-first century, examines the content of Disney’s classic and more recent films, cartoons and TV programs and discusses how they are produced, considering how some of the same techniques have been applied to the Disney theme parks. She also discusses the reception (and sometimes, reinterpretation) of Disney products by different kinds of audiences. By looking at the Disney phenomenon from a variety of perspectives, she provides an updated and comprehensive overview of one of the most significant media and cultural institutions of our time.  This important book by a leading scholar of the entertainment industries will be of great interest to students in media and cultural studies, as well as a broader readership of Disney fans.

This is a book about the US motion picture industry - its structure and policies, its operations and practices. It looks at the processes that are involved in turning raw materials and labor into feature films. It describes the process of film production, distribution, exhibition and retail - a process that involves different markets where materials, labor and products are bought and sold. In other words, this is a book about how Hollywood works - as an industry.

How Hollywood Works:

- offers an up-to-date survey of the policies and structure of the US film industry

- looks at the relationship between the film industry and other media industries

- examines the role of the major studios and the other 'players' - including, law firms, talent agents, and trade unions and guilds

- provides access to hard-to-find statistical information on the industry

While many books describe the film production and marketing process, they usually do so from an industry perspective and few look at Hollywood critically from within a more general economic, political and social context. By offering just such a critique, Janet Wasko's text provides a timely and essential analysis of how Hollywood works for all students of film and media.

This is a book about the US motion picture industry - its structure and policies, its operations and practices. It looks at the processes that are involved in turning raw materials and labor into feature films. It describes the process of film production, distribution, exhibition and retail - a process that involves different markets where materials, labor and products are bought and sold. In other words, this is a book about how Hollywood works - as an industry.

How Hollywood Works:

- offers an up-to-date survey of the policies and structure of the US film industry

- looks at the relationship between the film industry and other media industries

- examines the role of the major studios and the other 'players' - including, law firms, talent agents, and trade unions and guilds

- provides access to hard-to-find statistical information on the industry

While many books describe the film production and marketing process, they usually do so from an industry perspective and few look at Hollywood critically from within a more general economic, political and social context. By offering just such a critique, Janet Wasko's text provides a timely and essential analysis of how Hollywood works for all students of film and media.

This volume is the first in-depth study of the relationship between Hollywood and its financiers from the early film entrepeneuers who established the trade at the turn of the century, through the present day multinational, diversified film coporations that dominate the communication/entertainment industry of the world. Specific case studies are drawn from primary sources and crucial questions of financial control and corporate power are examined in light of their broader implications for media production and distribution.

The 1980s witnessed a rapid growth of communication technology and an immense expansion of new media around the globe. The development of new information and communication technologies has emphasized again the importance of economic, social, political, and cultural institutions associated with the definitions of new technologies. Many of the traditional conceptions of the relation of the media to democracy were predicated upon a certain perception of communication technology and the major contemporary debates related to democratization have to do, again, with the deployment of technologies. How do all these developments affect society? How is the communications explosion related to democracy? What are the implications for the social functions of communications, people's activities, consciousness and values, media ownership and control, both nationally and internationally? These are some of the questions discussed in this volume.

Dallas W. Smythe has made important contributions to the study of the political economy of communications, as well as to the critical study of communication and information. His work has probed the neglected corners of the academic study of communication research, challenging and inspiring students and researchers for nearly 50 years. Celebrating Dallas Smythe, this volume includes 19 articles that draw on his work and furthur challenge existing communications structures and policies. The contributions examine case studies of the political economy of communication and information from various perspectives as well as exploring international communications issues and media/audience analysis.

The 1980s witnessed a rapid growth of communication technology and an immense expansion of new media around the globe. The development of new information and communication technologies has emphasized again the importance of economic, social, political, and cultural institutions associated with the definitions of new technologies. Many of the traditional conceptions of the relation of the media to democracy were predicated upon a certain perception of communication technology and the major contemporary debates related to democratization have to do, again, with the deployment of technologies. How do all these developments affect society? How is the communications explosion related to democracy? What are the implications for the social functions of communications, people's activities, consciousness and values, media ownership and control, both nationally and internationally? These are some of the questions discussed in this volume.

Dallas W. Smythe has made important contributions to the study of the political economy of communications, as well as to the critical study of communication and information. His work has probed the neglected corners of the academic study of communication research, challenging and inspiring students and researchers for nearly 50 years. Celebrating Dallas Smythe, this volume includes 19 articles that draw on his work and furthur challenge existing communications structures and policies. The contributions examine case studies of the political economy of communication and information from various perspectives as well as exploring international communications issues and media/audience analysis.

Over the last decade, political economy has grown rapidly as a specialist area of research and teaching within communications and media studies and is now established as a core element in university programmes around the world. The Handbook of Political Economy of Communications offers students and scholars a comprehensive, authoritative, up-to-date and accessible overview of key areas and debates. Combines overviews of core ideas with new case study materials and the best of contemporary theorization and researchWritten many of the best known authors in the fieldIncludes an international line-up of contributors, drawn from the key markets of North and Latin America, Europe, Australasia, and the Far East

The latest edition of the acclaimed volume on television studies, featuring new original essays from leading scholars in the fieldAlthough the digital age has radically altered the media and communications landscape worldwide, television continues to play a significant part of our lives. From its earliest beginnings through to the present day, television and its influence has been the subject of extensive study, critique, and analysis. A Companion to Television brings together contributions from prominent international scholars comprising a wide range of perspectives on the medium. Original essays define television in its current state, explore why it is still relevant, survey the ways in which television has been studied, discuss how television has changed, and consider what television might look like in the future. Now in its second edition, this compendium includes fresh chapters that cover technological changes affecting television, contemporary approaches to understanding television audiences, new programming trends and developments, and more. Addressing nine key areas of television studies, such as industry, genres, programs, and audiences, the Companion offers readers a balanced, well-rounded, integrative approach to scholarship in the field. This volume:  Provides overviews of extensive original research from leading scholars and theoristsExamines television’s development and significance in various regions of the worldIncludes national and regional outlines of television around the worldFeatures theoretical overviews of various critical approaches to television studiesExplores historical, economic, institutional, political, and cultural issues studied by media scholars Presenting diverse perspectives on topics ranging from television advertising to satirical representations of the industry, A Companion to Television, Second Edition is an invaluable resource for those in undergraduate courses in television studies, as well as in general media studies and communications.

Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News Corp., The Microsoft Corporation) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, The Bertelsmann Group, Sony Corporation). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power.

Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News Corp., The Microsoft Corporation) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, The Bertelsmann Group, Sony Corporation). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power.

The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day. Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery Brings together an international team of leading film scholars Offers a balanced and fresh approach to this important contemporary period in Hollywood

The Contemporary Hollywood Film Industry is a collection of essays by leading scholars that examines the state of the U.S. film industry, from the l980s to present day. Includes important discussions of the industry’s labour and star systems, as well as intellectual property and state relations Considers the role of independent producers, the global marketplace for Hollywood product, corporate changes, and various new media windows, including video, DVD to cable, satellite, and online channels of delivery Brings together an international team of leading film scholars Offers a balanced and fresh approach to this important contemporary period in Hollywood

Over the last decade, political economy has grown rapidly as a specialist area of research and teaching within communications and media studies and is now established as a core element in university programmes around the world. The Handbook of Political Economy of Communications offers students and scholars a comprehensive, authoritative, up-to-date and accessible overview of key areas and debates. Combines overviews of core ideas with new case study materials and the best of contemporary theorization and researchWritten many of the best known authors in the fieldIncludes an international line-up of contributors, drawn from the key markets of North and Latin America, Europe, Australasia, and the Far East

A Companion to Television is a magisterial collection of 31 original essays that charter the field of television studies over the past century Explores a diverse range of topics and theories that have led to television’s current incarnation, and predict its likely futureCovers technology and aesthetics, television’s relationship to the state, televisual commerce; texts, representation, genre, internationalism, and audience reception and effectsEssays are by an international group of first-rate scholarsFor information, news, and content from Blackwell's reference publishing program please visit www.blackwellpublishing.com/reference/

This text explores the intersection between research in political economy and reception analysis - the interaction between media production and audience reception/consumption. Questions asked include: what role does textual analysis play in the study of production contexts and audiences' reception?

This book explores the notion that the push toward marketization is the central force currently restructuring the communications landscape and examines the consequences of this development for the constitution of public culture. The contributors analyze the core institutional processes of marketization and assess their impact on the structure and operations of media and communication systems around the world over the last two decades. The chapters are organized over four key themes - consolidation, incorporation, globalization and resistance.

This book explores the notion that the push toward marketization is the central force currently restructuring the communications landscape and examines the consequences of this development for the constitution of public culture. The contributors analyze the core institutional processes of marketization and assess their impact on the structure and operations of media and communication systems around the world over the last two decades. The chapters are organized over four key themes - consolidation, incorporation, globalization and resistance.

The first in the Media-Life-Universe trilogy, this volume explores a transdisciplinary notion of media and technology, exploring media as technology, with special attention to its material, historical and ecological ramifications. The authors reconceptualize media from environmental, ecological and systems approaches, drawing not only on media and communication studies, but also philosophy, sociology, political science, biology, art, computer science, information studies and other disciplines.Featuring a group of internationally known scholars, this collection explores evolving definitions of media and how media technologies are transforming theory and practice. As the current media includes a wider and wider range of concepts, products, services and institutions, the definition of media continues to be in a state of flux. What are media today? How is media studies evolving? How have technologies transformed communication and media theory, and informed praxis? What are some of the futures of media?The collection challenges traditional notions of media, as well as concepts such as freedom of expression, audience empowerment and participatory media, and explores emergent media including transmedia, virtual reality, online games, metatechnology, remediation and makerspaces. This is the first volume in the MEDIA • LIFE • UNIVERSE Trilogy. LIFE: A Transdisciplinary Inquiry 9781789382655 follows and builds upon this 2021 collection.

LIFE: A Transdisciplinary Inquiry examines nature, cognition and society as an interwoven tapestry across disciplinary boundaries. This volume explores how information and communication are instrumental in and for living systems, acknowledging an integrative account of media as environments and technologies.The aim of the collection is a fuller and richer account of everyday life through a spectrum of insights from internationally known scholars of the natural sciences (physical and life sciences), social sciences and the arts.How or should life be defined? If life is a medium, how is it mediated? Viewed as interactions, transactions and contexts of ecosystems, life can be recognized through patterns across the sciences, including metabolisms, habitats and lifeworlds. The book also integrates discussions of embodiment, ecological values, literacies and critiques, with bioinspired, synthetic and historical design approaches to envision what could constitute artful living in an ever-evolving, interdependent world.The volume foregrounds systemic approaches to life, drawing on a wide range of disciplines and fields, including architecture, art, biology, bioengineering, chemistry, cinema studies, communication, computer science, conservation, cultural studies, design, ecology, environmental studies, information science, landscape architecture, geography, journalism, materials science, media archaeology, media studies, philosophy, physics, plant signalling and development, political economy, sociology and system dynamics.This is the second volume in the MEDIA • LIFE • UNIVERSE Trilogy. It follows and builds upon the 2021 collection MEDIA: A Transdisciplinary Inquiry ISBN 9781789382655