Marcus Bull - Böcker

'An epic account … myth-busting … Bull writes with knightly brio and packs a great deal of local and global history into his authoritative book’ Pratinav Anil, The TimesA major new history of the epic siege of the island fortress of MaltaEven as the great siege began it was understood by both sides to be an epic – a potentially decisive encounter between an uneasy assortment of soldiers, native Maltese, adventurers and Knights Hospitaller on a strategically crucial but near waterless island and a vast, seemingly all-powerful Ottoman armada. With three quarters of the Mediterranean’s coasts already in the hands of the Sultan and his allies, all eyes were now on Malta.This superb new account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While since mistakenly recast as a climactic battle between the West and the East, it was also much more interesting and nuanced than that – both sides had many other interests and priorities beyond Malta. Süleyman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia.Drawing on a wide range of eyewitness stories, Marcus Bull gives a vivid sense of the period’s technologies, values and assumptions. It was a grim world built on the labour of many thousands of disposable galley-slaves, shockingly brutal forms of warfare and religious absolutism. But it was also a world filled with the most extraordinary new discoveries and ideas. Both these worlds come together in the siege and in this book.

'An epic account … myth-busting … Bull writes with knightly brio and packs a great deal of local and global history into his authoritative book’ Pratinav Anil, The TimesA major new history of the epic siege of the island fortress of MaltaEven as the great siege began it was understood by both sides to be an epic – a potentially decisive encounter between an uneasy assortment of soldiers, native Maltese, adventurers and Knights Hospitaller on a strategically crucial but near waterless island and a vast, seemingly all-powerful Ottoman armada. With three quarters of the Mediterranean’s coasts already in the hands of the Sultan and his allies, all eyes were now on Malta.This superb new account of the siege emphasises the crucial importance of the siege while at the same time putting it in a far wider context. While since mistakenly recast as a climactic battle between the West and the East, it was also much more interesting and nuanced than that – both sides had many other interests and priorities beyond Malta. Süleyman the Magnificent had conquered and subsumed regions from Hungary to the Persian Gulf; Philip II was building an empire in America and Asia.Drawing on a wide range of eyewitness stories, Marcus Bull gives a vivid sense of the period’s technologies, values and assumptions. It was a grim world built on the labour of many thousands of disposable galley-slaves, shockingly brutal forms of warfare and religious absolutism. But it was also a world filled with the most extraordinary new discoveries and ideas. Both these worlds come together in the siege and in this book.

The first in-depth and wide-ranging academic investigation of the reception of the Tudor period in the modern world, this volume includes studies by many of the leading scholars in their fields, and considers the modern appropriation of the Tudors in art, music, architecture, design, religion, public history, social history, film and television, and internet networking sites. A noteworthy scholarly trend in recent decades has been a growing interest in the ways in which societies utilise the past as a cultural resource, as a repertoire of quotable designs and styles, as a vantage point from which to frame political and social critiques, as a source of identities, and as a refuge from present-day anxieties. There has been a great deal of academic interest, for example, in the reception of the ancient world in modern Western culture. Likewise, a growing body of scholarship is devoted to the study of medievalism, the images and ideas that attach to the Middle Ages in the post-medieval imaginary. It is striking that, in stark contrast, very little attention has been paid to the cultural appropriation of the Tudor age, despite the pronounced and enduring popularity of the Tudors within the popular historical consciousness, not only in Britain but also in many other countries. Indeed, the Tudors supply many of the signature icons of Britishness and the British monarchy around the world. This innovative volume will open up a new area of study and set the scholarly agenda for many years to come.

This volume provides a variety of complementary points of entry to the history of France between 900 and 1200. Chapters contributed by a leading team of historians cover key themes such as France's political culture and identity, rural economy and society, the Church, and France's relations with the outside world.

Contributed by a leading team of historians, each chapter in this volume in the Short Oxford History of France focuses on a key theme of the period, such as France's political culture and identity, rural economy and society, the Church, intellectual history, and France's relations with the outside world. Beginning in 900, the volume is able to trace the emergence of France as a country, and the people's sense of national identity. Encompassing every region of France and covering key events, such as the election of Hugh Capet as King in 987 and the Norman conquest of England in 1066, this volume provides a fully rounded and lively introduction to the history of France in the central middle ages.

The study of the crusades is one of the most thriving areas of medieval history. This collection of seventeen essays by leading researchers in the field reflects the best of contemporary scholarship. The subjects handled are remarkably wide-ranging, focusing on the theory and practice of crusading and the contributions which were made by the military orders. Chronologically, the essays range from the church's approach towards warfare in the pre-crusade era, to the way in which the First Crusade has been depicted in post-war fiction. Together with its companion volume, The Experience of Crusading: Volume 2. Defining the Crusader Kingdom, edited by Peter Edbury and Jonathan Phillips, this collection has been published to celebrate the 65th birthday of Jonathan Riley-Smith, the leading British historian of the crusades. The volume includes an appreciation of his work on the crusades and on the military orders.

Medieval miracle stories from a major pilgrim destination in 12c France.In the second half of the twelfth century Rocamadour developed an international reputation as a centre of devotion to the Virgin Mary, drawing pilgrims from Spain, Italy, Germany, England and the Latin East as well as France, as witnessed by the 126 miracle stories written there in 1172-3, here translated for the first time. Reflecting and enhancing Rocamadour's status (aristocratic figures feature prominently), they throw light on many of the dangers faced by medieval men and women: illness and injury; imprisonment; warfare; arbitrary justice; and natural disasters.In his introduction Marcus Bull identifies issues which the collection helps to elucidate, and assesses thevalue of the text as source material, particularly in view of the lack of other chronicles from southern France for the period. He makes comparisons with other texts, such as the miracle collection compiled at the shrine of Thomas Becket at Canterbury, and argues that the monks of Rocamadour asserted their importance through the miracles, in the face of competition from neighbouring monastic communities.MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory.This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives.MARCUS BULL is Andrew W Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool.Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, Léan Ní Chléirigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

The idea of what an "eyewitness" account is here scrutinised through examination of key Crusading texts.Eyewitness is a familiar label that historians apply to numerous pieces of evidence. It carries compelling connotations of trustworthiness and particular proximity to the lived experience of historical actors. But it has received surprisingly little critical attention.This book seeks to open up discussion of what we mean when we label a historical source in this way. Through a close analysis of accounts of the Second, Third and Fourth Crusades, aswell as an in-depth discussion of recent research by cognitive and social psychologists into perception and memory, this book challenges historians of the Middle Ages to revisit their often unexamined assumptions about the place of eyewitness narratives within the taxonomies of historical evidence. It is for the most part impossible to situate the authors of the texts studied here, viewed as historical actors, in precise spatial and temporal relation to the action that they purport to describe. Nor can we ever be truly certain what they actually saw. In what, therefore, does the authors' eyewitness status reside, and is this, indeed, a valid category of analysis?This book argues that the most productive way in which to approach the figure of the autoptic author is not as some floating presence close to historical events, validating our knowledge of them, but as an artefact of the text's meaning-makingoperations, in particular as these are opened up to scrutiny by narratological concepts such as the narrator, focalization and storyworld. The conclusion that emerges is that there is no single understanding of eyewitness runningthrough the texts, for all their substantive and thematic similarities; each fashions its narratorial voice in different ways as a function of its particular story-telling strategies.MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill

The idea of what an "eyewitness" account is here scrutinised through examination of key Crusading texts.Eyewitness is a familiar label that historians apply to numerous pieces of evidence. It carries compelling connotations of trustworthiness and particular proximity to the lived experience of historical actors. But it has received surprisingly little critical attention.This book seeks to open up discussion of what we mean when we label a historical source in this way. Through a close analysis of accounts of the Second, Third and Fourth Crusades, aswell as an in-depth discussion of recent research by cognitive and social psychologists into perception and memory, this book challenges historians of the Middle Ages to revisit their often unexamined assumptions about the place of eyewitness narratives within the taxonomies of historical evidence. It is for the most part impossible to situate the authors of the texts studied here, viewed as historical actors, in precise spatial and temporal relation to the action that they purport to describe. Nor can we ever be truly certain what they actually saw. In what, therefore, does the authors' eyewitness status reside, and is this, indeed, a valid category of analysis?This book argues that the most productive way in which to approach the figure of the autoptic author is not as some floating presence close to historical events, validating our knowledge of them, but as an artefact of the text's meaning-making operations, in particular as these are opened up to scrutiny by narratological concepts such as the narrator, focalization and story world. The conclusion that emerges is that there is no single understanding of eyewitness running through the texts, for all their substantive and thematic similarities; each fashions its narratorial voice in different ways as a function of its particular story-telling strategies.

A revisionist approach to Eleanor of Aquitaine and the political, social, cultural and religious world in which she lived.Eleanor of Aquitaine (1124-1204) is one of the most important and well-known figures of the Middle Ages; she exercised a huge influence on both the course of history, and on the cultural life, of the time. The essays in this collection use her as a point of entry into wider-ranging discussions of the literary, social, political and religious milieux into which she was born, and to which she contributed; they address many of the misconceptions that have grown around both Eleanor herself and the medieval Midi in general, and open up new areas of debate. Topics explored include the work of the troubadours and the importance to them of patronage; perceptions of southern France and itsinhabitants by outsiders; the early history of the Templars in southern France; cultural contacts between the Midi and other parts of the Latin world; the uses of ritual and historical myth in the expression of political power; and attitudes towards women.Contributors: Catherine Léglu, Marcus Bull, Richard W. Barber, Daniel F. Callahan, Malcolm Barber, John B. Gillingham, Linda Paterson, Ruth Harvey, Daniel Power, Laurent Macé, William Paden.

First modern critical edition of one of the most important and popular texts on the Crusades to survive.Robert the Monk's history of the First Crusade (1095-99), which was probably completed c. 1110, was in the nature of a medieval "bestseller", proving by far the most popular narrative of the crusade's events; the number of surviving manuscript copies far exceeds those of the many other accounts of the crusades written in the early decades of the twelfth century, when literary retellings of the crusaders' exploits were much in vogue.This volume presents the first critical edition to be published since the 1860s, grounded in a close study of the more than 80 manuscripts of the text that survive in libraries and archives across Europe. In their detailed introduction the editorsexplore the vexed problem of the author's identity, as well as the date of the text, its manuscript transmission, and the reasons for its success, for example among monasteries belonging to the Cistercian order in southern Germany.Damien Kempf is Lecturer in Medieval History at the University of Liverpool; Marcus Bull is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina, Chapel Hill.