Marden Fitzpatrick Nichols – författare

An entertaining and enlightening collection of ancient Roman writings about home design and decorationThe idea that our homes can communicate professional as well as personal identities may seem as new as the work-from-home revolution. But it was second nature to the ancient Romans, for whom the home was in many ways the center of public and private life. Roman authors saw infinite practical and symbolic value in houses, and they have much to say about them. How to Make a Home presents some of the best Roman writings on houses—from buying and selling to designing and decorating.Edited and elegantly translated by Marden Fitzpatrick Nichols, How to Make a Home gathers selections by Cicero, Vitruvius, Seneca, and others, with the original Latin or Greek on facing pages. These writings reveal the pleasures and pitfalls of the Roman practice of making one’s home a cornerstone of self-expression. While the ideal home enshrined Roman virtues and could make a career, lavish building projects could lead to financial ruin and moral condemnation. These authors memorably describe such travails as deceptive staging, decorators run amok, know-it-all owners, unsupervised contractors, and buyer’s remorse. Along the way, they also explain why simplicity is bliss, privacy is for nobodies, a neglected house is a sign of a neglected soul, and much more.A unique and charming introduction to Roman domestic architecture and its cultural significance, How to Make a Home reveals that the obsession with house and home has a long and fascinating history.

Vitruvius' De architectura is the only extant classical text on architecture, and its impact on Renaissance masters including Leonardo da Vinci is well-known. But what was the text's purpose in its own time (ca. 20s BCE)? In this book, Marden Fitzpatrick Nichols reveals how Vitruvius pitched the Greek discipline of architecture to his Roman readers, most of whom were undoubtedly laymen. The inaccuracy of Vitruvius' architectural rules, when compared with surviving ancient buildings, has knocked Vitruvius off his pedestal. Nichols argues that the author never intended to provide an accurate view of contemporary buildings. Instead, Vitruvius crafted his authorial persona and remarks on architecture to appeal to elites (and would-be elites) eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social landscape in which the house made the man.