Margaret Connolly - Böcker

Contemplations of the Dread and Love of God (also known as Fervor Amoris) is a late Middle English devotional prose text. In essence it is a manual of guidance for the spiritual and ethical life, directed at the lay population, and intended for both sexes, rather than at a monastic audience (although there is evidence that the text was read by nuns). It is a useful index of English popular spirituality since its circulation seems to have been extensive: it survives in sixteen manuscripts, dating from the early-to-mid fifteenth century, and two early sixteenth century printed editions, evidence of its enduring popularity into the early modern period. Despite this, previous treatment by scholars has been negligible, and this is the first critical edition of the text.This edition is based on one manuscript, with variant readings cited from the other witnesses where necessary; the volume has a full critical apparatus, and an introduction which discusses manuscript relations, matters of textual criticism, editorial technique, language, and dating.

Medieval miscellanies are multi-text manuscripts, made up of varied contents, often in a mixture of languages. They might be the work of one compiler or several, and might have been put together over a short period of time or over many years (even over several generations). Such mixed manuscripts are much more common that we might imagine and indeed are a typical environment for the survival of medieval texts. Two novel and ambitious avenues for investigation form the core of the present volume. First, how can we define the miscellany and best engage with and exploit the complex questions that it raises? Second - though of no lesser importance - is the cultural significance of this type of manuscript: how may the miscellany reveal processes and interactions that are otherwise obscured in modern editions or critical studies of individual texts?The essays in this volume discuss a great number of manuscript miscellanies produced in Britain in the 14th, 15th, and 16th centuries. Some of the essays offer new insights into very well-known miscellanies, whilst others draw attention to little-known volumes. Whilst previous studies of the miscellany have restricted themselves to disciplinary or linguistic boundaries, this collection uniquely draws on the expertise of specialists in the rich range of vernacular languages used in Britain in the later Middle Ages (Anglo-French, Middle English, Older Scots, Middle Welsh). As a result it has been possible to draw illuminating comparisons between miscellany manuscripts that were the products of different geographical areas and cultures. Collectively the essays in Insular Books explore the wide range of heterogeneous manuscripts that may be defined as miscellanies, and model approaches to their study that will permit a deeper and more nuanced understanding of the production of these assemblages, as well as their circulation and reception in their own age and beyond

This innovative study investigates the reception of medieval manuscripts over a long century, 1470-1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

This innovative study investigates the reception of medieval manuscripts over a long century, 1470-1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Published in 1998. John Shirley’s importance as a scribe of late fourteen-and early fifteenth-century vernacular poetry (in particular the works of Chauncer and Lydgate) has long been recognised. Not only did Shirley bring these works to the attention of a wider audience in his own time, but the survival of some if his manuscripts has perpetuated these texts for future generations of readers. Indeed, some of these poems are now only known through his manuscripts.In this meticulously researched survey, Margaret Connolly makes a thorough examination of all extent documents relating to Shirley’s life and carefully scrutinises the physical characteristics of his manuscripts. In so doing she dispels many of the false interpretations that have arisen from speculation about the nature of Shirley’s scribal activities. The book concludes that there is no evidence to suggest that Shirley acted as a bookseller, but plenty to indicate that he lent his books extensively. This book’s survey of volumes owned or used by Shirley provides general insights into the availability and circulation of literary texts in the fifteenth century. Palaeographers and those with a general interest in the history of the book will find this studying fascinating.

Published in 1998. John Shirley’s importance as a scribe of late fourteen-and early fifteenth-century vernacular poetry (in particular the works of Chauncer and Lydgate) has long been recognised. Not only did Shirley bring these works to the attention of a wider audience in his own time, but the survival of some if his manuscripts has perpetuated these texts for future generations of readers. Indeed, some of these poems are now only known through his manuscripts.In this meticulously researched survey, Margaret Connolly makes a thorough examination of all extent documents relating to Shirley’s life and carefully scrutinises the physical characteristics of his manuscripts. In so doing she dispels many of the false interpretations that have arisen from speculation about the nature of Shirley’s scribal activities. The book concludes that there is no evidence to suggest that Shirley acted as a bookseller, but plenty to indicate that he lent his books extensively. This book’s survey of volumes owned or used by Shirley provides general insights into the availability and circulation of literary texts in the fifteenth century. Palaeographers and those with a general interest in the history of the book will find this studying fascinating.

`The Index of Middle English Prose when completed will be a monumental achievement' REVIEW OF ENGLISH STUDIESCambridge University Library is one of Britain's major repositories of medieval manuscripts. Its two-letter collection (Dd-Oo) includes just over 1,000 medieval western manuscripts, and amongst these may be found examples of everytype of Middle English prose composition. Religious works predominate: there are several copies of the Wycliffite Bible, various sermon cycles, and works by Love, Hilton and Rolle; there is also a vast number of unattributed religious works. Secular texts are represented by the works of Chaucer, Mandeville's Travels, and no fewer than eight copies of the Brut. The collection is also extremely rich in Middle English prose writing in the fields of science and information, preserving medical, gynaecological, veterinary, culinary, alchemical, mathematical, heraldic and linguistic texts. Altogether the current handlist covers 207 manuscripts, and indexes more than 1250 separate items.MARGARET CONNOLLY teaches in the School of English at the University of St Andrews.

Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety.Linne R. Mooney, Emeritus Professor of Palaeography at the University of York, has significantly advanced the study of later medieval English book production, particularly our knowledge of individual scribes; this collection honours her distinguished scholarship and responds to her wide-ranging research on Middle English manuscripts and texts. The thirteen essays brought together here take a variety of approaches - palaeographical, codicological, dialectal, textual, art historical - to the study of the English medieval book and to the varied environments (professional, administrative, mercantile, ecclesiastical) where manuscripts were produced and used during the period 1300-1550. Acknowledging that books and readers are no respecters of borders, this collection's geographical scope extends beyond England in the east to Ghent and Flanders, and in the west to Waterford and the Dublin Pale. Contributors explore manuscripts containing works by key writers, including Geoffrey Chaucer, John Gower, John Wyclif, and Walter Hilton. Major texts whose manuscript traditions are scrutinized include Speculum Vitae, the Scale of Perfection, the Canterbury Tales, and Confessio Amantis, along with a wide range of shorter works such as lyric poems, devotional texts, and historical chronicles. London book-making activities and the scribal cultures of other cities and monastic centres all receive attention, as does the book production of personal miscellanies. By considering both literary texts and the letters, charters, and writs that medieval scribes produced, in Latin and Anglo-French as well as English, this collection celebrates Professor Mooney's influence on the field and presents a holistic sense of England's pre-modern textual culture.