Maria Chiara D'Argenio - Böcker

Exploring how Latin American print culture has informed global exchange   The first volume in English to focus on Latin American serialized print culture, Periodicals in Latin America assembles research on a diverse range of publications, including avant-garde reviews, comics, specialized journals, mass-market magazines, and political periodicals, from the late nineteenth century to the present day. In this book, scholars from a variety of disciplines examine both celebrated and little-known periodicals to demonstrate how publications supported emerging movements such as Indigenismo and feminism; undermined hegemonic conceptions of statehood and national identity; and questioned ideas about the relationship between the visual, literary, and political. Bringing Latin American print culture together with research and theories from the largely Anglophone field of periodical studies, this volume contests readings that discount the region’s periodicals, situating Latin America as a contributor to—not just a recipient of—global exchanges. Contributors also challenge the idea that periodicals are only useful for the insights they can offer into history, championing close attention to their material and materiality. The writers in this book reflect on the unique qualities and divergences of the region’s periodicals from those of other parts of the world and the need for different approaches to studying them. The volume bridges and brings into dialogue new research on print serials and their readers in the Spanish-, Portuguese-, and English-speaking worlds. Contributors:  Joanna Crow | María del Pilar Blanco | Héctor Fernández L'Hoeste | José Chávarry | Jorge Catalá | Isabella Cosse | M. Paula Bontempo | Sandra Szir | Camilla Sutherland | Luis Rebaza-Soraluz | Claire Lindsay | Valentino Gianuzzi | Juan Carlos Rodríguez | Sofía Mercader | Rielle Navitski | Luz Ainaí Morales Pino | Maria Chiara D’Argenio A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez

In this engaging book, Maria Chiara D’Argenio delineates a turn in recent Latin American filmmaking towards inter/cultural feature films made by non-Indigenous directors. Aimed at a global audience, but played by Indigenous actors, these films tell Indigenous stories in Indigenous languages. Over the last two decades, a growing number of Latin American films have screened the Indigenous experience by combining the local and the global in a way that has proved appealing at international film festivals.Locating the films in composite webs of past and present traditions and forms, Indigenous Plots in Twenty-First Century Latin American Cinema examines the critical reflection offered by recent inter/cultural films and the socio-cultural impact, if any, they might have had. Through the analysis of a selection of films produced between 2006 and 2019, the book gauges the extent to which non-Indigenous directors who set out to engage critically with colonial legacies and imaginaries, as well as with contemporary Indigenous marginalization, succeed in addressing these concerns by ‘unthinking’ and ‘undoing’ Western centrism and coloniality.Drawing on a wide range of disciplines and considering the entire cinematic process – from pre-production to the films’ production, circulation and critical reception – Indigenous Plots in Twenty-First Century Latin American Cinema makes the case for a holistic cultural criticism to explain the cultural and political work cinema does in specific historical contexts.