Maria Fallica – författare

In the Modern Age, the encounter and conflict between competing religious identities produced a renewed emphasis on the concept of peace, which was invested with religious, political and ideological connotations that still need to be investigated. This volume explores the role of religious discourse in the construction of the concept of peace from the Renaissance to the Enlightenment, analyzing the narratives which in Europe gave extrahuman value to peace, with a focus on the processes of idealization of peace and the relationship with the concept of toleration. The volume investigates crucial authors such as Nicholas of Cusa, Luis Vives, Pico della Mirandola, Erasmus of Rotterdam, Thomas More, Pierre Bayle, Benjamin Constant, who reflected on the problem of tolerance as an attempt to shape the relationship between confessions as a peaceful coexistence beyond doctrinal differences. The essays explore the extent to which religious conflicts within Christianity triggered a rhetoric of peace and tolerance/toleration, for instance in the case of the French Wars of Religion and the Revolt of the Netherlands. The rhetoric and imaginary field of peace in its religious connotations are then explored and analyzed in their apocalyptic (for Benivieni or Savonarola) or humanistic connotations (from Petrarca to Pico). The essays combine history, philosophy, history of religions and anthropology, with approaches that go from the historical-critical analysis of documents, to archive research, to comparative history to the analysis of the world of objects, that, following the “material turn”, allows an alternative view on the narratives of confrontation and peace that presided over the intrareligious exchange.

In the Modern Age, the encounter and conflict between competing religious identities produced a renewed emphasis on the concept of peace, which was invested with religious, political and ideological connotations that still need to be investigated. This volume explores the role of religious discourse in the construction of the concept of peace from the Renaissance to the Enlightenment, analyzing the narratives which in Europe gave extrahuman value to peace, with a focus on the processes of idealization of peace and the relationship with the concept of toleration. The volume investigates crucial authors such as Nicholas of Cusa, Luis Vives, Pico della Mirandola, Erasmus of Rotterdam, Thomas More, Pierre Bayle, Benjamin Constant, who reflected on the problem of tolerance as an attempt to shape the relationship between confessions as a peaceful coexistence beyond doctrinal differences. The essays explore the extent to which religious conflicts within Christianity triggered a rhetoric of peace and tolerance/toleration, for instance in the case of the French Wars of Religion and the Revolt of the Netherlands. The rhetoric and imaginary field of peace in its religious connotations are then explored and analyzed in their apocalyptic (for Benivieni or Savonarola) or humanistic connotations (from Petrarca to Pico). The essays combine history, philosophy, history of religions and anthropology, with approaches that go from the historical-critical analysis of documents, to archive research, to comparative history to the analysis of the world of objects, that, following the “material turn”, allows an alternative view on the narratives of confrontation and peace that presided over the intrareligious exchange.

At the outbreak of the Reformations, the need for stable and authoritative support was acutely felt on all sides, engaged as they were in a conflict of interpretations of the core of Christianity. Patristic anthologies were the perfect tool for the roles of polemical weapons and doctrinal handbooks, as they selected apt passages from the Fathers of the Church to prove, explain and promote the articles of the new confessions of faith and testify to antiquity. In a paradigm dominated by the figure of Augustine, whose exegesis of Scripture and understanding of the Gospel was very important for many Reformers, these anthologies tried to demonstrate the broad consensus of the majority of the ancient writers with the doctrines advocated by them._x000D_ This volume offers an original perspective on the reception of Origen of Alexandria, one of the most profound and influential philosophers and exegetes of Late Antiquity, in three patristic anthologies of the 16th century. It explores how the voice of Origen, who was recognized by Luther and Melanchthon as a staunch opponent of their doctrines, is harmonized with the theological stances of the anthologies. The anomaly represented by the proposed image of a “Protestant Origenö helps us to decipher larger trends of the European Reformations, in their relationship with authority and memory._x000D_