Maria Kanellou – författare

Despite its small size, epigram attracted some of the best poetic talents of antiquity, exerting a strong influence on Latin literature and continuing to inspire poetic creativity until today. During the last decades research on epigram flourished to an unprecedented degree. Greek Erotic Epigram: A Diachronic Approach draws on and engages with this renewed scholarly interest in the briefest of the ancient Greek genres. By shifting focus away from a particular poet, collection, and the epigrammatic production of a specific historical period, it explores diachronically erotic epigram from various interpretative angles, treating the surviving material as an organic whole. Four motifs drive diachronic research encompassing a wide chronological span from the Hellenistic up until the early Byzantine era: the lamp, sea, and nautical imagery, the beloved's comparison to Aphrodite, and Eros and the Erotes. By analysing how these motifs were shaped and adapted over the centuries, the book illustrates the epigrammatists' changing attitudes towards the material inherited from earlier poetic tradition, and leads to a deeper appreciation of the narrative techniques adopted by them as well as of the inner dynamics of poetic imitation and competition. Moreover, the scrutiny of the motifs within wider literary and historical backgrounds reveals the influence exerted by different cultural and sociopolitical environments on the epigrammatists' work in the course of centuries. The book offers a model for the type of diachronic research that can be applied to other epigrammatic subgenres and other motifs, and to Latin epigram.

Despite its small size, epigram attracted some of the best poetic talents of antiquity, exerting a strong influence on Latin literature and continuing to inspire poetic creativity until today. During the last decades research on epigram flourished to an unprecedented degree. Greek Erotic Epigram: A Diachronic Approach draws on and engages with this renewed scholarly interest in the briefest of the ancient Greek genres. By shifting focus away from a particular poet, collection, and the epigrammatic production of a specific historical period, it explores diachronically erotic epigram from various interpretative angles, treating the surviving material as an organic whole. Four motifs drive diachronic research encompassing a wide chronological span from the Hellenistic up until the early Byzantine era: the lamp, sea, and nautical imagery, the beloved''s comparison to Aphrodite, and Eros and the Erotes. By analysing how these motifs were shaped and adapted over the centuries, the book illustrates the epigrammatists'' changing attitudes towards the material inherited from earlier poetic tradition, and leads to a deeper appreciation of the narrative techniques adopted by them as well as of the inner dynamics of poetic imitation and competition. Moreover, the scrutiny of the motifs within wider literary and historical backgrounds reveals the influence exerted by different cultural and sociopolitical environments on the epigrammatists'' work in the course of centuries. The book offers a model for the type of diachronic research that can be applied to other epigrammatic subgenres and other motifs, and to Latin epigram.

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound influence on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the complexities of epigram as a genre, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from the dynamic interactions between poets and their predecessors and contemporaries, and the relationship between epigram and its sociopolitical, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation that generated the collections that survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world, which will be of value to scholars and students of Greek epigram and classical literature more broadly.

Despite its small size, epigram attracted some of the best poetic talents of antiquity, exerting a strong influence on Latin literature and continuing to inspire poetic creativity until today. During the last decades research on epigram flourished to an unprecedented degree. Greek Erotic Epigram: A Diachronic Approach draws on and engages with this renewed scholarly interest in the briefest of the ancient Greek genres. By shifting focus away from a particular poet, collection, and the epigrammatic production of a specific historical period, it explores diachronically erotic epigram from various interpretative angles, treating the surviving material as an organic whole. Four motifs drive diachronic research encompassing a wide chronological span from the Hellenistic up until the early Byzantine era: the lamp, sea, and nautical imagery, the beloved's comparison to Aphrodite, and Eros and the Erotes. By analysing how these motifs were shaped and adapted over the centuries, the book illustrates the epigrammatists' changing attitudes towards the material inherited from earlier poetic tradition, and leads to a deeper appreciation of the narrative techniques adopted by them as well as of the inner dynamics of poetic imitation and competition. Moreover, the scrutiny of the motifs within wider literary and historical backgrounds reveals the influence exerted by different cultural and sociopolitical environments on the epigrammatists' work in the course of centuries. The book offers a model for the type of diachronic research that can be applied to other epigrammatic subgenres and other motifs, and to Latin epigram.