Maria Stuart - Böcker

Although the significance of transatlantic currents of influence on slavery and abolition in the Americas has received substantial scholarly attention, the focus has tended to be largely on the British transatlantic, or on the effects of American racial politics on the emergence of Irish American political identity in the US. The specifics of Ireland’s role as a transnational hub of anti-slavery literary and political activity, and as deeply imbricated in debates around slavery and freedom, are often overlooked. This collection points to the particularity and significance of Ireland’s place in nineteenth-century exchanges around slavery and anti-slavery. Importantly, it foregrounds the context of empire – Ireland was both one of the ‘home’ nations of the UK, on many levels deeply complicit in British imperialism, and a space of emergent anti-colonial radicalism, bourgeois nationalism, and significant literary opportunity for Black abolitionist writers – as a key mediator of the ways in which the conceptual and practical responses to slavery and anti-slavery took shape in the Irish context. Moving beyond the transatlantic model often used to position debates around slavery in the Americas, it incorporates discussion around campaigns to abolish slavery within the empire, opening up the possibility of wider comparative discussions of slavery and anti-slavery around the Indian Ocean and the African continent. It also emphasizes the plurality of positions in play across class, political, racial and national lines, and the ways in which those positions shifted in response to changing social, cultural and economic conditions. This book was originally published as a special issue of Slavery & Abolition: A Journal of Slave and Post-Slave Studies.

Although the significance of transatlantic currents of influence on slavery and abolition in the Americas has received substantial scholarly attention, the focus has tended to be largely on the British transatlantic, or on the effects of American racial politics on the emergence of Irish American political identity in the US. The specifics of Ireland’s role as a transnational hub of anti-slavery literary and political activity, and as deeply imbricated in debates around slavery and freedom, are often overlooked. This collection points to the particularity and significance of Ireland’s place in nineteenth-century exchanges around slavery and anti-slavery. Importantly, it foregrounds the context of empire – Ireland was both one of the ‘home’ nations of the UK, on many levels deeply complicit in British imperialism, and a space of emergent anti-colonial radicalism, bourgeois nationalism, and significant literary opportunity for Black abolitionist writers – as a key mediator of the ways in which the conceptual and practical responses to slavery and anti-slavery took shape in the Irish context. Moving beyond the transatlantic model often used to position debates around slavery in the Americas, it incorporates discussion around campaigns to abolish slavery within the empire, opening up the possibility of wider comparative discussions of slavery and anti-slavery around the Indian Ocean and the African continent. It also emphasizes the plurality of positions in play across class, political, racial and national lines, and the ways in which those positions shifted in response to changing social, cultural and economic conditions. This book was originally published as a special issue of Slavery & Abolition: A Journal of Slave and Post-Slave Studies.

Emily Dickinson's poetry is known and read worldwide but to date there have been no studies of her reception and influence outside America. This collection of essays brings together international research on her reception abroad including translations, circulation and the responses of private and professional readers to her poetry in different countries. The contributors address key translations of individual poems and lyric sequences; Dickinson's influence on other writers, poets and culture more broadly; biographical constructions of Dickinson as a poet; the political cultural and linguistic contexts of translations; and adaptations into other media. It will appeal to all those interested in the international reception of Dickinson and nineteenth-century American literature more widely.

Emily Dickinson's poetry is known and read worldwide but to date there have been no studies of her reception and influence outside America. This collection of essays brings together international research on her reception abroad including translations, circulation and the responses of private and professional readers to her poetry in different countries. The contributors address key translations of individual poems and lyric sequences; Dickinson's influence on other writers, poets and culture more broadly; biographical constructions of Dickinson as a poet; the political cultural and linguistic contexts of translations; and adaptations into other media. It will appeal to all those interested in the international reception of Dickinson and nineteenth-century American literature more widely.

This international collection of critical and creative work offers compelling responses to the specifics of 'tradition' and 'place' in the face of the formal and thematic challenges of the modern at particular moments in the aesthetic development of American literature. Maintaining a Place operates also as a way of thinking about the legacy of key figures within Irish cultural debates about America in honouring an esteemed colleague, Ron Callan, for his unique contribution to the field of American Studies in Ireland. Pointing to the ongoing transatlantic influence exerted by the American poetic tradition on contemporary writers, and responding to current developments in literary studies by meshing the field's critical and creative strains the collection includes new poetry by established poets working in Ireland and the US. This volume will appeal to all readers with an interest in modern American literature and its continuing influence on transatlantic thinking and creative practices.