Marian Aguiar – författare

From Mohandas Gandhi’s nineteenth-century tour in a third-class compartment to the recent cinematic shenanigans of Wes Anderson’s The Darjeeling Limited, the railway has been one of India’s most potent emblems of modern life. In the first in-depth analysis of representations of the Indian railway, Marian Aguiar interprets modernity through the legacy of this transformative technology.Since the colonial period in India, the railway has been idealized as a rational utopia-a moving box in which racial and class differences might be amalgamated under a civic, secular, and public order. Aguiar charts this powerful image into the postcolonial period, showing how the culture of mobility exposes this symbol of reason as surprisingly dynamic and productive. Looking in turn at the partition of India, labor relations, rituals of travel, works of literature and film, visual culture, and the Mumbai train bombings of 2006, Aguiar finds incongruities she terms “counternarratives of modernity” to signify how they work both with and against the dominant rhetoric.  Revealing railways as a microcosm of tensions within Indian culture, Aguiar demonstrates how their representations have challenged prevailing ideas of modernity.

The first critical analysis of contemporary arranged marriage among South Asians in a global contextArranged marriage is an institution of global fascination-an object of curiosity, revulsion, outrage, and even envy. Marian Aguiar provides the first sustained analysis of arranged marriage as a transnational cultural phenomenon, revealing how its meaning has been continuously reinvented within the South Asian diaspora of Britain, the United States, and Canada. Aguiar identifies and analyzes representations of arranged marriage in an interdisciplinary set of texts-from literary fiction and Bollywood films, to digital and print media, to contemporary law and policy on forced marriage.Aguiar interprets depictions of South Asian arranged marriage to show we are in a moment of conjugal globalization, identifying how narratives about arranged marriage bear upon questions of consent, agency, state power, and national belonging. Aguiar argues that these discourses illuminate deep divisions in the processes of globalization constructed on a fault line between individualist and collectivist agency and in the process, critiques neoliberal celebrations of “culture as choice” that attempt to bridge that separation. Aguiar advocates situating arranged marriage discourses within their social and material contexts so as to see past reductive notions of culture and grasp the global forces mediating increasingly polarized visions of agency.

The first critical analysis of contemporary arranged marriage among South Asians in a global contextArranged marriage is an institution of global fascination-an object of curiosity, revulsion, outrage, and even envy. Marian Aguiar provides the first sustained analysis of arranged marriage as a transnational cultural phenomenon, revealing how its meaning has been continuously reinvented within the South Asian diaspora of Britain, the United States, and Canada. Aguiar identifies and analyzes representations of arranged marriage in an interdisciplinary set of texts-from literary fiction and Bollywood films, to digital and print media, to contemporary law and policy on forced marriage.Aguiar interprets depictions of South Asian arranged marriage to show we are in a moment of conjugal globalization, identifying how narratives about arranged marriage bear upon questions of consent, agency, state power, and national belonging. Aguiar argues that these discourses illuminate deep divisions in the processes of globalization constructed on a fault line between individualist and collectivist agency and in the process, critiques neoliberal celebrations of “culture as choice” that attempt to bridge that separation. Aguiar advocates situating arranged marriage discourses within their social and material contexts so as to see past reductive notions of culture and grasp the global forces mediating increasingly polarized visions of agency.

In the increasingly surveilled space of the Mediterranean Sea, migrants engage in types of mobility that exclude them from a global sea commons. In Errant mobilities, Aguiar interprets mobility and the migrant subject by examining contemporary cultural works depicting maritime bordering space. Aguiar identifies an 'errant mobility,' a mode of movement that is erroneous, roving and wandering, that falls outside regulatory norms and therefore the protections afforded within authorised travel. She analyses works that focus on the passage of migrants, including humanitarian rescue documentaries, human rights digital projects, visual art incorporating salvaged objects and experimental film and literature refiguring navigation and geography. Aguiar reads these representations of movement and loss to mark an alternative subjectivity and a radical politics of movement that give rise to new decolonial imaginaries.

This is the first book dedicated to literary and cultural scholars’ engagement with mobilities scholarship.