Marianne E. Kalinke – författare

An Icelandic Literary Florilegium, a special issue of New Norse Studies, is a smorgasbord of noteworthy studies and brings together twelve original articles. The various authors examine topics within the field of Old Norse-Icelandic and deal with a variety of literary genres, including the Sagas of Icelanders, kings' sagas, saints' lives, contemporary sagas, skaldic poetry, and post-Reformation compositions in verse and prose. There is no unifying theme, but all articles are written with Professor Úlfar Bragason in mind. Collectively, they present a heartfelt offering to him on the occasion of his seventieth birthday in gratitude for his friendship and scholarly support through many years. This book will be welcomed not only by specialists and scholars in adjacent fields, but also by avid general readers. Contributors: T. M. Andersson, Margaret Clunies Ross, Kate Heslop, Shaun F. D. Hughes, Jón Atli Árnason, Jon Gunnar Jørgensen, Marianne Kalinke, Annette Lassen, John Lindow, Else Mundal, Natalie M. Van Deusen, Andrew Wawn, Kirsten Wolf, Sune Wolf Pulsiano.

This book is an investigation of the foundation and evolution of romance in Iceland. The narrative type arose from the introduction of French narratives into the alien literary environment of Iceland and the acculturation of the import to indigenous literary traditions. The study focuses on the oldest Icelandic copies of three chansons de geste and four of the earliest indigenous romances, both types transmitted in an Icelandic codex from around 1300. The impact of the translated epic poems on the origin and development of the Icelandic romances was considerable, yet they have been largely neglected by scholars in favour of the courtly romances. This study attests the role played by the epic poems in the composition of romance in Iceland, which introduced the motifs of the aggressive female wooer and of Christian-heathen conflict.

This book is an investigation of the foundation and evolution of romance in Iceland. The narrative type arose from the introduction of French narratives into the alien literary environment of Iceland and the acculturation of the import to indigenous literary traditions. The study focuses on the oldest Icelandic copies of three chansons de geste and four of the earliest indigenous romances, both types transmitted in an Icelandic codex from around 1300. The impact of the translated epic poems on the origin and development of the Icelandic romances was considerable, yet they have been largely neglected by scholars in favour of the courtly romances. This study attests the role played by the epic poems in the composition of romance in Iceland, which introduced the motifs of the aggressive female wooer and of Christian-heathen conflict.