Marilyn Dumont – författare
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268 kr
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To describe the writing of Marilyn Dumont is to call her a poet of reclamation and resurgence. Some thirty-five years ago she set about documenting her life as a young Métis woman and telling the story of her people, the Red River Métis, and, in the process, she has become a principal literary voice for the “Renaissance” of the Métis nation. To understand Marilyn Dumont’s work is to understand Métis culture and history, that of a people who originated in the 17thth century upon the meeting of the First Nations and the newcomers, the European voyageurs and cartographers who travelled along the great waterways of Turtle Island/ North America.How does a Métis poet write about a country where its politicians and bureaucrats are honoured as national figures when they made family fortunes from confiscated Métis and First Nations lands? For Dumont, the answer to this question resides in telling the truth, about the present and the past. Through carefully crafted poems, Dumont takes the reader through a range of personal and historically connected experiences grounded in emotional truth. For Dumont, perception, like memory, is as much about the body as it is the mind, surfacing as visionary insight, which has become the hallmark of her poetry.Reclamation and Resurgence contains poems selected from A Really Good Brown Girl, green girl dreams Mountains, from that tongued belonging, and The Pemmican Eaters, as well as previously uncollected poems, and includes an introduction by Armand Garnet Ruffo and an afterword, "Contradictory Co-existence," by Marilyn Dumont.
175 kr
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"A best poem fulfills the promise set out in its first syllable, word, syntax, line break, and soundscape to its reader/listener."“What is a best poem?” asks Best Canadian Poetry 2020 guest editor Marilyn Dumont, the critically acclaimed and award-winning author of four poetry collections. “A best poem fulfills the promise set out in its first syllable, word, syntax, line break, and soundscape to its reader/listener. The work required to complete a poem takes risk, skill, and practice, and the poems selected for this anthology all exhibit such attributes.” In precise language that exposes the attitudes inherent in English, innovative forms that illuminate their content, and mastery of music akin to a composer’s score, the fifty poems collected here fulfill their promises and, in doing so, demonstrate the country’s rich diversity and talent for invention—and the promises it might fulfill as well.Featuring introductions by series editor Anita Lahey and advisory editor Amanda Jernigan, and poems by:Kazim Ali • Amber Dawn • Billy-Ray Belcourt • Brandi Bird • Selina Boan • Margret Bollerup • Rita Bouvier • Tim Bowling • Frances Boyle • Di Brandt • Rob Budde • Mugabi Byenkya • Dell Catherall • Margaret Christakos Ivan Coyote • Barry Dempster • Kyle Flemmer • Susan Haldane • Louise Bernice Halfe–Sky Dancer • Jane Eaton Hamilton • Maureen Scott Harris • Dallas Hunt • Ashley Hynd • Babo Kamel • Conor Kerr • Don Kerr • Fiona Tinwei Lam • Natalie Lim • Tanis MacDonald • Nyla Matuk • Sadie McCarney • Tara McGowan-Ross • Erín Moure • Roger Nash • Samantha Nock • Erin Noteboom • Abby Paige • Geoff Pevlin • Alycia Pirmohamed • Jana Prikryl • Jason Purcell • Armand Garnet Ruffo • Rebecca Salazar • Robyn Sarah • Erin Soros • Kevin Spenst • John Elizabeth Stintzi • Andrea Thompson • Sanna Wani • Adele Wiseman